Director Mounia Akl’s ‘Costa Brava, Lebanon’ to debut in North America

A still from the film. Supplied
Short Url
Updated 07 June 2022
Follow

Director Mounia Akl’s ‘Costa Brava, Lebanon’ to debut in North America

DUBAI: Lebanese director Mounia Akl’s “Costa Brava, Lebanon” is set to make its North American debut in July.

According to The Hollywood Reporter, international film and video distributor Kino Lorber has picked up the North American rights to the dark tale set amid a raging climate crisis in near-future Lebanon.

Akl’s directorial debut premiered in the Venice Film Festival’s Orizzonti Extra sidebar last year and stars Lebanese actress and director Nadine Labaki alongside “The Band’s Visit” star Saleh Bakri.

Kino Lorber is planning a theatrical release for the film on July 15.

The 32-year-old filmmaker’s haunting and upsetting feature was originally meant to depict a dystopian Lebanon in 2030 at its worst.

“I tried to imagine this dystopian future where none of our problems had been solved and the country was an extreme version of itself,” Akl previously told Arab News.

“It was somehow a way for me to imagine the worst for myself in the same way you sometimes want to explore your trauma in a cathartic way. It was a way for me to imagine the worst in my mind as a way of avoiding the worst happening in my mind and in life.”

But Lebanon’s crisis deepened as Akl and her team got closer to shooting the movie. “The reality of Lebanon became more tragic and more dystopian than even the dystopia that I imagined in 2030,” she said.

In the film, the now trash-filled surroundings of Lebanon’s “Costa Brava” had meant to be the free-spirited Badri family’s getaway utopia from the pollution and social unrest of Beirut. But their dreams were trashed when construction of a landfill site started next door to the family’s home.

Costa Brava is an actual landfill in Lebanon that opened in April 2016 as one of two sites advertised by the Lebanese government as a solution to the eight-month trash crisis the country had experienced the year before. However, within two weeks of its opening, residents and activists launched protests at the site demanding its closure.


In the light of Andalusia: Luis Olaso’s new body of work

Updated 9 sec ago
Follow

In the light of Andalusia: Luis Olaso’s new body of work

  • Luis Olaso transforms Andalusian landscapes and light into abstract art, creating canvases that reflect culture, nature, and the artist’s inner state
  • Each work in ‘Photosynthesis’ acts as a sensory and meditative portrait — an immersion into the Andalusian experience and the artist’s emotional universe

DUBAI: Spanish artist Luis Olaso is presenting “Photosynthesis,” his new exhibition, until March 9 at the JD Malat Gallery in Downtown Dubai. The series marks a turning point in his career, born from his recent move to Cadiz, in Andalusia, where the sun, light, and Mediterranean landscapes have profoundly transformed his practice.

For Olaso, relocating to southern Spain was not merely a change of scenery but an immersion into a culture and environment that nourishes his art at every moment.

“It’s very important for me because this is the first exhibition I have created in my new studio … I built it in the middle of the garden, surrounded by nature, fruit trees and olive trees, with a fantastic landscape. The influence of Andalusia and the colors of that place are the driving force behind my work,” said Olaso.

Located at the heart of an estate surrounded by olive, almond, and orange trees, his studio is designed to allow nature to enter the creative process both physically and psychologically. Yet, rather than depicting these elements directly, Olaso absorbs them as a sensory catalyst: Each color, texture, and gesture becomes the expression of a lived moment.

“Even when I work with plants or flowers, I’m not aiming for literal representation; they are vehicles to express abstract metaphors of myself and the moment I’m living while creating the work,” he said.

His artistic process is both spontaneous and meditative. Olaso often works on several canvases simultaneously to free himself from the pressure of the “perfect painting,” allowing intuition to guide his brush. Music —  the Spanish band Triana and 1970s psychedelic flamenco — plays a central role in his focus and inner connection.

“Painting, for me, is similar to meditation. I need to be in that precise moment and feel connected with myself,” said Olaso.

“Photosynthesis” also reflects a profound cultural and artistic dialogue. The artist’s work draws from Spanish tradition— with references to Antoni Tapies and Manolo Millares — as well as major international abstract movements, including American gestural abstraction and the San Francisco Bay Area Figurative Movement.

This meeting point between abstraction, culture, and emotion transforms each canvas into a portrait of a lived instant and the artist’s inner state.

After Dubai, Olaso is expected to present a solo exhibition in Madrid in March 2026, followed by another solo exhibition in Helsinki in April. An art fair is scheduled for September, with additional fairs planned throughout the year, notably with the JD Malat Gallery.

These milestones illustrate his universal approach to art, deeply rooted in a specific cultural context: the light, color, and sensory memory of Andalusia. With “Photosynthesis,” the artist offers viewers an experience in which painting becomes a mirror of the self, an emotional journey, and an encounter with a singular place.