What We Are Buying Today: KaafMeem

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KaafMeem caters to Saudi women by giving them unique abayas that match their style. (Supplied)
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KaafMeem caters to Saudi women by giving them unique abayas that match their style. (Supplied)
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KaafMeem caters to Saudi women by giving them unique abayas that match their style. (Supplied)
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Updated 04 November 2022
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What We Are Buying Today: KaafMeem

Saudi local brands are no strangers to creativity and originality, and to keep yourself afloat in such a sea of talent is a notable feat. KaafMeem is one such brand that has made a name for itself.

It caters to Saudi women by giving them unique abayas that match their style. The designs are unique, and the product is woven with class. The brand boasts variety for all women, with shorter abayas that fit the daily hustle, to the more sophisticated look.

The designs are colored in a way that makes pairing with other clothes an easy task.

The tarha is also available in different colors and these are easy to mix and match to produce fun outfits. KaafMeem even stocks a double-sided tarha that can take the place of two in your wardrobe.

The brand also offers accessories and masks so you can be safe and chic at the same time.

KaafMeem has also produced clothing to be worn under the abaya. These sets are ideal for someone looking to put together a modest outfit, and who wants the abaya to flow on top.

Dresses that fit the abaya like a glove come in presentation boxes to provide the ideal present for a loved one, or even yourself.

Customer service is friendly and accommodating. Once the product is delivered, a member of staff will get in touch with the buyer to make sure they are happy.

 


Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

Updated 31 January 2026
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Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

DUBAI: Afghan American film producer Zainab Azizi cannot wait for audiences to experience Sam Raimi’s new horror comedy “Send Help.”

In an interview with Arab News, the president at Raimi Productions kept returning throughout her interview to one central theme: the communal thrill of horror.

“I started watching horror from the age of six years old. So, it’s kind of ingrained in my brain to love it so much,” she said, before describing the formative ritual that still shapes her work: “What I loved about that was the experience of it, us cousins watching it with the lights off, holding hands, and just having a great time. And you know, as an adult, we experience that in the theater as well.”

Asked why she loves producing, Azizi was candid about the mix of creativity and competition that drives her. “I’m very competitive. So, my favorite part is getting the film sold,” she said. “I love developing stories and characters, and script, and my creative side gets really excited about that part, but what I get most excited about is when I bring it out to the marketplace, and then it becomes a bidding war, and that, to me, is when I know I’ve hit a home run.”

Azizi traced the origins of “Send Help” to a 2019 meeting with its writers. “In 2019 I met with the writers, Mark and Damien. I was a fan of their works. I’ve read many of their scripts and watched their films, and we hit it off, and we knew we wanted to make a movie together,” she said.

From their collaboration emerged a pitch built around “the story of Linda Little,” which they developed into “a full feature length pitch,” and then brought to Raimi. “We brought it to Sam Raimi to produce, and he loved it so much that he attached to direct it.”

On working with Raimi, Azizi praised his influence and the dynamic they share. “He is such a creative genius. So, it’s been an incredible mentorship. I learned so much from him,” she said, adding that their collaboration felt balanced: “We balance each other really well, because I have a lot of experience in packaging films and finding filmmakers, so I have a lot of freedom in the types of projects that I get to make.”

When asked what she hopes audiences will take from “Send Help,” Azizi returned to the communal aftermath that first drew her to horror: “I love the experience, the theatrical experience. I think when people watch the film, they take away so many different things. ... what I love from my experience on this film is, especially during test screenings, is after the film ... people are still thinking about it. Everybody has different opinions and outlooks on it. And I love that conversation piece of the film.”