First AlUla art residency program launched at Saudi heritage site

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Hawa City by Sofiane Si Merabet, 2018. (Courtesy of the artist)
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Toutes ces filles couronnées de langues : les instruments by Laura Sellies and Amélie Giacomini, 2019. (Courtesy of the artist)
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Streams, dreams and flow states by Muhannad Shonno, 2019. (Courtesy of the artist)
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A Concise Passage by Rashed AlShashai, 2020. (Courtesy of the artist)
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La redite en somme, ne s’amuse pas de sa répétition singulière by Sara Favriau, 2016. (Courtesy of the artist)
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Transient by Talin Hazbar, 2017-2018. (Courtesy of the artist)
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Updated 03 December 2021
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First AlUla art residency program launched at Saudi heritage site

  • Six artists are currently part of the pilot residency running until January 14

The Royal Commission for AlUla and the French Agency for AlUla Development (Afalula) have announced the launch of the first art residency program at the Saudi heritage site.

The 11-week project, to be operated by Manifesto, aims to foster dialogue, exchange, and collaboration between the artists in residence and the community of experts working on the ground in AlUla, as well as local practitioners and other members of the community, a statement said.

Six artists are currently part of the pilot residency running until Jan. 14.

The work of Riyadh-based conceptual artist and arts educator Rashed Al-Shashai, from Saudi Arabia, explores the purpose of human existence and the functions of society with everyday objects and imagery.

French multidisciplinary artist Sara Favriau, who is based in Paris, produces sculptures, installations, and performances that investigate the very permanence of self, nature, and works of art.

Talin Hazbar, from Syria, works out of Sharjah, in the UAE, and is an architect and visual artist. Her work and processes aim to showcase the overlapping boundaries in nature, history, and ecology.

Paris-based French multimedia artist Laura Sellies finds new ways to understand the relationship between sculptures, people, images, and sounds through her work.

Sofiane Si Merabet, also French but operating from Dubai, is a multimedia artist who interrogates memories, identities, and migration.

And from his base in Riyadh, Saudi multidisciplinary artist Muhannad Shono explores what lies beneath the surface of the human experience.

Nora Al-Dabal, the RCU’s arts and creative planning director, said: “This pilot artist residency is a new milestone in AlUla’s cultural development. Our goal is not only to provide unique cultural experiences for visitors but also to contribute to creating a flourishing cultural ecosystem with a vibrant arts district and space for artists and creatives in AlUla.

“The art residency pilot program will lay solid grounds for such ambition.”

The pilot edition will be based in Mabiti AlUla, a palm grove and guest house in the heart of AlUla’s oasis. It will subsequently be established in Madrasat AdDeera, an arts and design center.

Artists in residence have already started building collaborations with local artisans through programs held at Madrasat AdDeera while delving deeper and focusing their research on the local materials of AlUla, and its craft and cultural practices, the statement added.

It is anticipated that Madrasat AdDeera will become a key anchor asset of the future arts district of AlUla, a dynamic cluster of programs, education, and production that will form an active and vibrant arts destination for communities, students, artists, and visitors.

Afalula scientific director, Jean-Francois Charnier, said: “The originality of this very first art residency program developed in partnership between the Royal Commission for AlUla and the French Agency for AlUla Development relies on the cooperation between international artists with the impressive array of scientific experts currently working in the oasis, including archaeologists, anthropologists, agriculture experts, botanists, and many more.”

Arnaud Morand, Afalula’s head of creation and innovation, said: “It is an unprecedented experiment to associate at this level artistic vision and scientific approaches in the writing of the narratives and the reimagination of a destination.

“This will undoubtedly contribute to further mark the originality of AlUla as a cultural destination of a new kind.”

And Laure Confavreux-Colliex, executive director at Manifesto, said: “We are very proud that Manifesto has been chosen to launch this first artists’ hub in the heart of AlUla’s oasis. We are working on site to make this the very start of a destination truly built by artists.”


Artist in residence program revives Arabic calligraphy in Jeddah

Al Falah hosted the “Dar Al-Qalam Residency Program” exhibition over the weekend, presenting a modern take on Arabic calligraphy
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Artist in residence program revives Arabic calligraphy in Jeddah

JEDDAH: Al Falah, Jeddah’s oldest school, hosted the “Dar Al-Qalam Residency Program” exhibition over the weekend, presenting a modern take on Arabic calligraphy.

The program exhibited works by members of an artist-in-residency program run by the Prince Mohammed bin Salman Global Center for Arabic Calligraphy, an initiative of the Saudi Ministry of Culture.

The residency brought together Saudi and international artists in an intensive eight-week program dedicated to contemporary Arabic calligraphy.

It explored the art of Arabic calligraphy through four key themes: its traditional roots, the arts that accompany it, leading contemporary practices and questions surrounding the future of innovation in this art form.

The exhibition was curated by Abdelrahman El-Shahed, supported by assistant curator Layal Al-Gain.

The artists who took part in the second edition of the residency were: Om Kalthoom, Budor Alyafie Al-Alawi, Bushra Al-Kebsi, Rafiq Ullah Khan, Zainab Al-Sabba, Somaya Al-Sayed, Laya Al-Kaff, Mustafa Al-Arab, Hind Djafer and Yomna Ayman.

Assistant curator Layal Al-Gain told Arab News that artists who reside in the heart of Jeddah historical area are offered a transformative platform to sharpen their creative skills through expert mentorship, production support and curatorial guidance.

“The participating artists came from a wide range of multi-disciplinary backgrounds including art, photography, design, architecture and other fields, and what is beautiful about that (is that) they have joined together by their love and passion for the Arabic calligraphy as they approach it in a different way,” Al-Gain said.

The program offered an intensive framework of practical workshops, critique sessions, lectures, research activities and field visits.

These were complemented by meetings with experts and peers, fostering critical exchange within a historically and culturally resonant setting.

For Saudi artist Om Kalthoom, the experience was deeply introspective.

“I have been in residency programs (before) but this one is very impressive because the subject is related to Arabic calligraphy,” she said.

“Being immersed in the heart of this great historical area allowed me to see making as both an act of listening and an act of thinking.”

Speaking about her work, she explained: “It is called ‘Beyond the Light.’ it is a direct message with Arabic letters.

“I try in this project to give visitors a space where they can think, search and connect these letters.”

Saudi artist Laya Al-Kaff said: “We are here to celebrate the Arabic letter not simply as text but as a form of visual expression in itself.”

Al-Kaff said the Dar Al-Qalam Residency Programme was a great experience. “It is a great opportunity (for) us as artists to engage with the residents’ artistic processes, trace the evolving forms of Arabic calligraphy in contemporary practice.

“In this work, I rethought my own background as an artist. I graduated with a degree in dentistry, oral medicine, therefore decided to combine the anatomy I studied at university with the one-line art.”

Rafiqullah Khan, from Pakistan, said he was “thrilled to be part of the second Al‑Qalam Arabic Calligraphy Residency, an initiative of the Prince Mohammed bin Salman Global Center for Arabic Calligraphy.”

“This program gives calligraphers and visual artists a nurturing space to experiment, share knowledge and celebrate Arab identity on both local and world stages.”

He said he was “immersed in the historic heart of Al‑Balad, Jeddah, wandering coral‑stone alleys, sketching timeless facades, and letting the city’s layered stories flow into my work.”

Zainab Al-Sabaa, a Bahraini artist, designer and architect told Arab News that she was inspired by Jeddah’s historical area.

Aligned with Saudi Arabia’s Vision 2030 and the National Culture Strategy, Dar Al-Qalam contributes to a wider effort to support creative practice, nurture artistic research and reposition traditional art forms within global contemporary discourse.