Gigi Hadid stuns at ‘Deadpool & Wolverine’ NYC premiere

Gigi Hadid attended the “Deadpool & Wolverine” premiere in New York City. (AFP)
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Updated 23 July 2024
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Gigi Hadid stuns at ‘Deadpool & Wolverine’ NYC premiere

  • Ensemble from Miu Miu’s Spring/Summer 2024 collection
  • Hadid posed on the red carpet alongside friend Blake Lively

DUBAI: US-Dutch-Palestinian model Gigi Hadid turned heads at the “Deadpool & Wolverine” premiere in New York City this week wearing an ensemble from Miu Miu’s Spring/Summer 2024 Ready-to-Wear collection.

The outfit featured a yellow bandeau top that was paired with a matching mustard yellow skirt in a knee-length cut and flowing silhouette. Hadid’s look was accessorized with a brown belt, black strappy heels and a yellow handbag.

Her jewelry included large gold hoop earrings and a statement gold chain necklace. She wore several chunky bangles in brown and gold, and a glitzy diamond anklet on her left ankle.




Hadid posed on the red carpet alongside her friend Blake Lively. (AFP)

Her blonde bob was styled sleek and smooth, with her bangs shaped into a bouncy, old Hollywood-inspired swoop.

Hadid posed on the red carpet alongside her friend Blake Lively, who was there to support her husband, Ryan Reynolds, who stars as Deadpool in the film.

Lively donned a striking off-the-shoulder jumpsuit from Atelier Versace. The outfit was crafted from a deep red, satin-like material and featured intricate black lace detailing throughout.

Lively accessorized the look with statement earrings and several rings. Her hair was styled in a sleek high ponytail, completing the ensemble.

Both Hadid and Lively continued their fashionable night with new outfits for the film’s after-party.




Both Hadid and Lively continued their fashionable night with new outfits for the film’s after-party. (Getty Images)

Hadid opted for a vibrant yellow trench coat made from a glossy, vinyl-like material from LaQuan Smith. The coat featured a classic trench silhouette with a wide lapel, belted waist and flared hem that fell just below the knees.

Meanwhile, Lively wore a head-turning Balmain minidress with a red and blue color scheme. The off-the-shoulder ensemble was adorned with large, three-dimensional red roses along the neckline and hemline.

The upcoming superhero film “Deadpool & Wolverine” is based on Marvel Comics characters. In addition to Ryan Reynolds as Deadpool, the film features Hugh Jackman reprising his role as Wolverine.

The plot centers on Deadpool teaming up with a recovering Wolverine to face a common enemy. The film delves into the dynamic between the two characters, exploring their regrets and quarreling relationship.

The film is directed by Shawn Levy and is set to release in Saudi Arabia on July 25.


At Jazan festival, Suad Al-Asiri paints memory, land and leadership

Updated 13 January 2026
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At Jazan festival, Suad Al-Asiri paints memory, land and leadership

  • Local artist channels personal hardship into works that reflect Jazan’s identity, heritage
  • Jazan: A Nation and a Prince, places region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi

RIYADH: At the Ahad Al-Masarihah pavilion at Jazan Festival 2026, Suad Al-Asiri’s paintings blend memory, place and personal history, offering visual narratives shaped by beauty and hardship. 

A novelist and visual artist, Al-Asiri has long used art as a storytelling tool. After a near-fatal car accident in March 2024, her work took on a new urgency. Bedridden for 11 months, cut off from the public world for more than a year, she describes that period as one of the most painful in her life — yet also transformative. 

“First of all, praise be to God for granting me life, as the accident was extremely severe,” she said. “By God’s grace, I was given a new life. All my thinking after the accident was about becoming an inspiration to others — about enduring pain and obstacles, and still leaving an impact.” 

Her return to public life came in 2025, when she participated in National Day celebrations with the ministry of interior. By the time she arrived at Jazan Festival, she was ready to channel that experience into her art. 

The centerpiece of her display, “Jazan: A Nation and a Prince,” places the region at the heart of a composition featuring Prince Mohammed bin Abdulaziz and Prince Nasser bin Mohammed bin Abdullah bin Jalawi, governor and deputy governor of Jazan respectively. 

Visitors linger over the details: the painting incorporates coffee beans, sesame and khudair — materials drawn from local products.

“I wanted people to recognize these products immediately,” she said. “They are part of Jazan’s daily life, and using them makes the work more tangible, more connected to everyday experience.” 

The painting sparks conversation. Visitors discuss leadership, identity, and the intimate relationship between people and their environment. 

Beyond the central piece, Al-Asiri presents individual portraits of the two princes, expanding the dialogue into a broader exploration of heritage and memory.  

Her journey into art is tied to her life as a storyteller. Early experiments with charcoal and pencil evolved into abstract art, drawn by its expressive freedom. 

From there, she explored realism, surrealism, and eventually modern art, particularly pop art, which has earned her wide recognition in artistic circles. Her novels and media work complement her visual practice, earning her the title “the comprehensive artist” from the governor.

Yet what stands out most in this exhibition is how Al-Asiri’s personal resilience flows through each piece. Her experience of surviving a devastating accident, enduring months of immobility, and returning to the public eye informs every brushstroke. 

Visitors sense not just her artistic skill, but her determination to turn life’s hardships into inspiration for others. 

Walking through the pavilion, one can see it in the way she blends heritage symbols, southern landscapes, and scenes of daily life. 

Each painting becomes both a document and a dialogue — a celebration of Jazan’s culture, a reflection on identity, and a testament to the power of human perseverance. 

At Jazan Festival 2026, Suad Al-Asiri’s art is a quiet, persistent inspiration for anyone who pauses long enough to listen.