How digital boost for braille literacy is helping people with visual impairments across the Arab world

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A blind Saudi man recites from a braille copy of the Qu’ran in a mosque on the first day of Ramadan in Qatif, Saudi Arabia. (Right)
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A blind Saudi man reads aloud from a braille copy of the Qur'an inside a mosque on the first day of the holy fasting month of Ramadan in the coastal town of Qatif, Eastern Province, on May 27, 2017. (AFP file)
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The Diriyah Gate Development Authority (DGDA) has teamed up with the National Association of the Blind “Kafeef” to launch an initiative for the translation of Diriyah’s history into Braille. (DGDA photo)
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Braille Qur'an at Nabawi (Prophet's Mosque) n Madinah. (Shutterstock)
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Saudi Arabia's postal office commemorated the braille in 1981 with stamps. (Supplied)
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Updated 04 February 2023
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How digital boost for braille literacy is helping people with visual impairments across the Arab world

  • Prices of once expensive electronic braille devices are falling, demand for software is growing
  • Educators in Saudi Arabia are adopting assistive tech to include students with visual disabilities

JEDDAH: Digital technologies are transforming the way in which people of all languages and backgrounds communicate, making work, study and socializing across national and cultural boundaries easier and more inclusive.

However, many of the latest innovations in communications technology have tended to be geared toward smartphones, tablets and e-readers — formats that are not always conducive to people with visual impairments.




French inventor Louis Braille. (Supplied)

Now, recent enhancements to a 200-year-old system of writing are helping people with visual disabilities feel included in a greater variety of jobs and fields of study and forms of entertainment.

French inventor Louis Braille, who lost his sight at the age of three, in 1824 developed a system of communication consisting of a code of 63 characters, each made up of one to six raised dots arranged in a six-position matrix or cell, designed to fit under a fingertip.

These characters, known as braille, are embossed in lines on paper and read by passing the fingers lightly over the manuscript. From alphabets to musical notation, braille opened a world of possibilities for the visually impaired.

According to the World Health Organization, around 40 million people worldwide are blind, while another 250 million have some form of visual impairment. A survey conducted in 2017 by Saudi Arabia’s General Authority for Statistics found that some 811,610 Saudis are visually impaired.

A unified Arabic braille code was adopted in the 1950s as part of the move toward a universal braille system. This has allowed many of them to live, work and study unsupported.




The Arabic braille alphabet. (Shutterstock image)

Authorities in the Kingdom have taken measures to create a more inclusive society, using braille on the packaging of medicines and by establishing work programs to integrate the visually impaired into the workforce.

The Kingdom has also established branches of Al-Noor Institute for the Blind, which provide courses for school children, in addition to integrated classes in universities through a national program that guarantees the right to an education.




A student at a school for the blind in Riyadh is pictured operating a machine in a photograph taken on April 25, 1967. (Getty Images)

Speaking to Arab News, Khaled Al-Harbi, spokesperson for the National Association of the Blind, known as Kafeef, said education paved the way for those with special needs to become an integral part of their communities.

Kafeef’s mission, he said, is to empower people with visual impairments through programs launched in coordination with government and private entities.

“I, like many members, received moral support and guidance from Kafeef from a young age, and enrolled in programs,” Al-Harbi told Arab News.

“We were provided tools, learned new skills using our hands, and, with time, we launched several awareness programs and braille training courses for the visually impaired and visually acute with the latest — Iqra — the first certified braille training program.

“We’ve seen lately several initiatives that target the community, such as sending gift cards in braille, and it’s very commendable, but it can also go the other way. There is a need for more inclusion from the visually impaired to utilize technology for their benefit and the benefit of the community.”




Tech advances in audio software and screen-reading programs on computers and smartphones have made life easier for the visually impaired. (Shutterstock)

As digital developers have tended to prioritize audio software, such as screen-reading programs on computers and smartphones, some argue that braille has become a less important tool for people with visual impairments.

However, researchers believe learning braille from an early age can greatly improve literacy, as it is a much better way to understand punctuation, grammar, and spelling than using audio resources alone.

For many years, electronic braille devices were prohibitively expensive, placing them out of reach of many people with visual impairments, particularly those in developing countries. Now prices are beginning to fall and the demand for new software is growing.




VersaBraille by American manufacturer TeleSensory Corporation was first made commercially available in 1982. (Wikipedia)

The first braille displays appeared in the mid-1970s, and the first commercially produced braille display, the VersaBraille, was released in 1982. Five years later, the Braille ‘n Speak was released as the first portable notetaker.

Newer refreshable braille devices make it possible for users to read text from a digital screen when connected to a PC, tablet or phone. Such devices mimic the familiar raised dot patterns using tiny movable pins.

FASTFACTS

811,000 people in Saudi Arabia have some form of vision disability, according to the GSTAT Disability Survey 2017.

A unified Arabic braille code was adopted in the 1950s as part of the move toward a universal braille system.

However, with such a heavy reliance on cables and bluetooth connectivity, these systems are not always the most practical or user friendly. Furthermore, physical braille keyboards that allow users to enter text are not particularly mobile.

It was these drawbacks that led Google to develop its own innovative built-in keyboard called TalkBack, which comes as a part of the Android Operating System and does not require any external hardware.

In 2018, Google also launched an AI-powered app called Lookout to help low-vision users interact with their surroundings. The app can read signs and labels, scan barcodes, and even identify currencies.

In 2014, Apple introduced its own on-screen braille keyboard for iPhone, iPad and iPod Touch devices called iBrailler Notes.

The app enables users to navigate across text and perform tasks without connecting additional hardware. One striking feature of the app is that the keys automatically form around the fingertips when they are placed on the screen.




iBraille Notes on-screen braille keyboard by Apple. (Social media)

Many new braille technologies are yet to reach the market and several are still in the conceptual or prototype phase. New scanning features, audio descriptions, language identifiers, machine-learning tools, text mining, and speech processors could all soon appear in forthcoming assistive technologies.

Abdulrahman Al-Atawi, a professor at the college of computing and informatics and supervisor of the Center for Innovation in E-learning at the Saudi Electronic University, the first university in the Kingdom to exclusively adopt e-learning strategies and technologies, told Arab News that such technologies will play a significant part in students’ journeys.

In January, the Global Trends in E-Learning forum was held in Riyadh, where global leaders in the education sector shared their insights, exchanged experiences and discussed strategies to serve the online learning process.




The two-day Global Trends in E-Learning event that took place in Riyadh on Feb. 21-23 brought together resource persons and participants from 20 countries and 50 companies. (AN file photo)

As part of the forum’s objectives, a contest for EdTech entrepreneurs, faculty and students from across the Kingdom showcased innovative projects using emerging technologies to serve the education sector.

Al-Atawi, who also headed the Committee for the Innovation Oasis and GTEL Demofest, said some of the winning projects were focused on people with special needs.

“For many, the braille code allows the blind and visually impaired to read any form of writing, but when it comes to images and pictures, that’s another story,” he said.

“One of the winning projects, a smart reader for the visually impaired, found a solution to that, verbally describing that image.

“In this era of modern science, we wish to get every bit of information in digital form. With the right tools, we can help members of the special needs community.”

 


US Embassy marks 248th Independence Day with shared US-Saudi vision for space exploration 

Updated 25 April 2024
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US Embassy marks 248th Independence Day with shared US-Saudi vision for space exploration 

  • Ambassador Michael Ratney welcomes hundreds of Saudi guests to space-themed Riyadh reception

RIYADH: The US Embassy in Riyadh celebrated the 248th anniversary of Independence Day on Thursday with a reception hosted by US Ambassador Michael Ratney. 

The ambassador welcomed guest of honor Prince Faisal bin Abdulaziz bin Ayyaf, Riyadh Region mayor, along with Saudi officials, and hundreds of Saudi guests, as well as visitors from Washington, including members of the US Congress.  

The space-themed Independence Day reception served as a symbolic celebration of the future of the US-Saudi cooperation in space, highlighting the profound benefits and possibilities of space exploration, research, and commercial development.

Ratney said the theme reflects the “shared ambition of the United States and Saudi Arabia to embrace opportunities in space, positioning both countries as pioneers in this frontier of innovation.” 

The event evoked nostalgia for past achievements, such as the 1969 moon landing, while emphasizing ongoing advancements in space sciences, particularly commercial space exploration. 

Ratney highlighted Saudi pioneers in space travel, such as Prince Sultan bin Salman, and astronauts Rayyanah Barnawi and Ali Al-Qarni. 

An art installation, “Museum of the Moon,” by artist Luke Jerram, featured NASA’s high-definition imagery of the lunar surface. 

According to the US Embassy’s statement, the collaboration between the US and Saudi Arabia continues to advance shared interests in diplomacy, commerce, culture, and more.

The US remains dedicated to enhancing shared US-Saudi shared interests in security and in fostering prosperity in the region, while also exploring new avenues for partnerships in areas such as the arts, education, entertainment, and tourism, it said.

Both countries are poised to explore further cooperation, including potential joint ventures in space, reflecting a vision for an even stronger US-Saudi relationship in the future, the statement added. 


Saudi, Cypriot foreign ministers discuss relations

Updated 25 April 2024
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Saudi, Cypriot foreign ministers discuss relations

Saudi Minister of Foreign Affairs, Prince Faisal bin Farhan received his Cypriot counterpart, Dr. Konstantinos Kompos, at the ministry’s headquarters in Riyadh on Thursday.

During the meeting, the ministers reviewed the advanced bilateral relations between the Kingdom and the Republic of Cyprus, and ways to promote them in a variety of fields. 

They also discussed ways to increase bilateral coordination on issues of common interest and reviewed international developments.


New initiative to train young innovators in nanotechnology

Updated 25 April 2024
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New initiative to train young innovators in nanotechnology

  • Program structured in 3 phases for Saudi graduates and entrepreneurs 

RIYADH: The Nanotechnology Association, supported by the Misk Foundation, is set to launch the Nanohub Program, aimed at inspiring and equipping the next generation for careers in the sector to help support a brighter future and a thriving economy.

Nanohub, a nonprofit initiative, is structured in three phases to train Saudi graduates and entrepreneurs aged between 20 and 26. It provides workshops and sessions to develop personal skills, gain hands-on experience with nanotechnology, and receive guidance from industry experts.

The program partners with leading local and international organizations to ensure participants are prepared for the workforce.

Nanotechnology is expected to transform business and innovation in various sectors. Understanding its economic impact and the potential benefits of partnerships are of crucial importance for young entrepreneurs.

The program aims to equip participants with the skills and knowledge needed to excel in nanotechnology and inspire them to drive innovation in their industries.

The first phase of the program will focus on soft skills and leadership development. It is scheduled for three days, starting on April 28.

The second phase, which starts on May 5, explores applications of nanotechnology. It runs for five days, covering topics like the fundamentals of nanotechnology, its use in medicine, energy, and renewable energy, as well as sustainability.

The third phase, beginning on May 12 and ending on May 16, provides hands-on laboratory experience through a series of sessions called “Shadowing and Lab Tours.” This phase has two key tracks: the Shadowing Track and the Lab Tours Track.

The Lab Tours Track will give participants an in-depth look at cutting-edge nanotechnology research. They will visit world-class laboratories where nanotechnology innovations are being developed.

Participants will observe advanced equipment and complex techniques central to nanotechnology research. They will see live experiments and dynamic processes that reveal the workings of nanotechnology. This track is more than just a tour as it enhances understanding by connecting academic concepts to real-world applications, giving participants a closer look at the research and development process.

The Nanohub Program is “a transformative initiative designed to elevate the skills and competencies of graduates and new hires with STEM (science, technology, engineering and mathematics) backgrounds,” said Dr. Turki Almugaiteeb, chairman of the board of the Nanotechnology Association.

“This unique initiative aims to enrich participants’ soft skills and technical expertise through curated activities.”

Almugaiteeb added that participants would “have the opportunity to delve into the intriguing realms of medicine and energy, witnessing firsthand how nanotechnology is revolutionizing these industries.”

He added: “By immersing themselves in this dynamic program, individuals will not only broaden their knowledge but also cultivate the multidisciplinary skills needed to thrive in today’s competitive and rapidly evolving STEM landscape.”


An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

Updated 25 April 2024
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An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

  • Tariq Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh
  • Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages

RIYADH: The Arabian horse and hunting falcon are important historical and cultural symbols for the Arab world, both ancient and modern.

Now a Riyadh gallery is highlighting this enduring bond with a series of portrait studies of both creatures by Tariq Dajani, a Jordanian photographer and printmaker.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages.

However, Dajani, an owner of Arabians, chose to reflect his love of these creatures through photography and artworks.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

Over the years he spent many sessions photographing horses in his native Jordan, as well as the UAE and Saudi Arabia. Later, toward the end of the project, he added the hunting falcon, another symbol of cultural heritage and pride among Arabs.

Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh. 

Entitled “Drinkers of the Wind,” the exhibition is the result of 16 years’ work creating portraits of these magnificent creatures.

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

Dajani told Arab News that he is delighted to be able to display his work in Saudi Arabia, “a country that is deeply connected to the horse and the falcon.”

Ahlam Gallery is the perfect place to showcase these artworks, he added.

Dajani’s treatment of his subjects is not in the usual natural or romantic manner. Instead, and this is partly what sets his art apart, he uses a studio portrait approach, where he takes his studio to the stables or falcon sheds, and spends time carefully working on portrait studies of the creatures.

“My aim is to find a connection of sorts with the horse or the birds,” he said. “I am not interested in documenting the creature; I try to go deeper, to express something emotionally if I can.

“I was living in Sweden when I decided to photograph the Arabian horse. So I had to return to the Middle East, and I started with Jordan, my home country.

“The way I approach the work is to present the horse on a backdrop where all my focus — and thus the viewers of the final picture — will be on the animal itself and not on the environment that it is in.”

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

While photographing in Jordan, Dajani met Princess Alia Al-Hussein, eldest daughter of the late King Hussein of Jordan. He presented some of his work to her, and received her enthusiastic approval. 

Princess Alia gave him permission to photograph the horses of the Royal Jordanian Stud, and has continued to support his work over the years, opening his first two exhibitions in Jordan.

“I had access to some of the most beautiful horses in Jordan when I first started my project. My first exhibition solely of Jordanian Arabians was a great success,” Dajani said.

“Encouraged by the reception, and by now totally absorbed in this project, I went to Dubai, then Abu Dhabi, then Saudi Arabia, where I was presented with some of the most magnificent Arabian horses to photograph. Along the way, I introduced portrait studies of the hunting falcon. They, too, are strikingly beautiful and have a special place in Arab culture and heritage.

“I will always remain very grateful to Princess Alia for her initial support, and to many others for encouraging the work and opening doors for me along the way.”

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

One of his most striking photographs shows two mares bringing their heads together in a gentle greeting.

“This incredible and totally unanticipated greeting happened while I was photographing at the King Abdulaziz Arabian Horse Center in Dirab, south of Riyadh. The two mares were led out onto my backdrop studio space from opposite sides, and when they approached each other, they gently and courteously touched their heads as if to say hello,” he said.

“It was so special. No one had ever witnessed this before. We all held our breath as we watched in amazement. I frequently think that it would be nice if these sensitive, clever creatures could teach us humans a little bit of gentleness and respect.”

Dajani’s exhibition features high-quality photographic color prints, and a smaller collection of photogravure prints, produced by manually pulling an inked metal plate, engraved with the photographic image, through a traditional printing press — a slow and difficult process that produces prints with a special feel and texture.
 


Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

Updated 25 April 2024
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Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

  • The event included films by young Saudis and their peers from around the world, plus seminars and workshops presented by industry insiders

JEDDAH: Effat University’s School of Cinematic Arts in Jeddah welcomed aspiring filmmakers and cinephiles to the 11th Showreel Effat International Student Film Festival this week.

The theme for the three-day event, which concluded on Thursday, was “Behind the Seen,” reflecting the aim of organizers to shed light on the creative process and less-visible aspects of filmmaking. The program included a diverse range of cinematic offerings celebrating the work and talent of student filmmakers, not only those studying at the school but also their peers around the globe.

Mohammed Ghazala, head of the School of Cinema Arts, set the scene with an overview of the works featured during the festival, at the heart of which were films created by students and graduates of the school, which has been a pioneer in film and animation education in the Kingdom.

Alongside the home-grown talent, the festival provided a showcase for an impressive selection of international student films. These were carefully curated from a pool of 2,150 submissions from more than 115 countries, which were whittled down to a final selection of 57 exceptional works from 27 nations: Saudi Arabia, Egypt, Lebanon, Tunisia, Yemen, Morocco, Turkey, France, Belgium, Japan, Italy, Estonia, the Czech Republic, the US, China, New Zealand, Singapore, Canada, Taiwan, Russia, Greece, Spain, Poland, India, Indonesia, Mexico and Pakistan.

The chosen films competed for awards in seven categories, including Best Saudi Feature Film, Best International Animated Film, and the prestigious Audience Award.

In addition to providing a platform for emerging filmmakers to showcase their talent and creativity, organizers said the festival also aims to foster cultural exchanges and celebrate the art of cinema on a global scale.

Integral to this is a commitment to nurturing talent and encouraging dialogue within the industry, which was reflected in a series of seminars and workshops led by industry professionals. Effat University lecturer and festival coordinator Marina Ivanseva gave an overview of the sessions, which offered insights into a wide spectrum of topics key to the craft.

They included sessions on a creative cinematic post-production workshop supported by video-streaming service Netflix, cinematography workshops conducted by film camera manufacturer ARRI, and a visual effects workshop backed by specialist studio VFX Mojo.

They were presented by renowned figures and industry insiders such as Saudi artist Sarah Taibah, Oscar-winning German director Thomas Stelmach, British professor Rut Luxemburg, American visual effects artist Matt Beck, and cinematographer James Niehaus.

There were also lectures on animation and experimental film presented by the Royal College of Arts in London, while Stellmach offered insights into his professional journey that led to the Oscars. Saudi producer Nadia Malaika shared valuable career insights, Egyptian lawyer Khaled Al-Arabi discussed legal rights in filmmaking, and Mohammed Sobeih looked at the creation of animated films using Toon Boom software. The festival concluded with a session focusing on animated cinema presented by Synergy University.

“We were thrilled to welcome numerous local and international guests who shared their cinematic experiences with us … during the 11th Showreel Effat International Student Film Festival,” said Asmaa Ibrahim, the dean of Effat College of Architecture and Design.

“Students from Dar Alhekma, King Abdulaziz, and Princess Noura (universities) in Riyadh joined us in celebration. It was a delight to host guests from prestigious institutions such as the Royal College of Art, Netflix, Maflam, Film Association and VFX Mojo, who conducted exceptional workshops. The interactive discussions were engaging and we appreciate the participation of everyone.”

Karim Sahai, a visual effects professional from France, said: “I’m proud to have been a part of this incredible festival, with such a fantastic audience and remarkable guests from all over.

“The quality of their engagement and the depth of their questions during my workshop surpassed my expectations. I truly believe I’ll return to bask in this energy once more; it’s truly inspiring.”

Beyond artistic appreciation, organizers said another aim of the festival is to help forge academic and strategic partnerships, and Effat University has built alliances with institutions such as the University of Southern California and the Red Sea Film Festival Foundation with the goal of fostering collaboration and exchange of knowledge on a global scale.