Built by hand, rooted in history: National Historical Palace in Taif is one man’s tribute to Saudi heritage and Islamic history

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Spanning 70,000 sq. meters, the palace features seven museums, seven facades, seven gates and almost 7 million stones cut and laid by Majid Al-Thabiti. (Supplied)
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Spanning 70,000 sq. meters, the palace features seven museums, seven facades, seven gates and almost 7 million stones cut and laid by Majid Al-Thabiti. (Supplied)
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The palace includes flooring adorned with colored stones and inspired by the historical art of Sadu, an intangible cultural heritage recognized by UNESCO.  (SPA)
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Majid Al-Thabiti used seven types of stone sourced from across Saudi Arabia, including basalt, quartz and shale. (SPA)
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The palace includes flooring adorned with colored stones and inspired by the historical art of Sadu, an intangible cultural heritage recognized by UNESCO.  (SPA)
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Majid Al-Thabiti used seven types of stone sourced from across Saudi Arabia, including basalt, quartz and shale. (SPA)
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Spanning 70,000 sq. meters, the palace features seven museums, seven facades, seven gates and almost 7 million stones cut and laid by Majid Al-Thabiti. (Supplied)
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Updated 11 May 2025
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Built by hand, rooted in history: National Historical Palace in Taif is one man’s tribute to Saudi heritage and Islamic history

  • Built by Majid Al-Thabiti, the site blends Islamic history with contemporary design, rooted in the symbolism of the number seven
  • Spanning 70,000 sq. meters, the palace features seven museums, seven facades, seven gates and almost 7 million stones cut and laid by the man himself

MAKKAH: In the heart of Wadi Qarn in Taif governorate, one man’s vision has resulted in one of Saudi Arabia’s most striking heritage landmarks: the National Historical Palace for Islamic Civilization.

Built by Majid Al-Thabiti, the site blends Islamic history with contemporary design, rooted in the symbolism of the number seven.

In an interview with Arab News, Al-Thabiti said: “The number symbolizes perfection and completeness in several Qur’anic verses, including the seven heavens, the seven earths and the seven shaded by God in his shadow, among others.”




The palace includes flooring adorned with colored stones and inspired by the historical art of Sadu, an intangible cultural heritage recognized by UNESCO.  (SPA)

The project was born out of Al-Thabiti’s strong will. He believed in his dream and devoted his effort, time and energy to bring it to life.

Spanning 70,000 sq. meters, the palace features seven museums, seven facades, seven gates and almost 7 million stones cut and laid by the man himself.

The museums offer distinct cultural and education experiences. Exhibits cover Islamic architecture, local heritage, plastic arts and sculpture, rare collections, astronomy, military history documenting the unification of the Kingdom and an agricultural museum featuring seeds mentioned in the Holy Qur’an.

The palace includes 600 square meters of flooring adorned with colored stones and inspired by the historical art of Sadu, an intangible cultural heritage recognized by UNESCO.

Al-Thabiti said that he personally cuts, shapes and stacks the stones himself. “The manual labor is what gives the project its true spirit, as every corner bears (my) imprint, effort and dedication,” he added.

He used seven types of stone sourced from across Saudi Arabia, including basalt, quartz and shale. His attention to detail is reflected in features such as hand-shaped facades, floor mosaics inspired by Sadu art and stonework colored in seven hues that mirror the Kingdom’s geological diversity.




Majid Al-Thabiti used seven types of stone sourced from across Saudi Arabia, including basalt, quartz and shale. (SPA)

Highlights at the palace include an Abbasid-style minaret with a water fountain in honor of Zubaida, the wife of Harun Al-Rashid; an observatory used to track the crescent moon; and stone engravings of Saudi megaprojects like NEOM and The Line.

The site also includes engravings on stone of the Kingdom’s military vehicles, such as a fighter jet and ship.

Al-Thabiti also built a 700-meter sports track along the banks of Qarn valley, a stable for purebred Arabian horses, as well as replicas of symbolic gates like Makkah Gate, Taif Gate and King Abdulaziz Islamic Gate, with stones from Mounts Al-Nur, Thawr and Uhud. Other exhibits, like Diriyah and Yawm Badina (The Day We Began), commemorate key moments in Saudi history.

According to Al-Thabiti, his goal is to transform the palace into a cultural and educational destination that celebrates the Kingdom’s history and heritage.

“We possess a great civilizational legacy and a deep-rooted history. It is our duty to present it to the world in the finest way. This palace is the beginning,” he said.
 


Local ZUMI thermos bottle has heritage-inspired design

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Local ZUMI thermos bottle has heritage-inspired design

  • References Zamzam and Hajar’s search for water
  • Helps to tell Kingdom’s story, says firm Teeb Made

ZUMI, a thermos bottle unveiled this month by Saudi Arabia brand Teeb Made, has a design referencing local memory, ritual and place, according to its producers.

“We believe meaningful design can influence how people live, feel, and connect,” said Abeer Alessa, CEO of The Bold Group and co-founder of Teeb Made.

“ZUMI draws from our heritage yet speaks to a global audience seeking intention and authenticity in the objects they choose.”

Developed under The Bold Group, ZUMI reflects a growing movement within Saudi Arabia’s creative sector to translate cultural narratives into tangible products.

Rather than following global design trends, the team focused on grounding the product in a story that resonates locally while remaining accessible internationally.

Above, the team behind Zumi.

The name ZUMI is inspired by Hajar’s call, “Zummi, zummi,” meaning “gather, gather,” during her search for water for her son Ismail between the hills of Safa and Marwah.

That moment led to the emergence of Zamzam water, a source revered for centuries and deeply embedded in Islamic and Saudi identity. For the creators, this origin story became the philosophical core of the product.

“Culture starts with a story,” Alessa explained. “With Teeb Made, we wanted to tell our story not only through communication, but through a product you can touch, live with, and keep close to you.”

Visually, ZUMI draws inspiration from the dorag, the historical vessel used by the Zamazmah men of Makkah to serve Zamzam water to pilgrims for more than 1,400 years.

Traditionally utilitarian, the dorag carried spiritual weight through its purpose rather than ornamentation. Teeb Made reinterpreted this form into a minimal, contemporary silhouette suited for modern lifestyles.

“We wanted ZUMI to be a vessel of meaning, not just water,” said Mohamad Baalbaki, executive creative director of The Bold Group and co-founder of Teeb Made.

“Its form, its patented base, and its simplicity all serve one purpose: to create something that feels familiar, timeless, and deeply personal.”

“We believe meaningful design can influence how people live, feel, and connect,” said Abeer Alessa, CEO of The Bold Group and co-founder of Teeb Made. (Supplied)

The design process was extensive. Translating a historical silhouette into a thermos bottle required more than 18 months of research and development.

The final product received a patented design certification from the Saudi Ministry of Culture, marking a milestone in original Saudi intellectual property within product design.

One of ZUMI’s most talked-about features is that it does not stand upright. This decision was entirely intentional.

“We wanted people to carry it, not leave it on a table,” Baalbaki said. “It’s a statement piece, but more importantly, it’s a personal object that invites interaction and conversation.”

Color selection further reinforces the connection to place. The launch collection features hues inspired by Saudi landscapes, including tin (mud), forest, and matar (rain), reflecting the Kingdom’s environmental diversity and grounding the product visually in its origins.

“ZUMI is a product with a Saudi story that is scalable and built to last,” said Souad Merheb, general manager of Teeb Made. “Our vision is to create intellectual property that can live long, grow as a brand, and carry these stories to new generations without losing their meaning.”

“Teeb Made is, at its core, a product design company,” Merheb added. “Our expertise lies in design and creativity, and ZUMI is a reflection of that focus, a piece of IP developed with intention, patience, and depth.”

“There are many rich and insightful stories in Saudi Arabia that remain untapped,” Alessa said. “With ZUMI, this is just the beginning.”

Beyond the product itself, ZUMI aligns with broader national efforts to elevate Saudi culture through the creative economy.

Teeb Made has engaged with several government entities and cultural platforms that recognize the value of culturally rooted products in shaping global perceptions of the Kingdom.

“Today, every Saudi has a role in telling our story to the world,” Alessa said. “For us, it is an honor to contribute to that narrative through design.”

ZUMI also signals the beginning of a wider design ecosystem under Teeb Made, with future editions and complementary accessories already in development.

According to the team, this is only the first chapter in a larger effort to revive untapped cultural stories through modern design.

ZUMI is available at www.zumibottle.com and on Instagram @zumibottle.