Review: Oscar-winner Riz Ahmed stuns in short film ‘Dammi’

Oscar-winner Riz Ahmed takes on the lead role. (Supplied)
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Updated 23 December 2023
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Review: Oscar-winner Riz Ahmed stuns in short film ‘Dammi’

CHENNAI: Short film “Dammi” made a splash at the Toronto International Film Festival before it headed to Saudi Arabia to screen at the Red Sea International Film Festival this month.

Filmmaker Yann Demange, who grew up in foster care and struggled to connect with his Algerian-Muslim roots, handpicked Oscar-winner Riz Ahmed to play a part that is in many ways a reflection of the director’s own experiences.
Lead character Mounir arrives in Paris as an unhappy man, whose relationship with his Algerian father is broken.




Filmmaker Yann Demange photographed at the Red Sea Film Festival in Saudi Arabia. (Getty Images)

However, he manages to connect with a French Algerian woman, Hafiza (Souhelia Yacoub), who is partly of Persian descent. Mounir admires her level of comfort with her identity and takes an immediate liking to her as he works to form his own sense of self. The work uses visual metaphors — such as the recurring motif of drowning — to describe its protagonist’s struggle in finding himself and Ahmed is superb as a man trying to find who he is. His longing for his father is also brilliantly etched out, however, the most enduringly touching scenes are those between Ahmed and Yacoub who play off fabulously against each other.  

Despite its mere 16-minute runtime, the film lends itself to myriad interpretations, and the shots of Paris are visually alluring. There is every chance that some may find “Dammi” helpful in finding the meaning of their own existence.

This short treat gives us hope for Marvel Studios’ “Blade,” starring Oscar-winner Mahershala Ali, that Demange will direct. If he can pack this much heart into 16 minutes, here’s to hoping the Marvel epic will also showcase the director's talents. 


REVIEW: ‘Survivor’ meets workplace horror in Sam Raimi’s deliciously funny ‘Send Help’

Updated 30 January 2026
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REVIEW: ‘Survivor’ meets workplace horror in Sam Raimi’s deliciously funny ‘Send Help’

DUBAI: Sam Raimi’s survival horror comedy “Send Help” finds the visionary director in fine form. Rachel McAdams and Dylan O’Brien star as beleaguered employee and passive-aggressive new boss respectively in a film that’s irreverent, camp and gruesomely gory — all trademarks of Raimi’s masterful touch.

The premise is simple. Two colleagues — Adams’ Linda Liddle has been passed over for her long-overdue promotion, while O’Brien’s tyrant nepo baby Bradley Preston has just been named CEO.  On a work trip, the two of them survive a devastating plane crash and wash up on a deserted island.

Few things are more terrifying — or more darkly comedic — than being helplessly dependent on someone you actively despise. Raimi milks this premise for every drop, staging set pieces that swing between slapstick and genuine tension, often within the same scene.

Between vomit gags and horrific physical violence, Raimi expertly shifts the scales of power between the two characters. There’s no time to relax or anticipate next moves.

McAdams is the film’s undeniable draw with her genre-defining turn as a disgruntled employee with an axe to grind. There’s a scene midway through when she chances on a waterfall and begins to find her confidence again. That shift from bumbling strategy planner to stunning island girl would have felt unearned in less professional hands.

O’Brien more than holds his own too, with a performance that’s reactive in the best way, shifting from lazy smugness to unsettling desperation as the power dynamic shifts.

Visually, “Send Help” is classic Raimi: exaggerated angles, kinetic camera work and smartly utilized gore.

What makes “Send Help” such a satisfying watch is its steadfast commitment to its own weirdness and a director confident enough to push every element but know exactly where to draw the line. Subjects including class, gender roles and power dynamics are handled with tightrope precision and a lightness of touch such that the film never feels preachy. It’s all deliciously unhinged and strikingly original. If you don’t have any weekend plans yet, this should make your list.