Japan’s Koji Yamamura brings expertise to Saudi Film Festival masterclass

Koji Yamamura, center, spoke at the Saudi Film Festival. (AN Photo)
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Updated 20 April 2025
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Japan’s Koji Yamamura brings expertise to Saudi Film Festival masterclass

DHAHRAN: Animation lovers attending the 11th Saudi Film Festival this week were treated to a masterclass by Oscar-nominated Japanese director Koji Yamamura.

Yamamura gave a masterclass titled “Giving Shape to Invisible Light” on Saturday.

While the Saudi Film Festival typically focuses on local and regional cinema, it also offers audiences a chance to engage with global voices. This year, Japan holds a special place in the lineup, with the festival running until April 23.

Masterclass attendees watched as Yamamura explained his process and shared several of his shorts, which he dissected, offering guidance and insight into his creative approach.

Yamamura, regarded as one of Japan’s most successful animation filmmakers, began creating films at just 13 years old. After six painstaking years and thousands of drawings, his 10-minute 2002 film “Mt. Head” earned him an Oscar nomination in the Best Short Film category.

The story follows a man who eats cherry pits to avoid waste, only to have a cherry tree sprout from his head. What begins as a nuisance quickly escalates into chaos as strangers flock to picnic and swim atop his head.

Narrated in the traditional rakugo style — with a single voice and sparse instrumentation — the work blends classical storytelling with modern themes. Beneath the dark humor lies a critique of isolationism, environmental degradation, and the illusion of control. The more the man tries to resist change, the more disorder he invites, leading to a haunting end.

Yamamura explained that many of his works were inspired by traditional tales that are over 150 years-old—stories where the beginning and end are already known — so the creative challenge lies in how he fills the space.

His work moves fluidly between absurdity and clarity, often occupying a Kafkaesque space that encourages the viewer to dive in until the narrative fully takes hold.

After the masterclass, he sat down to answer questions by moderator Naoures Rouissi of the Arab Film Festival Zurich, and the audience was invited to take part in a Q&A portion.

Abdulrahman Al-Qarzaee, a fluent Japanese speaker who is Saudi, translated.

“I’m very interested in Arabic culture. It is my first time in Saudi Arabia — I would like to sketch it. I think the landscape is very different from Japan,” Yamamura told Arab News after the session.

When Arab News asked if he might create a new work inspired by his visit to the Kingdom, he didn’t hesitate.

“Probably, yeah. This is a very special and different experience for me,” he concluded with a smile.


Dwayne Johnson talks career pivot and Riyadh’s WrestleMania 43

Updated 53 min 26 sec ago
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Dwayne Johnson talks career pivot and Riyadh’s WrestleMania 43

LOS ANGELES: No one expects an action icon to enter the awards conversation, yet that is exactly where Dwayne Johnson finds himself today, and it is not by accident but a deliberate creative risk.

For years, Johnson was boxed into a brand, the unstoppable action superstar built for big moments and even bigger box office returns. Now he is challenging that identity, and the industry is paying attention.

In “The Smashing Machine,” Johnson steps into unfamiliar territory with a dramatic role backed by A24 and helmed by filmmaker Benny Safdie. It is the kind of project he describes as intimidating, not because of scale, but what it demanded emotionally.

In a recent exclusive interview, Johnson said: “The films I’ve made in the past that I’ve loved, they didn’t scare me, and there wasn’t a fear involved.

“But with this, this was different because it was not only a very dramatic role in an arthouse film from an arthouse studio in A24 with an auteur director and Benny Safdie.

“But it was also represented for me, an opportunity to do something that I never thought I could do.”

That framing explains the shift. The film marks a clear pivot, a performance that favors vulnerability over spectacle and intention over comfort. It is not a role chosen to repeat what already works but because it is difficult.

Johnson has also been increasingly direct about the balance he wants to represent on screen. Strength, he argues, does not require emotional distance. Vulnerability is not the opposite of masculinity but part of it.

“And in my opinion, it’s okay to be masculine. It’s important to be anchored in who you are. But it’s also important to know that in the same room, masculinity and vulnerability can coexist and they can breathe the same air, and it’s OK to cry.”

That message resonates because it mirrors the career moment. For an actor who built his dominance through power and certainty, choosing a role rooted in emotion reads as a real creative leap.

The response has been immediate. Awards chatter has grown louder, and, following a glowing reception at the Venice Film Festival, his Oscar potential was widely buzzed about.

At the same time, Johnson’s global profile continues to intersect with Saudi Arabia at a historic moment for international sports entertainment.

The WWE has confirmed that WrestleMania 43 will be held in Riyadh in 2027, marking the first time the company’s flagship event takes place outside North America.

As one of wrestling’s most iconic figures, Johnson has publicly welcomed the move, underscoring the scale of the event and its global significance.

“Well, I could tell you that I’m excited for the brand of WrestleMania.

“I’m excited for The Kingdom because that is a big show. And I’m also excited not only for the brand, but I’m excited for our athletes, to be able to participate in an event like that. And that is a global event.”

What makes this moment especially striking is how many worlds Johnson now occupies at once.

He is redefining himself on screen while remaining a central figure in global popular culture, from cinema to live international spectacle. Few stars operate simultaneously at this level across such different arenas.