MALMO, Sweden: The second semifinal of this year’s Eurovision Song Contest will take place in Sweden on Thursday, with Israel’s performance expected to draw attention due to large pro-Palestinian protests planned in host city Malmo.
Some 100,000 visitors have gathered in Malmo in southern Sweden for the annual kitsch-fest, which is watched by some 200 million people worldwide.
Thursday’s semifinal will feature two of the favorites to win, Switzerland’s Nemo with the song “The Code” and Joost Klein of the Netherlands with the song “Europapa,” as well as outsider Eden Golan of Israel with her song “Hurricane.”
The 68th version of the song contest takes place amid protests and boycotts over the Israeli military campaign in Gaza, triggered by Hamas’ Oct. 7 attack on Israel.
The European Broadcasting Union (EBU), which organizes the event, has resisted calls for Israel to be excluded but asked Israel to modify the lyrics of its original song “October Rain,” which appeared to reference the Hamas attack.
Tens of thousands are expected at a pro-Palestinian demonstration in central Malmo at 1300 GMT on Thursday. A smaller nearby pro-Israel demonstration is scheduled for 1600 GMT.
Gaza-born Swedish student and Palestinian activist Bachar Garar, 23, will protest what he calls double standards, pointing to EBU’s decision to ban Russia after it invaded Ukraine in 2022.
“After everything that happened, how they’ve treated Russia after what happened in Ukraine, they just choose to turn a blind eye to what’s happening in Gaza. So that’s hypocrisy for us and we’re trying to put an end to it,” he said.
Israeli contestant Golan, 20, says she hopes her performance will help unite people.
“It’s a super important moment for us, especially this year,” she told Reuters in an interview this week. “I feel honored to have the opportunity to be the voice of my country.”
At the first semifinal on Tuesday, thousands of fans in quirky and glittery outfits, many dressed up as their favorite contestant or in their national colors, saw 10 performers, including favorites Croatia and Ukraine, qualify for Saturday’s final.
Swedish authorities have heightened security and are bracing for possible unrest during Eurovision week.
“There are sometimes more police than people in sequins, but overall great fun, we’re having a great time,” said United Kingdom supporter Francesca Gaffey, wearing colorful rhine stones on her forehead, a flower headband and a t-shirt with the Eurovision slogan ‘United by Music’.
Thursday’s semifinal is due to begin at 1900 GMT and will also feature contestants from Malta, Albania, Greece, the Czech Republic, Austria, Denmark, Armenia, Latvia, San Marino, Georgia, Belgium, Estonia, and Norway.
Bookmakers have Croatia, Switzerland, Italy and Ukraine as the favorites to win, while streaming data from Spotify suggests a strong chance for the Netherlands or host nation Sweden.
Israel in spotlight at Eurovision semifinal as pro-Palestinian protests loom
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Israel in spotlight at Eurovision semifinal as pro-Palestinian protests loom
- The 68th version of the song contest takes place amid protests and boycotts over the Israeli military campaign in Gaza, triggered by Hamas’ Oct. 7 attack on Israel
Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter
DUBAI: Afghan American film producer Zainab Azizi cannot wait for audiences to experience Sam Raimi’s new horror comedy “Send Help.”
In an interview with Arab News, the president at Raimi Productions kept returning throughout her interview to one central theme: the communal thrill of horror.
“I started watching horror from the age of six years old. So, it’s kind of ingrained in my brain to love it so much,” she said, before describing the formative ritual that still shapes her work: “What I loved about that was the experience of it, us cousins watching it with the lights off, holding hands, and just having a great time. And you know, as an adult, we experience that in the theater as well.”
Asked why she loves producing, Azizi was candid about the mix of creativity and competition that drives her. “I’m very competitive. So, my favorite part is getting the film sold,” she said. “I love developing stories and characters, and script, and my creative side gets really excited about that part, but what I get most excited about is when I bring it out to the marketplace, and then it becomes a bidding war, and that, to me, is when I know I’ve hit a home run.”
Azizi traced the origins of “Send Help” to a 2019 meeting with its writers. “In 2019 I met with the writers, Mark and Damien. I was a fan of their works. I’ve read many of their scripts and watched their films, and we hit it off, and we knew we wanted to make a movie together,” she said.
From their collaboration emerged a pitch built around “the story of Linda Little,” which they developed into “a full feature length pitch,” and then brought to Raimi. “We brought it to Sam Raimi to produce, and he loved it so much that he attached to direct it.”
On working with Raimi, Azizi praised his influence and the dynamic they share. “He is such a creative genius. So, it’s been an incredible mentorship. I learned so much from him,” she said, adding that their collaboration felt balanced: “We balance each other really well, because I have a lot of experience in packaging films and finding filmmakers, so I have a lot of freedom in the types of projects that I get to make.”
When asked what she hopes audiences will take from “Send Help,” Azizi returned to the communal aftermath that first drew her to horror: “I love the experience, the theatrical experience. I think when people watch the film, they take away so many different things. ... what I love from my experience on this film is, especially during test screenings, is after the film ... people are still thinking about it. Everybody has different opinions and outlooks on it. And I love that conversation piece of the film.”
