Book Review: ‘This Is What I Know About Art’ by Kimberly Drew

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Updated 30 December 2023
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Book Review: ‘This Is What I Know About Art’ by Kimberly Drew

  • Drew's blog “Black Contemporary Art,” which highlighted lesser-known Black artists, became the basis for a digital community
  • When her Instagram account @MuseumMammy became popular, Prada, the White House and even Instagram asked her to do takeovers on their social media channels

 

Art lovers looking for a quick and easy read, but one with depth and character, will find much to enjoy in Kimberly Drew’s debut book, “This Is What I know About Art.”

In a deeply personal account, the art writer and curator recalls going to museums with her father when she was a young child growing up in New Jersey. At some point, she realized that she had never visited a museum or gallery with her mother — and wondered if it that was because those spaces did not feel welcoming or “representative.” 

During college, an internship at the Studio Museum in Harlem, New York, inspired her to start a blog, “Black Contemporary Art,” in which she highlighted lesser-known Black artists. Soon, the blog became the basis for a digital community, with loyal readers and Black artists continuing to inspire her.

When Drew’s Instagram account @MuseumMammy became popular, Prada, the White House and even Instagram asked her to do takeovers on their social media channels.

After switching from mathematics and engineering, Drew completed a double major in art history and African-American studies at Smith College.

As a lover of the arts, Drew said that she knew what was going on in the art world “just did not add up,” so she shifted focus and began using her skills to promote more Black artists.

She recalls being plagued by imposter syndrome after becoming social media manager at the Metropolitan Museum of Art in New York City. However, later, she becomes too confident — she describes that era as going from “fraud to peacock.”

Drew also discovered that people such as her mother appeared reluctant to visit the MET, the opulent Fifth Avenue landmark that is home to over 5,000 years of art history from around the world.

Many instantly recognize the name Andy Warhol, but most cannot single out a “Black Andy Warhol,” or even one Black artist, Drew writes, a situation she is determined to change. 

The book also features colorful illustrations by Hawaii-born, LA-based visual artist Ashley Lukashevsky, who illustrated all of the recently published Pocket Change Collective, a four-book series aimed at teen and young adult readers.


What We Are Reading Today: ‘The Royal Inca Tunic’ by Andrew James Hamilton

Updated 14 May 2024
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What We Are Reading Today: ‘The Royal Inca Tunic’ by Andrew James Hamilton

The most celebrated Andean artwork in the world is a 500-year-old Inca tunic made famous through theories about the meanings of its intricate designs, including attempts to read them as a long-lost writing system.

But very little is really known about it. “The Royal Inca Tunic” reconstructs the history of this enigmatic object, presenting significant new findings about its manufacture and symbolism in Inca visual culture.


What We Are Reading Today: ‘The Evolution of Power’ by Geerat Vermeij

Updated 13 May 2024
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What We Are Reading Today: ‘The Evolution of Power’ by Geerat Vermeij

Power has many dimensions, from individual attributes such as strength and speed to the collective advantages of groups.

“The Evolution of Power” takes readers on a breathtaking journey across history and the natural world, revealing how the concept of power unifies a vast range of phenomena in the evolution of life—and how natural selection has placed humanity and the planet itself on a trajectory of ever-increasing power.


What We Are Reading Today: ‘Semi-Detached’

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Updated 12 May 2024
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What We Are Reading Today: ‘Semi-Detached’

Author: JOHN PLOTZ

When you are half lost in a work of art, what happens to the half left behind? “Semi-Detached” delves into this state of being: what it means to be within and without our social and physical milieu, at once interacting and drifting away, and how it affects our ideas about aesthetics.

The allure of many modern aesthetic experiences, this book argues, is that artworks trigger and provide ways to make sense of this oscillating, in-between place.

 


What We Are Reading Today: ‘The Ant Collective’

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Updated 11 May 2024
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What We Are Reading Today: ‘The Ant Collective’

Author: ARMIN SHCIEB

Ants share a vibrant and complex communal life and remarkable abilities to communicate with each other.

“The Ant Collective” presents the world of ants as you have never seen it before, using hyperrealistic, computer-generated imagery that shows 3D-like views of activities inside and outside a thriving nest of red wood ants.

With chapters on topics ranging from the establishment and construction of the nest to the birth of an ant trail and the relocation of a colony, this one-of-a-kind book brilliantly integrates informative descriptions with the illustrations.

 


What We Are Reading Today: The Shield of Achilles

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Updated 11 May 2024
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What We Are Reading Today: The Shield of Achilles

Author: W. H. Auden Edited by Alan Jacobs

“The Shield of Achilles,” which won the National Book Award in 1956, may well be W. H. Auden’s most important, intricately designed, and unified book of poetry. In addition to its famous title poem, which reimagines Achilles’s shield for the modern age, when war and heroism have changed beyond recognition, the book also includes two sequences—“Bucolics” and “Horae Canonicae”—that Auden believed to be among his most significant work.

Featuring an authoritative text and an introduction and notes by Alan Jacobs, this volume brings Auden’s collection back into print for the first time in decades and offers the only critical edition of the work.

As Jacobs writes in the introduction, Auden’s collection “is the boldest and most intellectually assured work of his career, an achievement that has not been sufficiently acknowledged.” Describing the book’s formal qualities and careful structure, Jacobs shows why The Shield of Achilles should be seen as one of Auden’s most central poetic statements—a richly imaginative, beautifully envisioned account of what it means to live, as human beings do, simultaneously in nature and in history.