Riyadh street art festival returns with a global vision

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The street art festival Rsh is one of the latest ventures by the Ministry of Culture’s Visual Arts Commission. (Supplied)
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Derived from the Arabic word for spray, Rsh festival will take place from Nov. 15 to Dec. 6. (Supplied)
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Updated 08 November 2023
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Riyadh street art festival returns with a global vision

  • Rsh is returning to Riyadh with a lineup featuring street artists, speakers, musicians and performers from around the region and the world
  • Festival is named after the Arabic word for spray, and will will take place from Nov. 15 to Dec. 6, with a focus on global perspectives, entertainment, and cultural exchange

RIYADH: “Rsh,” a street art festival organized by the Saudi Ministry of Culture’s Visual Arts Commission, is returning to Riyadh with a lineup featuring street artists, speakers, musicians and performers from around the region and the world.

The festival is named after the Arabic word for “spray,” and will will take place from Nov. 15 to Dec. 6, with a focus on global perspectives, entertainment, and cultural exchange. 

It comes as creativity continues to flourish through numerous initiatives around the Kingdom.

Dina Amin, CEO of the commission, said: “The festival is more than just a celebration — it is a dynamic platform for artistic exchange. Through this event, we aim to celebrate the transformative power of street art, transcending boundaries and forging links between diverse artistic practices while engaging communities of all ages through a wide range of festival programs. 

“We hope the (second) Rsh festival will lay a strong foundation to support cultural exchange within creative communities near and far.”

A vacant building in Riyadh’s Al-Mughrizat district will be transformed with artworks, and will host over 50 local, regional, and international creatives. The festival will include 30 artists from the Arab world and beyond who will explore the history of street art.

Co-curators Cedar Lewisohn, a London-based artist and writer, and Basmah Felemban, a Saudi artist and graphic designer, have included a family-friendly program that will feature lectures, creative workshops, and immersive activities, ranging from dance performances and film screenings to streetwear pop-ups and skateboarding sessions.  

The festival aims to highlight a range of contemporary art practices by platforming street art, a once-suppressed medium in the region. These events hope to empower the artistic community, providing artists with spaces to show their work and also educating the public on alternative forms of creativity.  

Last October, the commission hosted Shift22, a street art initiative in which the walls of the abandoned Irqah Hospital were transformed into a canvas for regional and international artists. The festival showcased commissioned and existing works from over 30 Saudi and international graffiti artists, focusing on murals, sound and video installations, and unconventional sculptures built by repurposing the abandoned hospital’s discarded materials.  

This year’s festival continues that tradition by exemplifying the ministry’s desire to promote cultural exchange both locally and globally under the strategic goals of Saudi Vision 2030.


‘One in a Million’: Syrian refugee tale wows Sundance

Updated 24 January 2026
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‘One in a Million’: Syrian refugee tale wows Sundance

PARK CITY: As a million Syrians fled their country's devastating civil war in 2015, directors Itab Azzam and Jack MacInnes headed to Turkey where they would meet a young girl who encapsulated the contradictions of this enormous migration.

In Ismir, they met Isra'a, a then-11-year-old girl whose family had left Aleppo as bombs rained down on the city, and who would become the subject of their documentary "One In A Million," which premiered at the Sundance Film Festival on Friday.

For the next ten years, they followed her and her family's travels through Europe, towards Germany and a new life, where the opportunities and the challenges would almost tear her family apart.

The film is by directors Itab Azzam and Jack MacInnes. (Supplied)

There was "something about Isra'a that sort of felt to us like it encapsulated everything about what was happening there," MacInnes told an audience at the Sundance Film Festival in Park City, Utah on Friday.

"The obvious vulnerability of her situation, especially as being a child going through this, but that at the same time, she was an agent.

"She wasn't sitting back, waiting for other people to save her. She was trying to fight, make her own way there."

The documentary mixes fly-on-the-wall footage with sit-down interviews that reveal Isra'a's changing relationship with Germany, with her religion, and with her father.

It is this evolution between father and daughter that provides the emotional backbone to the film, and through which tensions play out over their new-found freedoms in Europe -- something her father struggles to adjust to.

Isra'a, who by the end of the film is a married mother living in Germany, said watching her life on film in the Park City theatre was "beautiful."

And having documentarists follow her every step of the way as she grew had its upsides.

"I felt like this was something very special," she told the audience after the screening. "My friends thought I was famous; it made making friends easier and faster."