Review: Michael B. Jordan-starring ‘Without Remorse’ is a slick, if uninspiring, thriller

“Without Remorse” drops Tom Clancy’s original Vietnam War-set backstory, updating the action to modern day Syria. (Supplied)
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Updated 05 May 2021
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Review: Michael B. Jordan-starring ‘Without Remorse’ is a slick, if uninspiring, thriller

LONDON: John Clark, the frighteningly efficient former Navy Seal who forms an integral part of Tom Clancy’s “Jack Ryan” series, has been portrayed by no less than three different actors before getting his own headline gig in 2021’s “Without Remorse.” Michael B. Jordan picks up where Willem Defoe (“Clear and Present Danger”), Liev Schreiber (“The Sum of All Fears”) and John Hoogenakker (Amazon Prime’s “Jack Ryan” series) left off — although “Without Remorse” is something of a reboot of Clancy’s character, giving Clark a new, tweaked backstory and planting the seed for a Jordan-fronted series of movies.




“Without Remorse” is now streaming on Amazon Prime Video. (Supplied)

“Without Remorse,” which is now streaming on Amazon Prime Video, drops Clancy’s original Vietnam War-set backstory, updating the action to modern day Syria. Jordan begins the movie as John Kelly, leader of a Seal team tasked with recovering an operative for CIA man Robert Ritter (Jamie Bell). As members of the team return to the US, their families are targeted by persons unknown and Kelly deploys his considerable skillset to track down whomever is responsible.

Italian director Stefano Sollima (“Sicario: Day of the Soldado”) keeps the action tight and the movie (relatively) short. There are some visceral set pieces, claustrophobic gunfights and convoluted special ops in abundance and Jordan brings some humanity to Clancy’s often very dark character. He’s backed by an able supporting cast — Bell is a creepy company man, Jodie Turner-Smith is a kick-ass Navy Seal, and Guy Pearce seems to enjoy himself as Secretary of Defense Thomas Clay. In all honesty, “Without Remorse” is a decent, serviceable action movie — albeit one with a literary connection that doesn’t do much for it. The movie seems torn between a desire to stay true to elements of Clancy’s universe and a need to act as a springboard for a new, modern thriller franchise. The plot is predictable, the story beats are telegraphed and the performances (while decent) are uninspiringly familiar. With the aforementioned sequel seemingly inevitable, “Without Remorse” has succeeded in laying the groundwork. Let’s hope that, in the next installment, there’s something more to say.


‘Palestine 36’ set for Saudi cinemas this week

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‘Palestine 36’ set for Saudi cinemas this week

DUBAI: Filmmaker Annemarie Jacir’s “Palestine 36,” which screened at Jeddah’s Red Sea International Film Festival, is scheduled for release in Saudi cinemas on Thursday.

The sweeping historical epic — Palestine’s official entry to the Oscars this year, which made it to the official longlist — is a deep exploration of resistance, resilience and the struggle of the Palestinian people. 

“Palestine 36” is set during the 1936 Arab Revolt and follows five interconnected narratives as villages across Palestine confront British colonial rule.

With rising numbers of Jewish immigrants escaping antisemitism in Europe, and the Palestinian population uniting against Britain’s 30-year dominion, all sides spiral toward inevitable collision in a decisive moment for the British Empire and the future of the entire region. 

The film won the Best Film award at the Tokyo International Film Festival.

Jacir — whose three previous feature films “Salt of this Sea,” “When I Saw You,” and “Wajib” were also official Palestinian Oscar entries — hopes “Palestine 36” will provide a mirror for audiences, particularly those from colonized or war-affected countries.  

“I hope people see themselves in the film,” she told Arab News in December. “I don’t want to teach anyone anything. There’s a lot of history in the film and there’s a lot of history that’s been erased. I hope that’s something that comes through.” 

The film features an ensemble cast, including Oscar-winner Jeremy Irons, “Game of Thrones” star Liam Cunningham, and Tunisian actor Dhafer L’Abidine, alongside Palestinian talents Hiam Abbass, Yasmine Al-Massri, Kamel El Basha, and Saleh Bakri.

At the Red Sea International Film Festival premiere of the film in December, Jacir walked the red carpet with Palestinian Jordanian designer Reema Dahbour, who dressed the director for the event.

Dahbour created a custom piece titled “From the River to the Sea,” which she described on social media as “a dress born from our narrative, our symbols, and our enduring connection to the land. A garment that mirrors the spirit showcased so powerfully in the film.”