Exponential box-office revenue growth establishes Saudi Arabia as West Asia’s foremost cinema market

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The first edition of the Red Sea Film Festival marked a major turning point in Saudi cinema, drawing local talent and film stars from around the world. (Red Sea Film Festival)
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A picture taken on March 27, 2017 shows a general view of the opening ceremony of the 4th Saudi Film Festival held in Dammam. (AFP)
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Saudis gather at a theatre in Riyadh Park mall after its opening for the general public on April 30, 2018 in the Saudi capital. (AFP file photo)
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Saudi youth are driving cinema ticket sales, with admissions in 2030 expected to total 60-70 million. (Getty Images)
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Updated 24 April 2022
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Exponential box-office revenue growth establishes Saudi Arabia as West Asia’s foremost cinema market

  • Ticket sales recorded 95 percent increase in 2021 over 2020 to cross $238 million mark
  • Kingdom could have 2,600 movie screens by 2030 in an industry worth around $1.2 billion 

JEDDAH: In the four years since the resumption of movie screening across Saudi Arabia, the country has experienced an explosion of investment, filmgoing and box-office takings, establishing it as West Asia’s foremost cinema market.

Box office revenues in the MENA region as a whole are expected to grow by 4 percent compound annual rate to $1 billion between 2019 and 2024, compared with a 2.4 percent decline worldwide, according to data from market tracker Ventures ONSITE.

This regional growth is mainly due to the creation of a sizable new market following the resumption of movie screening in April 2018 after a decades-long ban. The Kingdom far outstrips its neighbors in market size, revenue per user, and growth rate.

Revenues in the Kingdom are expected to show an annual growth rate of 27.68 percent resulting in a projected market volume of $100 million by 2024, while the average revenue per user is expected to amount to $50.04.

This compares favorably with the UAE, which already has a very well-established cinema industry, where revenues are expected to show a smaller annual growth rate of 7.68 percent resulting in a projected market volume of $37 million by 2024 and an average revenue per user of $34.56.

Outside the Gulf region, market growth is forecast to be far smaller. In Egypt, revenues are expected to show an annual growth rate of 13.56 percent resulting in a projected market volume of $12 million by 2024 and an average revenue per user of $6.89.

 

 

For crisis-hit Lebanon, meanwhile, revenues are expected to show an annual growth rate of 7.58 percent resulting in a projected market volume of $4 million by 2024 and an average revenue per user of $12.21.

The lifting of the prohibition on cinema was first announced by Crown Prince Mohammed bin Salman in 2017 as part of the Vision 2030 reform agenda, with a view to improving overall quality of life and diversifying the economy away from oil.

If the revenues alone are anything to go by, the policy shift has been a resounding success. Since cinemas officially reopened, box office sales have exceeded 30.8 million tickets, the Saudi Press Agency reported on April 18.

INNUMBERS

56 Theaters licensed in 20 cities since resumption of movie screening.

4,439 Jobs created for young Saudi men and women in the sector.

2,600 Screens expected to come up in the Kingdom by 2030.

$950m Projected box office revenue in the Kingdom in 2030.

In 2021 alone, the industry saw box office-market grow to $238 million — a 95 percent increase over the previous year’s takings of $122 million — far outstripping the UAE’s 2021 total of $130 million, according to ​​a recent report in Variety magazine.

Several analysts believe Saudi Arabia is on pace to become a billion-dollar movie market in the next few years. The professional services network PwC estimates the Kingdom’s industry could be worth $950 million in 2030.

Taking into account non-admission revenues, including advertising and concessions like food and beverages that typically comprise 35 percent of overall takings, the sector could generate $1.5 billion in 2030.

Meanwhile, the General Commission for Audiovisual Media, one of the governing authorities established to regulate and operate cinemas in the Kingdom, estimates there will be 2,600 movie screens in Saudi Arabia by 2030 in an industry worth around $1.2 billion.




Saudi men arrive at a cinema theater in Riyadh Park mall after its opening for the general public on April 30, 2018 in the Saudi capital. (AFP file photo)

According to the Film Commission, a Saudi government body affiliated with the Ministry of Culture, established in February 2020, the sector has already created jobs for 4,439 young Saudis, fulfilling a core goal of the Kingdom’s Vision 2030 reform agenda.

Variety magazine confirmed in a November 2020 report, citing figures released during the META Cinema Forum exhibitors’ conference, that Saudi Arabia had overtaken the UAE to become the region’s top-grossing territory, with more than $73 million in theatrical movie ticket sales over the past 40 weeks — a roughly $2 million increase in box office returns compared with the same period in 2019.

The UAE during the same period in 2020 had generated about $51 million, roughly a quarter of its 2019 box-office takings , the magazine said.

“We believe that Saudi Arabia is the only cinema market globally to have expanded in 2020,” Cameron Mitchell, CEO of prominent Middle East exhibitor VOX Cinemas, was quoted by Variety as saying. This despite the fact that, due to the pandemic, cinemas were shuttered in the Kingdom between March and the middle of June.




Saudi youth are driving cinema ticket sales, with admissions in 2030 expected to total 60-70 million. (AFP)

Mitchell said that as a theatrical market, the Middle East in 2019 was worth $600 million, of which Saudi accounted for a $110 million share and the UAE roughly $250 million. 

Much of Saudi Arabia’s remarkable box-office success in the space of just four years is attributable to the huge investments the Kingdom has seen in the form of multiplex cinemas.

Under Vision 2030, the Kingdom aims to attract domestic and international investors, increase household spending on entertainment from 2.9 percent to 6 percent, and develop a market worth SR30 billion ($1.9 billion) in recreational services.

In April 2018, coinciding with the resumption of movie screening, the Kingdom’s Development Investment Entertainment Company opened its first cinema in the King Abdullah Financial District in Riyadh.

Since then, 56 theaters with 518 screens have been licensed in 20 cities, according to the Film Commission. In that time, 1,144 movies in 22 languages ​​from 38 countries have been shown, including 22 Saudi films.

According to a recent Variety magazine report, citing data from US marketing analysis firm Comscore, the number of multi-screen movie theaters in Saudi Arabia grew from 33 locations at the start of 2021 to 53 venues by December 2021 — an increase of 20 new locations.

With Saudi Arabia’s population forecast to be 39.5 million by 2030, analysts believe the Kingdom has the potential to absorb up to 2,600 screens.


Top 10 box office hits in Saudi Arabia, 2021

 

  • 1. “Waafet Reggaala,” Empire, $15.08 million 

  • 2. “Spider-Man: No Way Home,” Sony, $11.2 million   

  • 3. “Cruella,” Disney, $9.1 million   
  • 4. “Wrath of Man,” Eagle Films, $8.3 million   
  • 5. “Mesh Ana,” N Stars, $8.2 million 
  • 6. “No Time to Die,” Phars, $8 million 
  • 7. “Fast & Furious 9,” Universal, $7.8 million 
  • 8. “Venom: Let There Be Carnage,” Sony, $6.7 million 
  • 9. “A Quiet Place 2,” Paramount, $6.1 million 
  • 10. “Mama Hamel,” Empire, $5.9 million 

Depending on how rapidly the Kingdom’s market evolves, it could potentially generate 60 to 70 million admissions in 2030.

Saudi-owned Muvi Cinemas operates the highest number of local cinemas, followed by (Dubai-based) VOX Cinemas, US theater chain AMC, the world’s largest cinema operator, Lebanon’s Empire Cinema, and Mexican-owned Cinepolis.

Prior to the pandemic, VOX set out plans to invest $533 million in the Kingdom to open 600 screens, including at least four multiplexes in partnership with IMAX, creating 3,000 new jobs over a period of five years.

Cinepolis and Al-Tayer Group have partnered with Al-Hokair Group, while iPic Entertainment is exploring opportunities with BAS Global Investments Company to develop 25 to 30 sites over the coming decade.

Meanwhile, India’s PVR Limited is exploring options with the UAE-based Al-Futtaim Group, while CJ 4DPLEX has signed a deal with Cinemacity.

 

 

Kuwait National Cinema Company and Dubai-based distributor Front Row Filmed Entertainment expect to develop 12 multiplexes through their subsidiary Cinescape, while Al-Rashed Empire Cinema consortium has received a license to enter the Kingdom’s marketplace.

Infrastructure and investment are not the only reasons for the Saudi success story. Understanding the audience and knowing what films to screen has also been integral.

Around one third of Saudi Arabia’s total population is made up of expatriates, including 3 million Indians, concentrated in the provinces of Riyadh and Makkah.

Market analysts say a strategy that offers filmgoers a mix of Hollywood, regional, Bollywood and local content is a surefire way to pull audiences into cinemas.

To cater for such a broad array of tastes and interests, some 340 new feature films were released into Saudi cinemas in 2021 alone — up from 222 in 2020.

Of course, what Saudi officials would like to see in the coming years is homegrown movies making the top box-office rankings.

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Aqabat Shaar: Iconic Saudi mountain road a lifeline for Asir's rugged beauty

Updated 6 sec ago
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Aqabat Shaar: Iconic Saudi mountain road a lifeline for Asir's rugged beauty

  • The road through Aqabat Shaar connects the highlands of Sarat Asir with the coastal plain of Tihama
  • It is a vital conduit for travel, commerce, and tourism, connecting communities while showcasing the natural splendor of the region

RIYADH: Nestled in the heart of Saudi Arabia's southwestern region of Asir, Aqabat Shaar is one of the most iconic highways, celebrated for its breathtaking natural scenery and vital tourist attractions.
This mountainous area, known for its rugged terrain, used to pose significant challenges to access and mobility, which led to the creation of a road that has become indispensable to residents and visitors alike, linking the region to neighboring areas and governorates.

This monumental project involved cutting through solid rock, creating 11 tunnels, and erecting 32 bridges, resulting in a road approximately 14 kilometers long. (SPA)

A mere 23 kilometers from Abha city, the road through Aqabat Shaar connects the highlands of Sarat Asir with the coastal plain of Tihama. This crucial artery not only reduces travel time, but also plays a pivotal role in bolstering tourism in the region. Furthermore, it enhances the Kingdom’s standing as a global logistics hub by facilitating the seamless movement of trucks transporting a wide array of goods.
The construction of Aqabat Shaar began over 40 years ago, under the reign of the late King Fahd bin Abdulaziz. This monumental project involved cutting through solid rock, creating 11 tunnels, and erecting 32 bridges, resulting in a road approximately 14 kilometers long. The endeavor was a marvel of engineering at the time, designed to navigate the challenging topography and ensure reliable access.
The road recently underwent significant development to enhance its utility and safety. The Roads General Authority spearheaded a comprehensive maintenance project incorporating the latest international technologies and standards. This effort entailed a temporary closure of the road, which reopened last year to much acclaim.

Aqabat Shaar is not just a road, it is a testament to human ingenuity. (SPA)

The recent maintenance work on Aqabat Shaar focused on achieving the highest standards of quality and safety. Enhancements included the installation of modern lighting, clear road markings, informative signs, and warning vibrations. Additionally, concrete barriers were erected to improve road safety, ensuring that the road meets the increasing demands of the region’s expanding network.
Aqabat Shaar is not just a road; it is a testament to human ingenuity and determination carving a path through some of the most formidable terrain in Asir. It is a vital conduit for travel, commerce, and tourism that serves and connects communities while showcasing the natural splendor of the region.
As it evolves with ongoing developments, Aqabat Shaar remains a beacon of progress, illuminating the way forward for Asir's dynamic future.
 


ThePlace: Wadi Wajj, Taif’s historic water oasis

Updated 27 July 2024
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ThePlace: Wadi Wajj, Taif’s historic water oasis

  • Once a geographical divider splitting the city of Taif in two, it has evolved into a popular tourist destination

TAIF:  Wadi Wajj, a revered valley in Saudi Arabia's western governorate of Taif, boasts a rich tapestry of history and natural beauty.

Once a geographical divider splitting the city of Taif in two, it has evolved into a popular tourist destination renowned for its lush gardens, vibrant orchards, and breathtaking panoramas.
Professor Saleh Al-Khalif, an expert in Islamic history and civilization, said Wadi Wajj's has played a vital role in agriculture and its proximity to Makkah accounts for its historical significance.

Wadi Wajj's abundant springs provide a constant water supply throughout the year. (SPA)

The region's ancient irrigation systems, including hundreds of springs and wells, are a testament to its innovative water management practices.
Wadi Wajj's water resources have been instrumental in the area's development, fostering agriculture and infrastructure.

The valley's enduring springs continue to irrigate farms and support the local economy, underscoring its enduring importance to Taif.
 


Saudi Arabia joins 80 countries in historic deal on e-commerce

Updated 26 July 2024
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Saudi Arabia joins 80 countries in historic deal on e-commerce

  • First digital global rules include recognition of e-signatures and protection against online fraud
  • The agreement also includes a component providing preferential treatment to developing countries

JEDDAH: About 80 countries including Saudi Arabia reached a historic agreement on Friday on rules governing global digital commerce, including recognition of e-signatures and protection against online fraud.

“We negotiated the first global rules on digital trade,” EU trade chief Valdis Dombrovskis said after the deal in Geneva following five years of negotiations.“This will facilitate e-transactions, boost innovation, and integrate developing countries into the digital economy,” he said.

Britain said the agreement would commit all participants to making customs documents and processes digital and recognizing e-documents and e-signatures, and put in place legal safeguards against online fraudsters and misleading claims about products.

Once in place, the deal “will make trade faster, cheaper, fairer and more secure,” Britain said in a statement.

The text of the agreement says the parties will seek to limit spam and protect personal data, as well as offer support to least-developed countries.
Ninety-one of the World Trade Organization’s 166 members took part in the negotiations, including Saudi Arabia, China, Canada, Argentina and Nigeria.
Digital commerce is growing far faster than its traditional counterpart.
The OECD group of economically developed nations says it estimated that in 2020, e-commerce already made up a quarter of global trade, making it worth just under $5 trillion.
Despite its growing importance, “no common set of global rules exist,” said British Trade Secretary Jonathan Reynolds.
Finalizing the negotiations “is a huge step forward in correcting that and ensuring British businesses feel the benefit.”

The talks were launched in 2019, with around 90 negotiating countries — representing 90 percent of the WTO membership — including heavy-hitters like the United States, the European Union and China.
Australia, Japan and Singapore, which have jointly been leading the Initiative on Electronic Commerce talks, presented a joint statement during a closed-door meeting at the WTO confirming that “after five years of negotiations, participants had achieved a stabilized text.”
But actual implementation of a deal could still be years off.
A small number of negotiating countries have yet to sign on, including the United States, Brazil, Indonesia and Turkiye, the declaration said.
“The text released today ... represents an important step forward for the WTO in a sector of growing importance to the global economy,” US ambassador and Deputy US Trade Representative Maria Pagan said in a statement.
But the United States considers that “the current text falls short and more work is needed,” she said, pointing in particular to an “essential security exception.”
The co-conveners of the talks have in recent months stressed the importance of landing a deal, stressing it could facilitate electronic transactions, promote digital trade and foster an open and trusted digital economy.
“This would be the first-ever set of baseline digital trade rules,” Singapore’s ambassador to the WTO Tan Hung Seng said in April.
“It would contribute to the growing e-commerce in our countries by providing greater legal predictability and certainty, against the backdrop of increasing regulatory fragmentation,” he said.
In Friday’s statement, UK Science Secretary Peter Kyle said the agreement aimed “to help people use technology safely by protecting them from fraud, while driving economic growth through the digitalization of trade so it’s faster and more secure.”

Preferential treatment

The agreement also includes a component providing preferential treatment to developing countries.
In addition to paving the way for digitalising customs documents and processes, the text also seeks to make permanent a long-held moratorium exempting electronic transactions from customs duties.
The moratorium has been in place since 1998, and has been extended at each WTO ministerial meeting since. It is currently set to expire in 2026.
“Once in force the agreement will permanently ban customs duties on digital content,” the British statement said.
The aim is to incorporate the digital trade rules into the WTO legal framework, but that would require consensus backing from all members, including those not part of the deal.
That could be tricky at a time when countries like India and South Africa are balking at what they see as a proliferation of plurilateral agreements within the WTO rather than the all-but-impossible multilateral deals backed by all members.
One solution, observers say, could be for the signatories to move the agreement to another international body. But if they do that, they would not be able to rely on the WTO’s mechanism for resolving trade disputes.

(With Agencies)


Saudi ballet star, 18, dances to inspire dreams

Updated 27 July 2024
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Saudi ballet star, 18, dances to inspire dreams

  • Halaa Nagadi desires to represent Kingdom on world stage
  • Hopes others ‘embrace this beautiful and expressive art form’

RIYADH: Saudi Arabia ballet dancer Halaa Nagadi, 18, is captivating audiences with her unwavering passion and hopes others would be inspired to “embrace this beautiful and expressive art form.”

She is currently preparing for the 2024 Dubai International Dance Competition set to start on Nov. 17 that will have professional and amateur dancers participating from all over the world.

“I became interested in ballet when I was on a journey to find a dance form that truly resonated with me,” Nagadi told Arab News. “The way ballet dancers could convey such powerful emotions and narratives through their bodies was simply captivating.”

Halaa Nagadi is currently preparing for the 2024 Dubai International Dance Competition set to start on Nov. 17 that will have professional and amateur dancers participating. (Supplied)

From a young age, Nagadi was mesmerized by the graceful movements and emotive storytelling of ballet, and she has pursued her dream with determination.

“One of my greatest goals is to represent Saudi Arabia on the international ballet stage,” Nagadi said. “I want to showcase the talent and artistry that exists within our country, and inspire others to embrace this beautiful and expressive art form.”

FASTFACTS

• Though ballet may not have been a typical path for a young Saudi Arabia woman, Nagadi was undeterred.

• She immersed herself in studying ballet, first through online videos and then by seeking out local and international training opportunities.

Though ballet may not have been a typical path for a young Saudi Arabia woman, Nagadi was undeterred. She immersed herself in studying ballet, first through online videos and then by seeking out local and international training opportunities.

“Balancing my studies in tourism and event management at King Abdulaziz University with my rigorous ballet training has not been an easy task,” Nagadi revealed.

“But I’ve remained steadfast in my pursuit, spending four to eight hours each day honing my skills, whether it’s at the ballet studio or the gym, ensuring that I am constantly improving and pushing the boundaries of my craft.”

Nagadi’s journey has not been without its challenges, however. Finding suitable ballet facilities in Saudi Arabia has been a significant hurdle, and sourcing specialized equipment is proving to be an ongoing obstacle, she explained.

Undaunted, Nagadi has sought out opportunities abroad, including a summer program in Romania and a ballet performance opportunity in Turkiye.

“I also took a masterclass for professional dancers from the principal of the Royal Ballet in London,” she added.

Nagadi’s dedication and passion have not gone unnoticed locally. “I have received the support of the Saudi Ministry of Culture, who have provided me with opportunities to showcase my talents at local events, such as the Taif Rose Festival and a theatrical performance that fused Arabic music with ballet,” she said.

As Saudi Arabia’s arts and culture scene continues to evolve, the ballet talent envisions a future where the dance form will flourish and draw audiences from across the Kingdom.

“I believe the ballet scene in Saudi Arabia will only continue to grow and develop,” she said. “More and more people are becoming interested in learning and practicing this art form.”

Nagadi’s unwavering determination has not only earned her recognition within the Saudi Arabia arts community but has also inspired a new generation of young people to explore the world of ballet.

Her story is a reminder that with hard work, dedication, and a willingness to challenge societal norms, anything is possible.

 


Saudi Arabia’s fire forts, lava fields reflect features of the past

The black lava fields are stone volcanic structures that have transformed into natural oasis museums due to weathering. (SPA)
Updated 26 July 2024
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Saudi Arabia’s fire forts, lava fields reflect features of the past

  • The most prominent volcanic sites include Hafir Kishb and Al-Malsa volcano on the northern and southern edges of Harrat Rahat in the southeast of Madinah

TAIF: Fire forts or lava fields, known in the Kingdom as harrat, are archaeological sites that reveal the past.

The lava fields contain features from the civilizational development of past peoples, giving hints of behaviors, culture, customs and traditions.

The black lava fields in the Kingdom, especially north of Taif — Hafir Kishb, Turbah, Al-Khurma, and Al-Muwayh — are stone volcanic structures that have transformed into natural oasis museums due to weathering.

The black lava fields are stone volcanic structures that have transformed into natural oasis museums due to weathering. (SPA)

Dr. Hammad Al-Ruwaili, a professor of history and archaeology, said that the history of volcanoes in the Kingdom dates back about 30 million years.

“They formed in two phases. The first phase coincided with the basaltic lava flows and the opening of the Red Sea, and the second phase began with volcanic activity in the Arabian Peninsula about 10 million years ago,” he added.

The most prominent volcanic sites include Hafir Kishb and Al-Malsa volcano on the northern and southern edges of Harrat Rahat in the southeast of Madinah.

Harrat Rahat is the largest volcano by area, followed by Harrat Khaybar, Harrat Al-Harrah, Harrat Nawasif and Harrat Hafir Kishb, which contains the Wahbah Crater, the deepest volcanic crater in the Kingdom with a diameter of 2 km and a depth of more than 220 meters. The site is a popular destination for locals and attracts tourists from around the world.

SPEEDREAD

The most prominent volcanic sites include Hafir Kishb and Al-Malsa volcano on the northern and southern edges of Harrat Rahat in the southeast of Madinah.

In Arabic, Harrat refers to “a land with black stones that seem to have been burned by fire.” The lava fields are named after the intense heat of rocks.

Al-Ruwaili said that volcanoes are classified into several types, including domed, scoria, shield and cratered.

He added that the Hafir Kishb derives its name from Mount Kishb, located about 260 km from the northeastern part of Taif Governorate. The black mountain is visible to the right of those traveling on the Riyadh Road after Al-Muwayh. The area is mostly scattered black rocks interspersed with sandy areas known as Al-Qee’an.

Other notable areas include Dughaybjah, Khawarah, Hafar, Al-Mashubah, Qia, Mraan and Al-Muwayh.

Al-Ruwaili added that east of Hafir Kishb lies a rough harrat which is very difficult to traverse.