Human rights probe calls for improved rehabilitation for women prisoners held in Saudi shelters

Inspectors from the Human Rights Commission (HRC) carried out the probe. (Reuters)
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Updated 18 December 2019
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Human rights probe calls for improved rehabilitation for women prisoners held in Saudi shelters

JEDDAH: An in-depth probe by Saudi human rights officials into the running of shelters for women prisoners has called for improved programs to rehabilitate them back into society.

Inspectors from the Human Rights Commission (HRC), who visited the state-run homes throughout the Kingdom, also recommended tougher regulations be put in place regarding protection issues and complaints procedures.

The move follows the recent launch of an online campaign in the Kingdom to raise awareness of health and social issues surrounding female detention.

The care and welfare centers for troubled girls and young women held under arrest or detention orders, are affiliated with the Girls’ Social Welfare Institution, established by the Ministry of Labor and Social Development. The ministry oversees the operation of the shelters which house women under the age of 30, and separately, girls under the age of 15.

In its findings, the HRC also urged that inmates should not be allowed to stay on in homes after detention periods had expired.

The commission suggested exploring ways to ensure that all facilities had rehabilitation programs in place to cover inmates’ time in the homes and when they left, in order to ensure a smooth integration for them back into society and family life.

It also said homes should be properly regulated in line with protection rules, and that girls and women should be given an opportunity to complete their education and practice their professions.

In addition, the labor ministry should revitalize the role of civil societies and encourage the establishment of specialized institutions that supported and protected inmates as well as providing them with training and rehabilitation programs.

It was important, the commission said, to have appropriate facilities that took into consideration inmates’ circumstances as well as their psychological and social state.

The HRC added that shelters must be well-equipped to provide specialized treatment and rehabilitation programs for addiction cases and that women with mental health issues should be treated in conjunction with the Ministry of Health. Severe and chronic cases should be transferred to mental health hospitals for treatment.

The commission pointed out that all staff and cadre working in such facilities should be well-qualified, well-trained and be able to carry out emergency first aid, and the number of specialized professionals should be increased.

During inspections, the HRC discovered that some female inmates had stayed on in facilities beyond the end of their terms, and it noted that center cleaning and hygiene services were unsatisfactory, and others were poorly equipped.

The commission inspectors reported that some cadre members were not qualified to handle certain cases and sometimes used ineffective methods. Also, facilities did not have guidelines on complaints procedures, and some were without operative medical clinics.

Dr. Samirah Al-Ghamdi, a member of the Himaya protection organization, said keeping female inmates in shelters without empowering them was futile and called for the procedures and mechanisms of accepting and taking in female inmates to be reconsidered.

“When the victims get admitted into the shelter facilities, they have no choice because this is the only shelter and place where they can stay. We need an empowerment program that can provide psychological and economic support for each and every female inmate and educate them about their rights.

“Inmates should be rehabilitated so that they can start a new life and depend on themselves after they leave the shelter. Any inmate, regardless of the seriousness or the gravity of her case, should have access to rehabilitation even if she is going to stay one day or a week in the shelter,” she added.

Al-Ghamdi pointed out that many families refused to take in their daughters after they had left shelters.

 


Saudi Shoura Council speaker holds meetings during official trip to Jordan

Updated 17 April 2024
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Saudi Shoura Council speaker holds meetings during official trip to Jordan

  • Gatherings attended by several officials from the 2 sides

RIYADH: The Speaker of the Saudi Shoura Council Sheikh Abdullah Al-Sheikh met Jordanian Prime Minister Bisher Khasawneh on Wednesday as part of his official visit to Jordan, the Saudi Press Agency reported.

The discussion emphasized the strong and deep-seated relations between Saudi Arabia and Jordan, highlighting their extensive coordination and cooperation across various sectors.

Both officials explored ways to enhance bilateral ties, with a particular focus on strengthening parliamentary relations.

Al-Sheikh also held discussions with Faisal Akef Al-Fayez, president of the Jordanian Senate, on the same day.

He highlighted Saudi Arabia’s rapid economic growth and development, attributing this progress to the leadership of the Kingdom.

Al-Sheikh expressed gratitude for Jordan’s unwavering support and spoke of the consistent backing the Kingdom has provided to Jordan.

The meeting also focused on ongoing cooperative efforts between the Shoura Council and the Jordanian Senate, along with discussions on various other subjects.

Both meetings were attended by several officials from the two sides.
 


Saudi artist embraces the unconventional with anti-aesthetic artworks

Updated 17 April 2024
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Saudi artist embraces the unconventional with anti-aesthetic artworks

RIYADH: In a world fixated on beauty and aesthetic perfection, Saudi artist Asrar Al-Qarni is boldly producing anti-aesthetic and unsettling art.

Through her work, the 33-year-old challenges traditional notions of beauty and protests conformity. She compels viewers to confront uncomfortable truths and explore darker aspects of society.

This unconventional approach to art can be seen as a romantic rebellion against society’s constraints, as well as a celebration of individuality and freedom of expression.

Al-Qarni told Arab News that anti-aesthetic art encourages people to look beyond the surface and find beauty in the unexpected and the unconventional. It seeks to disrupt the status quo and provoke thought and discussion about the nature of art itself: “Instead of being visually appealing and comforting, anti-aestheticism prioritizes evoking emotions and disturbing expression within the artwork,” the artist said.

This can lead to anti-aesthetic works being labeled ugly, jarring, or anti-art by those who prefer more aesthetically focused works.

By highlighting discord and dissonance in her paintings, Al-Qarni, a self-taught artist, creates a unique and thought-provoking experience for those who encounter her work. “Incorporating elements of chaos, ugliness and discomfort forces viewers to confront their preconceived notions about what art should be,” she added.

Al-Qarni became interested in anti-aesthetic art because of its raw human expression and beauty hidden by imperfections.

She uses bold colors and abstract shapes to create pieces that challenge viewers’ preconceptions and provoke a strong emotional response.

“I use various materials for my art, including mixed media, oil paint, acrylic paint and watercolor. My choice of materials depends on the specific technique or effect I want to achieve in my artwork,” Al-Qarni said.

By breaking free from the constraints of conventional beauty, the artist is pushing boundaries and inspiring others to think outside the box.

Al-Qarni said she cultivated her style through dedicated practice. She started copying and sketching cartoons from her favorite television shows as a child. “As I got older, I got into realistic portrait painting, trying to capture the world around me, but I soon realized that realism did not allow me to express my emotions deeply enough,” she added.

The Saudi artist eventually resorted to a more liberated method, allowing her to follow her instincts and let her brush strokes guide her: “When I hold the brush against the canvas, it becomes a way to quieten the noise of life and connect with my inner self, providing a source of relaxation and tranquility.”

The artist maintains a multi-purpose space where she paints, serving as both a studio and a cozy personal area.

“It is where I sleep, read and spend most of my time. Waking up surrounded by the creative mess of my art provides me with a sense of passion and inspiration to continue my artistic journey each day.”

Ten years ago, Al-Qarni decided to pursue art professionally, and she has not looked back since. Her work has been featured in galleries and exhibitions across Saudi Arabia, earning her recognition and acclaim from critics and audiences.

Al-Qarni’s first showing was in 2016 in Jeddah with Behance, the world’s largest network for showcasing and discovering creative work.

“Facing the audience, I received both compliments and critiques. The experience was helpful and encouraging, inspiring me to create more and improve my art,” she said.

She has taken part in several art exhibitions, such as the Misk Art Institute in 2019, which provides a platform for creative individuals to influence present-day discussions.

Al-Qarni also showcased her work at Grey Art Gallery in Alkhobar, and Zawaya Art Gallery and Sensation Art Gallery in Jeddah.

The artist gives each painting a title that reflects the overarching emotion or story behind the artwork. The title can be inspired by a novel, a song, or a personal experience related to the painting.

“How someone perceives and feels about a painting can vary depending on the person looking at it,” she added. “We all bring our own thoughts and experiences, which adds to the richness and meaning of any artist’s work.”

To aspiring artists who might be intimidated to share their artwork and innermost emotions with an audience, Al-Qarni preaches that the world needs art.

“Embrace the opportunity for growth and connect with other artists through feedback and experiences, and remember that every artist starts somewhere, and sharing your work is a step toward achieving your goals.” 


Stage is set for Saudi Arabia’s first Arabic grand opera

Updated 17 April 2024
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Stage is set for Saudi Arabia’s first Arabic grand opera

  • ‘Zarqa Al-Yamama’ aims to bring Saudi heritage to life and lead the way into a new cultural era in the Kingdom
  • Saudi singers Sawsan Al-Bahiti, Khayran Al-Zahrani and Reemaz Oqbi take on 3 key roles in the opera

RIYADH: With just a week to go, the stage is set for the eagerly anticipated first performance of “Zarqa Al-Yamama,” which organizers describe as the first grand Saudi opera in Arabic, at King Fahd Cultural Center in Riyadh on April 25.

The libretto will be sung in Arabic, which is rare in opera as the vast majority of works are performed in European languages. As such, the Kingdom’s Theater and Performing Arts Commission said the event, which takes place under the patronage of Minister of Culture Prince Badr bin Abdullah bin Farhan, marks a turning point in an increasingly vibrant Saudi cultural scene, given the high artistic value of opera and the interest of connoisseurs and audiences around the world in the art form.

“Zarqa Al-Yamama” is based on well-known sung poems and music inspired by the operatic tradition, together with elements of Saudi music. It tells the story of the legendary figure Zarqa Al-Yamama, who lived in the Al-Yamama region of Najd during the pre-Islamic era and is caught up in a dispute between her tribe and another that ends in tragedy.

The producers describe the opera as a poignant tragedy with breathtaking suspense, brought to life in a state-of-the-art theatrical production filled with sweeping orchestral movements and mesmerizing choral performances that deliver a unique cultural experience. 

Sawsan AlBahiti. (Supplied)

Sultan Al-Bazie, the CEO of the Theater and Performing Arts Commission, said the opera embodies well-established elements of Saudi heritage and presents a well-known story within a contemporary framework that reflects modern artistic trends and audience expectations.

It is a collaborative project featuring Saudi and international artists. Saudi poet Saleh Zamanan, who has received several local and international awards for his poetry and plays, wrote the words, inspired by the historical story of Zarqa and adding his own literary stamp.

Saudi artists Sawsan Al-Bahiti, Khayran Al-Zahrani and Reemaz Oqbi take on three key roles in the opera, which is a sign of the progress in the development of musical entertainment in the Kingdom.

“I will be performing the role of the bridesmaid, which is part of a major scene in the opera where the story takes a major turn to more thrilling events,” Al-Bahiti told Arab News.

Considered the first Saudi opera singer, she has been leading the way in the development of the Saudi opera scene and “Zarqa Al-Yamama” provides the latest showcase for her incredible vocal talent. She said the production is contemporary and innovative, and demonstrates a rich complexity that will captivate the audience.

“From the day I started training as an opera singer in 2008, I dreamed of an original Saudi opera production sung in Arabic,” said Al-Bahiti. “This day has finally come, and arrived sooner than I expected, which makes me even happier.”

Amid the rapid development and evolution of all forms of entertainment in Saudi Arabia in recent years, “Zarqa Al-Yamama” represents a significant step forward for opera in the Kingdom, and Al-Bahiti serves as a shining example of the growing opportunities as the art form continues to evolve and grow.

“Zarqa Al-Yamama” will run from April 25 until May 4, with 10 performances scheduled.


Saudi FM receives phone call from EU foreign policy chief

Updated 17 April 2024
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Saudi FM receives phone call from EU foreign policy chief

  • Officials discussed Gaza war

RIYADH: Saudi Foreign Minister Prince Faisal bin Farhan received a phone call on Wednesday from European Union foreign policy chief Josep Borrell, Saudi Press Agency reported.
The officials discussed the latest developments in the Gaza Strip and its surrounding areas, and the international efforts being made to end the war.
Earlier in February, Prince Faisal and Borrell held similar discussions on the sidelines of the Munich Security Conference.

 


The 44th King Abdulaziz Qur’an competition begins in August

Updated 17 April 2024
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The 44th King Abdulaziz Qur’an competition begins in August

  • Total prize pool of SR4m in prestigious event

RIYADH: The 44th King Abdulaziz International Competition for the Memorization, Recitation, and Interpretation of the Qur’an begins in early August in Makkah, the Saudi Press Agency has reported.

The prestigious event, which attracts contestants from around the globe, offers a total prize pool of SR4 million ($1.07 million).

The competition is divided into five categories: memorization of the entire Holy Qur’an, with accurate recitation and intonation following the seven rules of recitation; memorization of the Qur’an along with interpretation of its terms; memorization of 15 juz (parts) of the Qur’an with proper recitation and intonation; memorization of five juz with correct recitation and intonation; and a category for shorter lengths of memorization with corresponding recitation and intonation requirements.

In the first category, the top three winners will receive SR500,000, SR450,000, and SR400,000.

The event’s closing ceremony will be held at the Grand Mosque in Makkah.

Saudi Minister of Islamic Affairs, Dawah and Guidance Sheikh Abdullatif Al-Asheikh expressed gratitude toward the Kingdom’s leaders for their dedication to the Qur’an, adding that the competition showcased the country’s commitment to promoting its values among Saudi Arabia’s youth.