Musk’s X or Zuckerberg’s Meta: who’s winning advertising dollars?

In July, Musk admitted that Twitter revenue was down 50 percent. (AFP)
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Updated 15 September 2023
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Musk’s X or Zuckerberg’s Meta: who’s winning advertising dollars?

  • Agency experts weigh in on the battle between the various social media platforms

DUBAI: There has recently been a flurry of activity in the social media industry with acquisitions, rebrands and new launches — with much debate on who will eventually emerge the victor or at least the dominant force in the market.

Most notable among this activity was Tesla CEO Elon Musk’s tumultuous takeover of Twitter in October 2022, followed by the platform’s rebrand to X this year.

Meta dropped its brand-new social platform, Threads, built by the Instagram team, bearing a marked resemblance to X in the same month as the rebrand.

It is not just the platforms that are battling it out; the tech titans are too with Musk inviting Meta CEO Mark Zuckerberg to a mixed-martial arts bout, which now seems unlikely to take place.

Meanwhile, other platforms including Snapchat and Instagram are maintaining their edge with new offerings — such as integrating social commerce — to win advertisers, while TikTok, the youngest kid on the block, continues to surge in popularity and revenue.  

“Brands are constantly adapting to the evolving nature of customer behavior, and the recent movements by X and Meta are examples of how the platforms are constantly looking to create new ways to capture and retain a higher share of people’s time, attention, and demand,” Pedro Goncalves, head of digital media at PHD, told Arab News.

The constant changes in the social media space come as advertising budgets recover from pandemic levels, making it ever more important for companies to invest their ad dollars wisely.

Many advertisers left the platform soon after Musk’s takeover with 50 of the top 100 advertisers announcing they would stop advertising on X, according to a report by media watchdog Media Matters.

These advertisers accounted for nearly $2 billion in spending on the platform since 2020, and over $750 million in advertising in 2022 alone.

In July, Musk admitted that Twitter revenue was down 50 percent.

It seems clear that Meta’s family of apps is leading the way when it comes to advertising revenue, while TikTok is also a popular choice.

“TikTok and Meta are certainly getting the lion’s share of the spend as platforms,” said Mazher Abidi, head of strategy and insights at advertising firm Saatchi & Saatchi.

The others are not too far behind with Snapchat, for example, being an outlier in Saudi Arabia.

It is important to note that its proposition differs from other social media platforms making it a bit niche, and although Snapchat does not boast the same scale as the TikTok and Meta apps, it “does still have a place in the heart of audiences in our region, certainly in Saudi Arabia,” Abidi told Arab News.

PHD’s Goncalves said: “We observe a natural tendency and well-established role for each one, with Meta currently ahead in direct response KPIs (key performance indicators); X and Snapchat quite balanced in terms of engagement and traffic, and TikTok increasingly delivering more in terms of ad recall and attention.”

Meta remains one of the largest platforms for advertisers, according to Aneesa Rashid, social and influencer lead at media agency UM MENAT, because its apps Facebook and Instagram “combined provide cost efficiencies, mass reach and strong lower funnel capabilities.”

TikTok and Snapchat, on the other hand, “play a bigger part in producing authentic and unique content experiences, fueled by creators, whilst also diving in further to the social commerce space,” she said.

The former “has emerged as a major player in the social media landscape, surprisingly not just with younger audiences, (but) as momentum grows amongst older demographics,” and the latter has been a “key pioneer platform in the region, especially in markets such as Saudi Arabia and Egypt,” Rashid added.

While X seems to be trailing behind in terms of advertising revenue, Abidi said: “If you take a step back and look at the direction of travel of advertising on X, it has been going down for a while.”

The reasons range from geopolitical concerns to polarizing content on the platform, but “brands have been finding alternatives for a while, shifting spends to other established competitors, such as the Meta platforms, and even TikTok,” he added.

X did not rank in consumers’ or advertisers’ top five platforms for ads, according to the latest Media Reactions report by analytics firm Kantar.

Moreover, among marketers, its receptivity was in the negative with more marketers claiming they will decrease spend on X in 2024 than increase it, the study found.

Despite headlines about X’s declining revenues, the Middle East is seeing a different story playing out.

“In the Middle East, we did initially witness a reduction of ad spends on the platform as a precautionary measure,” said Rashid.

However, “X’s recent launch of performance driven products including mobile and website conversions ads, has helped optimize campaign performance, and since we’ve seen brand interest shift back,” she added.

She also predicts that the company’s developments “will see advertisers coming back to the platform in anticipation as they plan for 2024 social strategies.”

Abidi echoed the sentiment, saying: “I think X has quite a unique position in our part of the world particularly in Saudi Arabia, where it has been an outlier in terms of popularity; Saudis use and love Twitter with more passion and use it more actively than most other markets around the world.”

Musk’s rebrand of Twitter seemed sudden as many users woke up to see the iconic Twitter bird being lifted with a crane and gradually being replaced by X.

However, contrary to public perception, the rebrand could well be a calculated move, part of Musk’s ambition to turn X into an “everything app,” points out Abidi.

“It’s surprising to most, but I think the real interesting story starts now,” he said.

Rashid and Abidi remain optimistic about Musk’s long-term goals as more ‘super apps’ or ‘everything apps’ crop up.

X plans to “expand beyond just social media networking to include banking, shopping and most recently a feature for video and audio calls without the need for a phone number, effectively building a global address book, so this may just be the beginning of an impressive comeback,” said Rashid.

WeChat in China or Careem in the Middle East are good examples of apps that integrate various services into one app. The “user behavior and audience receptiveness” already exist in the region, and “if some of those X features do come our way, I believe we’ll find quite a receptive audience,” said Abidi.

“The idea of a global super app is certainly ambitious, but if anybody has got the ambition and ability to pull that off, Elon Musk is one of the few,” he added.


Taliban warn journalists and experts against cooperating with Afghanistan International TV

Updated 10 May 2024
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Taliban warn journalists and experts against cooperating with Afghanistan International TV

  • Cooperating with the London-based media outfit is a crime, says Taliban information ministry
  • During their previous rule in the late 1990s, the Taliban barred most TV, radio and newspapers

KABUL, Afghanistan: The Taliban on Thursday warned journalists and experts against working with Afghanistan International TV, saying they would be committing a crime if they cooperated with the station. It’s the first time they have told people not to cooperate with a specific outlet.

Afghanistan International TV, which is headquartered in London, is accessible through satellite, cable and social media.
A spokesman for the Taliban-controlled Ministry of Information and Culture alleged the station was committing professional violations and violating moral and legal boundaries.

Taliban security personnel sit along a street in Faryab province on March 10, 2024. (AFP)

The Media Violations Commission wanted all journalists and experts in Afghanistan to cease their collaboration with the station, said ministry spokesman Habib Ghofran.
“At the commission’s meeting held yesterday (Wednesday), it was decided that participating in discussions and facilitating the broadcast of this media outlet in public places is prohibited,” added Ghofran.
The deputy minister for broadcasting Zia ul Haq Haqmal said people would be committing a crime if they cooperated with the station.
He cited 10 reasons to avoid working with Afghanistan International TV, including its alleged distortion or falsification of information and campaigning against the ruling system.
“If someone does not cooperate on the basis of all these 10 reasons, then it’s the court’s job to give a punishment,” said Haqmal.

 

The director of Afghanistan International TV, Harun Najafizada, said the commission’s decision would not affect the channel because it had no employees or freelancers in the country.
“We don’t have anyone on the ground and rely on the reporting of Afghan citizens,” said Najafizada. “That’s more challenging, but we have tough verification. It’s a threat to free media, to other media, and to put pressure on us to forgo our professional standards. It’s not going to work.”
Afghanistan fares abysmally in terms of press freedom. The latest index from Reporters without Borders ranked the country 178 out of 180. It ranked 152 last year.
The organization said three radio reporters were arrested in April for broadcasting music and receiving calls from female listeners during shows. Local authorities weren’t available to confirm the arrests.
Also last month, the Taliban suspended two TV stations for failing to “consider national and Islamic values.”
The director for one of the suspended stations, Barya TV, rejected the Taliban’s allegations. The station is still off air.
Latif Sadiq said the station wasn’t informed about the suspension. “The reports that they repeatedly warned (Barya) are absolute lies,” Sadiq said Thursday. “They have decided on their own that (Barya) television is off, broadcasting is off, and they said the case will go to court.”
Many journalists lost their jobs after the Taliban takeover in 2021, with media outlets closing over a lack of funds or because their staff left the country. Women journalists face additional hardships because of work bans and travel restrictions.
During their previous rule in the late 1990s, the Taliban barred most television, radio and newspapers.


170 speakers and 1,000+ delegates gather for Gulf Creatives Conference at Harvard University

Updated 10 May 2024
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170 speakers and 1,000+ delegates gather for Gulf Creatives Conference at Harvard University

  • The 3-day event aims to be ‘the premier gathering for creative minds from the Gulf in the US,’ and to ‘empower, inspire and support Gulf creatives to drive positive change’
  • It is organized by The Diwan, a student-run organization intended to provide a platform for discussion of topics relevant to the Arab world, and particularly the Gulf region

BOSTON: A Gulf Creatives Conference will begin on May 10 at Harvard University, bringing together more than 170 speakers and over 1,000 delegates from sectors such as arts and culture, business and innovation, nonprofits and public policy, healthcare, and science and technology.

The three-day event is organized by The Diwan, a student-run organization at the university in Cambridge, Massachusetts.

Abdulla Almarzooqi, chairperson of the organization’s UAE Committee, and a graduate student at Harvard, told Arab News the aim is for the conference to “become the premier gathering for creative minds from the Gulf in the US,” and to “empower, inspire and support Gulf creatives to drive positive change.”

The Diwan was founded in the fall of 2023 as a platform for experts, academics, policymakers and students to discuss topics relevant to the Arab world, and particularly the Gulf region, including entrepreneurship, the empowerment of women and young people, and education, he added.

It organized a conference in November last year titled “Shaping the Arab World: Navigating Opportunities and Challenges” that addressed the geopolitics of the region and the ongoing war in Gaza. Almarzooqi said it was the largest gathering of Arab ambassadors in the history of Harvard University.

Now the organization is hosting the Gulf Creatives Conference, at a time when emotions are running high on many college campuses in the US amid protests against the conflict in Gaza by students and, in some cases, faculty members. However, the Harvard event will focus on “creativity and showcasing the region’s most promising talents,” said Almarzooqi.

“Amid the rising tensions on US college campuses, we believe firmly in the power of creativity and the arts in healing wounds and bridging divides,” he added.

The conference will include 24 discussion sessions and five workshops, covering topics such as public policy, innovation strategies, and the future of healthcare, in which all delegates are encouraged to actively participate, organizers said.

The speakers include prominent figures such as: Dr. Mahmoud Al-Yamany, sector head of health and well-being at the NEOM urban development megaproject in Saudi Arabia; Majid Ibrahim Al-Fayyadh, CEO of the King Faisal Specialist Hospital and Research Center in Riyadh; and Deemah Al-Yahya, secretary-general of the Digital Cooperation Organization.

The Gulf Creatives Conference will take place from May 10 to 12 at Harvard University.


‘Vision 2030 has set a blueprint for the future of the Kingdom,’ says TBWA\RAAD’s Saudi MD

Updated 09 May 2024
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‘Vision 2030 has set a blueprint for the future of the Kingdom,’ says TBWA\RAAD’s Saudi MD

  • Ad agency’s new Riyadh office to serve as a central hub for local, regional, global brands looking to succeed in Saudi Arabia

DUBAI: Advertising agency TBWA\RAAD appointed Dan Leach as its managing director for operations in Saudi Arabia following the establishment of a new office in Riyadh earlier this year. It is now bidding to cement its presence in the Kingdom.

The agency has been working with clients such as KFC, NEOM, and Nissan in the Kingdom for 20 years and now, with its new office, it aims to strengthen and serve as “a central hub for local, regional, and global brands looking to make their mark in the country,” Leach said.

He told Arab News: “The Middle East is renowned for its leadership and bold ambition, and Saudi Arabia exemplifies these qualities. But what I believe makes the Kingdom stand out further is its single-minded approach to disrupting the status quo … of everything.

“From building the largest vertical city in the world in NEOM; redefining luxury in the Red Sea; bringing the world’s sporting events to the country and more, there is no blueprint for what Saudi Arabia is doing.”

Staffing the new office is a “critical aspect of our expansion strategy” and the company is currently focusing on making “strategic hires,” including a new local senior management team, with the objective of ensuring “we have the right talent in place to meet the dynamic needs of our clients, driving our success not only in Riyadh, but across Saudi as a whole,” Leach said.

Saudi’s Vision 2030 has accelerated the growth of multiple industries, as well as technology and innovation, presenting new opportunities for advertising agencies like TBWA\RAAD.

Leach added: “Saudi’s story now belongs on the world stage, which implies that storytelling must be characterized by award-winning strategic and creative thinking.”

The country’s ambition to be at the forefront of technology such as artificial intelligence aligns with the agency’s vision.

Leach said: “We need to keep pace with the ambition of the Kingdom in this area and ensure our clients are benefiting from transformative innovation that can reach new customers.”

This ambition is evident in the growth of the creative and media industry, which is already seeing an “influx of bold award-winning campaigns fueling the emergence of incredible, young creative talent that will see the sector thrive for years to come,” he added.

Contrary to the common belief that Saudi lacks creative talent, Leach’s experience has been quite the opposite.

He said: “I have had a number of discussions with young creatives, and there is a genuine passion and hunger from this next generation to be at the forefront of the industry.”

He believes it is important for the industry to foster this talent in order to bolster the growth of the industry. The agency is therefore working with local universities to implement a graduate and internship program to help identify and support creative talent in the Kingdom.

Saudi Arabia’s growth and vision have attracted global attention and investment, with brands stepping up their game in the Kingdom. Leach, however, cautions brands against entering the market with a copy-and-paste approach.

He said: “We’re seeing a lot of brands come into the Kingdom with the approach of simply localizing copy and thinking that is enough to win; it’s not.”

He explained that Saudi consumers are savvy and can distinguish between brands that are being opportunistic and those truly embracing local culture.

Brands can also find success in aligning their story with that of the Kingdom and its leadership, Leach said.

He added: “Brands are entering a country that has near unlimited ambition — they need to match that energy.”

They do so by embracing new technology and aiming big, he said, and this also means brands should experiment and do things differently.

He said: “The Kingdom is an incredibly exciting place where there is room and opportunity to challenge the status quo.”

TBWA\RAAD, for example, has made significant advances in adopting AI — such as partnering with Core42 last year to harness the potential of Arabic large-language model Jais in the creative sector and launching its own ChatGPT-based tool Co-Pirate — to support clients. 

The agency is also working on bringing new products to the Kingdom, including dedicated social media programs, retail initiatives and internal communications platforms.

Leach said: “Our ambition is not to be the largest agency in the Kingdom but creatively the most exciting, and Saudi Arabia presents the perfect canvas upon which we can deliver that ambition.”


TikTok to label AI-generated images, video from OpenAI and elsewhere

Updated 09 May 2024
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TikTok to label AI-generated images, video from OpenAI and elsewhere

  • Content Credentials technology denotes how images were created and edited
  • For the system to work, both AI maker and platform must adhere to use the industry standard

LONDON: TikTok said on Thursday it would start using a technology aimed at helping it label images and video generated by artificial intelligence and uploaded to the video sharing service.

TikTok said it would adopt “Content Credentials,” a digital watermark that denotes how images were created and edited. The Content Credential technology was spearheaded by Adobe but is open for other companies to use and already has been adopted by companies such as ChatGPT creator OpenAI.

Researchers have expressed concerned that AI-generated content could be used as misinformation in an attempt to interfere with US elections this fall. TikTok was already among a group of 20 tech companies that earlier this year signed an accord pledging to fight it.

YouTube, owned by Alphabet’s Google, as well as Meta Platforms, which owns Instagram and Facebook, have also said they plan to use Content Credentials.

For the system to work, both the maker of the generative AI tool used to make content and the platform used to distribute the contents must both agree to use the industry standard.

If a person uses OpenAI’s Dall-E tool to generate an image, for example, OpenAI attaches a watermark to the resulting image. If that marked image is then uploaded to TikTok, it will be automatically labeled as AI-generated.

TikTok, which is owned by China’s ByteDance, has 170 million users in the United States, which recently passed a law requiring ByteDance to divest TikTok or face a ban. TikTok and ByteDance have sued to block the law, arguing it violates the First Amendment.

TikTok already labels AI-generated content made with tools inside the app but the latest move would apply a label to content generated outside of the service.

“We also have policies that prohibit realistic AI that is not labeled, so if realistic AI (generated contents) appears on the platform, then we will remove it as violating our community guidelines,” Adam Presser, head of operations and trust and safety at TikTok, said in an interview.


Arab League affirms its solidarity with Palestinian journalists

Updated 09 May 2024
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Arab League affirms its solidarity with Palestinian journalists

  • Ahmed Rashid Khattabi urges global organizations to support freedom of the press
  • Khattabi criticized the Israeli authorities for closing down Al Jazeera in Israel and confiscating its equipment

CAIRO: The League of Arab States has expressed solidarity with Palestinian journalists in Gaza, the West Bank, and East Jerusalem, and called for their protection.

May 11 has been designated a day of global solidarity with the Palestinian media as it marks two years since the Israeli occupation forces’ assassination of journalist Shireen Abu Akleh while she was carrying out her duties with the Al Jazeera Media Network.

Ambassador Ahmed Rashid Khattabi, the league’s assistant secretary-general and supervisor of the Media and Communication Sector, said the move “symbolizes a powerful demonstration of solidarity with the Palestinian media community.”

This support is particularly significant given the plight of the Palestinians and the continued Israeli aggression in the Gaza Strip.

The aggression has resulted in the deaths of more than 34,000 people, including 142 journalists, since October.

This figure exceeds the number of journalists who lost their lives in areas of armed conflict worldwide in 2023, a total of 99, according to the US Committee to Protect Journalists.

Khattabi urged global organizations to support the freedom of the press and protect Palestinian journalists covering the conflict.

Khattabi said it was imperative to ensure journalists’ safety under the principles of international humanitarian law, given the grave conditions in which they work.

He criticized the Israeli authorities for closing down Al Jazeera in Israel and confiscating its equipment, viewing these actions as illegal measures against the Palestinian media and other media institutions, and constituting a blatant violation of international conventions.

He added that it was unacceptable to violate fundamental rights as enshrined in the Universal Declaration of Human Rights and other international declarations promoting freedom of opinion and access to information.

These violations acted against the UN Plan of Action on the Safety of Journalists and the  International Federation of Journalists’ declaration, he said.