Red Sea International Film Festival unveils films to run in New Saudi cinema section 

The Red Sea International Film Festival is set to run from Dec. 6-15. (redseafilmfest.com)
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Updated 09 November 2021
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Red Sea International Film Festival unveils films to run in New Saudi cinema section 

DUBAI: The Red Sea International Film Festival, set to run from Dec. 6-15, announced on Monday the movies by Saudi filmmakers that will make up its New Saudi/New Cinema: Features slate.

The program will feature world premieres of the selected films by the Kingdom’s up-and-coming talent. The program is the latest selection of films to be announced amongst the 27 films being presented at the festival’s inaugural edition.

The films that will screen include: “Junoon” by directors Maan B. and Yaser B. Khalid, “Route 10” by Omar Naim, “Quareer” by Ragheed Al Nahdi, Norah Almowald, Ruba Khafagy, Fatma Alhazmi and Noor Alameer, “Fay’s Palette” by Anas Ba-Tahaf, “Becoming” by Sara Mesfer, Jawaher Alamri, Noor Alameer, Hind Alfahhad and Fatima Al-Banawi, “Kayan” by Hakeem Jomaah and “Cinema Al-Hara” by Faizah Ambah.

Each screening will be accompanied by a Q&A session with the filmmakers or the cast involved, providing an opportunity for the festival goers to discover new films and hear directly from the talents. 

The program manager Mohyee Qari said in a statement: “The Saudi program of feature and short films of which many are directed by female filmmakers speak to the very best of Saudi filmmaking.”

“They don’t hesitate to explore the different genres of cinema ranging from suspense to thriller, to social themes and relationships to show us the Saudi society in its richness,” he added. “They indicate an industry that is flourishing, both in terms of the diversity and content on screen, and point to the bright future that this young film industry has. We are thrilled to be able to give these filmmakers a platform to share their work on the international stage.”


Review: ‘Roofman’ Movie

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Updated 23 December 2025
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Review: ‘Roofman’ Movie

  • The film follows Jeff, a man on the run, living out of sight inside a Toys “R” Us store, and constantly improvising his survival

I went into “Roofman” with no expectations, and that turned out to be the best possible way to experience the 2025 comedy-drama based on a true story.

Gripping and unexpectedly moving, it is one of those rare character-driven stories that stays with you long after the credits roll.

Channing Tatum delivers what may well be the strongest performance of his career. Stripped of the bravado he is often known for, Tatum plays Jeffrey Manchester — a former US army veteran and struggling dad who turns to a life of crime — with a raw vulnerability that feels lived-in rather than performed.

His portrayal balances charm, desperation and weariness in a way that makes the character both flawed and sympathetic. It is the kind of performance that reminds you how effective he can be when handed a script that trusts stillness as much as spectacle.

The film follows Jeff, a man on the run, living out of sight inside a Toys “R” Us store, and constantly improvising his survival. Without giving anything away, “Roofman” unfolds as a tense cat-and-mouse story, but one that resists becoming purely a thriller.

The pacing is deliberate and assured, allowing moments of humor, warmth and connection to surface naturally amid the suspense.

What “Roofman” does exceptionally well is maintain an undercurrent of unease. Even in its lighter, more playful moments, there is a persistent sense of claustrophobia and impending doom.

The script understands that tension does not always rise from action; sometimes it is born simply from the fear of being seen. “Game of Thrones” actor Peter Dinklage’s flawless portrayal of the store’s stern and authoritarian manager sharpens that anxiety.

Kirsten Dunst brings a grounded, affecting presence to the story, offering moments of tenderness and emotional clarity that deepen its human core. Her character anchors Jeff’s world with something real to reach for.

Despite its thrills, “Roofman” is ultimately a reflective film that asks, without judgment, how people arrive at the decisions that shape their lives, and why some feel trapped into making the wrong ones.

Underrated and surprisingly heartfelt, “Roofman” is a reminder that some of the most compelling stories are about the resilience of hope even when the odds are stacked against you.