Netflix’s ‘Crashing Eid’ star Summer Shesha finds her passion in acting

L-R: Bateel Qamlo as Lamar, Summer Shesha as Razan and Khalid AlHarbi as Hasan in 'Crashing Eid.' (Supplied)
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Updated 12 October 2023
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Netflix’s ‘Crashing Eid’ star Summer Shesha finds her passion in acting

  • The Saudi actress discusses her leading role in Netflix series ‘Crashing Eid’ and working with her mother

DUBAI: Passion changes everything. Ten years ago, Saudi actress Summer Shesha was thriving in the finance world, her drive and talent seemed guaranteed to carry her to the top of the industry. Then, a casting call on Twitter that began as a fun weekend activity ended up transforming the plan she had for her life (and, years later, would transform her mother’s as well). Now, as the star of Netflix’s first female-led Saudi original series “Crashing Eid,” which launches Oct. 19, she is set to become a global star in an industry fueled by an ambition that matches her own. 

“I’ve always been a practical person. If I’m going to pursue something, I want to know that I’m going somewhere. And for a long time, I didn’t think that something I was passionate about could be the thing that gets me to the heights I once dreamed of in life — to do something that resonates across the world,” Shesha tells Arab News.

“That’s why I’m so proud of this series. I truly believe it’s great. It’s really entertaining, it’s laugh-out-loud funny, and it has themes that feel specific to Saudi but will resonate everywhere. This is an unconventional story, one that doesn’t represent all Saudis. But it’s told with love for Saudi, with a Saudi heart, and I think the world will love it, too.”

While much has changed for Shesha since she first stepped on set for a small scene in Mahmoud Sabbagh’s 2013 web series “Kash,” the feeling that she discovered then has never left her. At first, she thought it was just curiosity. She was scheduled to be there for just two hours that day, but found herself lingering long after her scene had wrapped. 




Summer Shesha as Razan, Bateel Qamlo as Lamar in 'Crashing Eid.; (Supplied)

“I just couldn’t leave the set,” Shesha remembers. “I sat next to the camera man, then the make-up artists, then the art department… I was fascinated. I stayed for 14 hours. And because I couldn’t get enough, I went to LA to try a course, and it unlocked something within me. When I finally made sense of what I was feeling, I realized what it was. It was passion.”

Still, for nine years, Shesha couldn’t bring herself to step away from the career she had built for herself, torn at all times between her two identities. Even after appearing in hit films such as “Book of Sun,” or winning Best Actress at the 8th Saudi Film Festival at Ithra for her role in “Kayan,” she was still unsure whether to introduce herself to people as an actress or a banker. And as a senior manager in one of the top banks in the country, it was hard to let that part go.

Eventually, fate stepped in, in the most unexpected of ways. In 2022, Shesha was having a conversation with her friend, Saudi actor and filmmaker Fatima Al-Banawi, who was in the process of casting her directorial debut. It was impossible, Al-Banawi told her, to find great 50-year-old Saudi actresses. That gave Shesha an idea.

“I said, ‘I think my mother would make a good actress.’ I told my mom, and she was dismissive immediately — ‘What? No, no, no,’ she said. I told her that I knew she’d be a natural. I gave her number to Fatima, and Fatima called her, auditioned her, and cast her. Mom was still resisting a day before the shoot was going to begin, asking me how she should apologize because this was all a mistake. She was ready to quit!” says Shesha.




Summer Shesha as Razan, Yasir AlSaggaf as Sofyan, Amani Idrees as Mona in 'Crashing Eid.' (Supplied)

“I told her, ‘Mom, it’s normal to be afraid right before doing something new. But the truth is you’re doing great. This is natural. And you know what? You’re an inspiration. You’re in your fifties, and you’re trying something new, and you’re getting out of your shell.’ She did it, and never looked back,” Shesha continues. 

It wasn’t long before Shesha’s mother — Amani Idrees — was booking roles herself. She was cast as the mother in “Crashing Eid” before they had yet found the right actress to play the daughter.

“I hadn’t taken a vacation in two years, I wasn’t looking to do any role at the time because I was exhausted. But then when my mother was cast and met with the showrunner and the directors, and they said, ‘Doesn’t she look just like the actress Summer Shesha? We should ask her to come!’ The casting director had to explain that I was actually her real-life daughter,” Shesha explains with a laugh. 

“The second I read the script, I loved it. I loved the character, the story, how unique it is. It’s about accepting the other — people who are different from you. And it’s comedy, which I’d never really explored before. And not just constant punchlines, but absurd family situations that make you laugh by their very nature. I was hesitant before, but once I read it, I couldn’t say no,” she continues. 

While having her mother around made the family aspect of the series feel natural, there was one aspect that was completely alien to Shesha — playing a mother herself. 

“I’m not a mother, so I didn’t think there was any way I could play the mother to a 15-year-old. When the actress and I first met, it felt silly — she didn’t feel like my daughter at all. I was so scared that the chemistry would make it feel like we were just friends instead,” says Shesha. “But then I realized, actually, my mother and I are friends. We don’t have the usual dynamic, and that’s OK too. It works for us. So I said to myself, ‘OK, I’m going to play it that way.’ And suddenly it all started to feel more natural, and our relationship started to feel real.” 

Now, a year since she left the finance world behind, Shesha is more driven than ever. She’s writing her own projects, having received a grant from Netflix’s Grow Creative Initiative, and is excited to continue navigating the many aspects of a being Saudi woman that have only just begun to be explored. And with three more films in post-production, “Crashing Eid” may be her breakout moment to the world as an actress, but it is only a herald of the myriad things to come. 

Perhaps what she enjoys most of all, though, is that her best friend is joining her on this journey, too. And that the unique mother-daughter dynamic they’ve fostered has now become that of two creative voices who are in love with a craft that once seemed impossible for both of them to pursue. 

“My sister came home recently and found us both screaming in the kitchen and had no idea what was wrong, but we were just doing an exercise assigned to us by the acting coach. She said, ‘I’m living in a crazy house!’ And, yeah, acting can be crazy sometimes. But I’m not the only crazy one in the house anymore,” says Shesha. “I’m so happy we’re doing this together.”


Yusra Mardini champions Refugee Olympic Team in Paris

Updated 27 July 2024
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Yusra Mardini champions Refugee Olympic Team in Paris

DUBAI: Syrian Olympic swimmer Yusra Mardini will champion the Refugee Olympic Team at the Olympic Games in Paris this week.

She took to Instagram to post a message encouraging support for the team.

In a video shared with her 804,000 followers, Mardini said: “I am here to introduce you to a very special team that have fought harder and traveled further to be here tonight. They are the Refugee Olympic Team.

 

 

“Please support them with all your hearts, and when you see them, show your support by sharing your heart with them.”

The Olympian also gave fans a behind-the-scenes glimpse of her career highlights. One snap shows her posing next to a sign reading “Brazil,” with the caption: “Where it all started eight years ago,” a nod to her participation in the 2016 Rio Olympics.

On Wednesday, Mardini carried the Olympic flame while representing the Refugee Olympic Team.

 

 

The Olympic torch tradition dates back to the 1936 Berlin Olympics when Carl Diem, secretary-general of the Olympic organizing committee, proposed the idea of a relay carrying the symbol from the founding site of the ancient Olympics to the Games.

Yusra and her sister Sarah’s journey from Syrian war refugees to Olympic athletes has been chronicled in the BAFTA-nominated film “The Swimmers.”

 

 

The sisters fled their war-torn home in 2015, making a perilous journey to Europe that included swimming for three hours to push a sinking boat to safety. Settling in Germany, Yusra resumed her training and joined the Refugee Olympic Team, competing in the 2016 Rio Olympics and 2020 Tokyo Olympics.

She is also a UNHCR Goodwill Ambassador, and focuses on her Yusra Mardini Foundation, which facilitates education and sports opportunities for refugees.

 

 


Time magazine names Dar Tantora among ‘world’s greatest places’

Updated 27 July 2024
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Time magazine names Dar Tantora among ‘world’s greatest places’

DUBAI: Time magazine released its annual list of the “world’s greatest places” this week, with Saudi Arabia securing a spot due to its Dar Tantora The House Hotel in AlUla Old Town historical village.

Designed by Egyptian architect, Shahira Fahmy, the hotel is the “first and only lodging option built directly out of the over 800-year-old mudbrick houses that were once a pivotal stop along the incense trading route through the Arabian Peninsula,” Time reported.

Fahmy and her team restored 30 buildings in the area. The hotel is candlelit with minimal electricity.

“(The inhabitants) used to use cross-ventilation for optimal airflow, with one window higher than the other and one larger, so we have replicated that too,” she told Arab News in a previous interview. “They kept cool on terraces, so our rooms are terraced.” 

People who lived in the city 800 years ago whitewashed the interior walls and adorned them with red and blue murals, Fahmy said.

“I was dealing with heritage. It’s an (ancient) Islamic city, so, it’s an archaeological ruin. You have context, where buildings are built between stones, mud bricks and farms. You are restoring something that already exists,” she said.


Lady Gaga adds sparkle to star-studded Olympic show

Updated 26 July 2024
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Lady Gaga adds sparkle to star-studded Olympic show

  • In a nod to her passion for French culture, US pop star Lady Gaga appeared from behind a fan of pom-poms held by her dancing troupe to sing “Mon truc en plumes“
  • “It is my supreme honor to sing for you and cheer you on,” Gaga wrote on her social media

PARIS: Lady Gaga and French-Malian singer Aya Nakamura joined dancers, an opera diva and even a heavy metal band in an opening ceremony for the Paris Olympics that sought to proudly showcase French culture with a modern twist.
The first-ever opening ceremony held outside a stadium — on the River Seine — had to battle driving rain that cast a pallid gloom over the City of Light.

The fast-moving and multi-location ceremony masterminded by acclaimed French theater director Thomas Jolly was aimed at impressing the global TV audience as much as those who braved the weather and intense security to watch live.
“It is now. The world is watching us. Let’s open the Games in style!” French President Emmanuel Macron, who watched the ceremony in a VIP stand with other leaders, wrote on X.

In a nod to her passion for French culture, US pop star Lady Gaga appeared from behind a fan of pom-poms held by her dancing troupe to sing “Mon truc en plumes” (“My Thing With Feathers“) an iconic French music hall hit by the legendary Zizi Jeanmaire.
“It is my supreme honor to sing for you and cheer you on,” Gaga wrote on her social media channels after the performance, saying she always “felt a very special connection with French people and singing French music.”

Franco-Malian R&B superstar Aya Nakamura, the most listened-to French-speaking singer in the world, performed a medley with two of her hits “Pookie” and “Djadja” and a classic by Charles Aznavour, “For me Formidable,” one hundred years since his birth.
Rumours she was to perform had sparked a backlash from the extreme right in France and a torrent of racist abuse on social media. But in a striking symbol, she was accompanied in her performance by musicians from France’s Republican Guard.


According to Jolly, the 12 different phases of the ceremony tell the story of a country rich in its “diversity,” “inclusive,” “not one France but several Frances,” and celebrating “the whole world united.”
He has been backed by a writing team including famed novelist Leila Slimani and screenwriter Fanny Herrero, who penned the smash-hit casting agency comedy “Dix pour cent” (“Call My Agent).
In another highlight, the star “etoile” dancer of the Paris Opera Guillaume Diop performed on a Paris rooftop.


For many French spectators, the highlight was the surprise appearance of the heavy metal group Gojira, who burst out onto platforms constructed on the Conciergerie, a key building in the French Revolution, where deposed queen Marie-Antoinette was held.
With a mannequin of headless Marie Antoinette after her guillotine execution for good measure, they belted out the revolutionary chant “Ah! Ca ira.”
In an unlikely collaboration, they were joined by the French-Swiss mezzo-soprano Marina Viotti, who makes no secret of her taste for metal as well as classical.


Jakub Jozef Orlinski, a Polish couter-tenor who is also a break-dancer, interpreted an aria from the opera “Les Indes Galantes” by Jean-Philippe Rameau combining both of his talents.

The ceremony, which was due to last several hours, had got under way with a clip of French actor Djamel Debbouze carrying the Olympic torch into the national stadium, the Stade de France, only to realize he should have gone to the river.
Helped by French football great Zinedine Zidane, he then takes the torch on un underground odyssey through Paris and hands it to a group of children who are then guided by a mysterious masked individual who is expected to eventually light the Olympic flame.


Etihad Airways flying high with classic cartoon caper

Updated 26 July 2024
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Etihad Airways flying high with classic cartoon caper

DUBAI: An Etihad Airways aircraft has been decorated with classic cartoon characters as part of a collaboration with the film and entertainment giant Warner Bros. World.

The Boeing 787-10 Dreamliner will feature favorite Looney Tunes characters on one side of the aircraft and popular DC super heroes on the other.

Passengers up to 10 years of age traveling on Etihad Airways’ longer flights will receive new Warner Bros. World Kids Packs, which include activities designed to entertain and educate, such as drawing their favorite super heroes and engaging in fun tasks throughout the flight.

The aircraft’s maiden flight will be to London Heathrow on Saturday. It will then rotate service to destinations such as Dublin, Amsterdam, Vienna, Bangkok and Manila. (Supplied)

Infants will receive a DC super hero-themed soft blanket, while older children will receive items such as a branded backpack, superhero cape, water bottle and activity kit.

The aircraft’s maiden flight will be to London Heathrow on Saturday. It will then rotate service to destinations such as Dublin, Amsterdam, Vienna, Bangkok and Manila.

Antonoaldo Neves, CEO of Etihad Airways, said in a statement: “Building on the strong reputation we have built as a family-friendly airline, we’re thrilled to take our partnership with Warner Bros. World to the next level.

“Our Looney Tunes and DC Super Hero-themed aircraft will take our brands to destinations worldwide, promoting one of Abu Dhabi’s many attractions. We look forward to welcoming more and more visitors inspired to visit our home, Abu Dhabi, and in particular delighting our little VIP guests while they journey with us.”


Pakistan’s first hand-drawn animated film, ten years in the making, hits cinema screens

Updated 27 July 2024
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Pakistan’s first hand-drawn animated film, ten years in the making, hits cinema screens

  • 250 creatives from Pakistan, Malaysia, Canada, South Africa, the US and UK have worked to complete “The Glassworker”
  • Artist and composer Usman Riaz hand-drew each frame of film, which comprises 1,477 cuts and 2,500 individual drawings

KARACHI: Pakistan’s first hand-drawn animated film, “The Glassworker,” is poised to debut nationwide today, Friday, a feature that took its creator Usman Riaz a decade to complete since he first picked up a pencil and started to sketch. 
Riaz has hand-drawn and storyboarded each frame of the movie, comprising 1,477 cuts and 2,500 individual drawings, bringing to life the coming-of-age tale of two people from disparate backgrounds: young Vincent who is an apprentice at his father’s glass workshop, and the talented violinist Alliz, the daughter of a military colonel. Around them, a war threatens to upend their lives and the relationships between the children and parents are tested. 
“It has been a 10-year obsession to get this done,” Riaz told Arab News in an interview this week, saying the film was the work of creatives from Pakistan, Malaysia, Canada, South Africa, the US and UK.
“The film’s production took four years but the entire journey took 10 years. I was 23 when I started and I am 33 now.
“The first year was just me drawing alone. I would stay up all night sketching my concepts for the characters and on the storyboards. I wanted to do it well and present something to the rest of the world of animation that we can proudly say was made in Pakistan.”
Riaz grew up obsessing over animated films and said he had been drawing ever since he could hold a pencil, spending long hours watching films like Kiki’s Delivery Service, Porco Rosso and Princess Mononoke by famed Japanese animation company Studio Ghibli. 
By the time he was 21 in 2012, he was considered something of a whiz at the percussive guitar and was selected that year as a TED Fellow to attend TED Global as a speaker. The TED Fellows program hand-picks young innovators from around the world to raise international awareness of their work and maximize their impact.
The following year, Riaz was selected as a Senior TED Fellow and has since spoken at TED and TEDx conferences in Japan, India, Malaysia, Costa Rica, Turkiye, Canada, the United Kingdom and the United States.
In 2015, as the result of giving a TEDxTokyo talk about his love for Japanese animation, Riaz was extended an invitation to Studio Ghibli where he got to share his work with his heroes and was advised to make something that was truly his own. 

After finishing a degree in composition on a full scholarship at the Berklee College of Music in 2017, Riaz returned to Pakistan and co-founded Mano Animation Studios, the country’s first-ever hand-drawn animation facility, with his now wife Mariam Paracha and his cousin Khizer Riaz as its CEO.
“I realized there must be many people like me who loved animation but worked on their own. What if I were to bring some of these artists under one roof?” Riaz wrote in an article for TED in 2016, explaining how Mano Studios came about.
“I searched online for likeminded artists, architects, animators and video game designers, and spread the word by holding workshops in art schools about what I wanted to achieve. I managed to gather a small team of incredibly talented professionals from the UK, South Africa, Malaysia and of course Pakistan.
“I chose the name Mano for the studio because it was my first cat’s name, but I found out later that in Spanish it means “hand” — perfect for a studio that will make animation by hand.”
“COMPELLING STORY”
Riaz said financing to make the film was “extremely difficult” given that Mano was a first-time studio and he was a first-time animation director. 
“As much as I have obsessed over the film since I was a child, there was no way to quantify that when I was pitching,” Riaz said, adding that his network and experience at TED helped him obtain funding and get the right people on board.
A total of 250 people worked on “The Glassworker,” including a national and an international cast and crew. Paracha is the art director on the film and Khizer is the producer, alongside Spanish animation veteran Manuel Cristobal of Wrinkles and Bunuel in the Labyrinth of the Turtles. Apoorva Bakshi of Delhi Crime fame is executive producer while international sales are being handled by Charades. The film has been made in both the English and Urdu languages. 
“We got to work with David Friedman on the English language version of ‘The Glassworker’ and that was very special because David has worked on a lot of my favorite animated movies. He and his wife, Lynn Friedman, did the casting for the film with us,” Riaz said, speaking about the conductor of the music scores for Disney’s animated features, including Beauty and the Beast, Aladdin, Pocahontas and The Hunchback of Notre Dame.

 The voice cast for Riaz’s film includes Art Malik (“Man Like Mobeen”), Sacha Dhawan (“Wolf”), Anjli Mohindra (“The Lazarus Project”) and Tony Jayawardena (“Ackley Bridge”).
“For the Urdu version, I learned everything that I could from David, and I voice-directed it here in Karachi,” Riaz said. 
Before the film releases in Pakistan today, “The Glassworker” had its world premiere on June 10 at the Annecy International Animation Festival 2024 in the Contrechamp competition, the first Pakistani film ever to take part in this competition. The film also received rave reviews at the Shanghai International Film Festival 2024.
“Pakistan’s filmmaking tapestry needed something different and I am hoping that this film could be that,” Riaz added.
“Even though ‘The Glassworker’ is an animated film, I hope people resonate with its characters and story. Animation is just the medium we chose to tell this story. We have a compelling story but ultimately the people will decide.”