Saudi Arabia stages first ever Biennale for Islamic Art in Jeddah

The inaugural Islamic Arts Biennale is being staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)
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Updated 26 January 2023

Saudi Arabia stages first ever Biennale for Islamic Art in Jeddah

  • Artworks by 60 established and emerging artists from Saudi Arabia and around the world have been displayed at the event
  • The idea of Islam is the unifying element at the biennale that continues to connects cultures and people throughout the world

JEDDAH: Saudi Arabia witnessed a historic moment with the opening of the inaugural Islamic Arts Biennale, which presented historic and contemporary works of Islamic art from around the world.

On the evening of Jan. 22, the Western Hajj Terminal at King Abdulaziz International Airport in Jeddah was filled with crowds of people waiting in eager anticipation. This was not the usual throng of pilgrims that use the terminal each year to travel to Makkah for the annual Hajj pilgrimage, but one awaiting the beginning of another voyage — a metaphorical one into the realm of Islamic art through the first-ever Islamic Arts Biennale hosted by the Kingdom. 

The crowd gathered under the impressive canopies of the Hajj Terminal, designed by Skidmore, Owings & Merrill, which won the 1983 Aga Khan Award for Architecture.

The biennial event, which includes many newly-commissioned and never-before-seen works of art, marked a historic moment not just for Saudi Arabia and the Diriyah Biennale Foundation that staged the event, but for the legacy of Islamic art, which has witnessed hardly any large-scale international exhibitions since the 1976 World of Islam Festival in London.

Jeddah’s inaugural Islamic Arts Biennale celebrates the legacy of Islamic art in a place close to Makkah, the fountainhead and cradle of Islam, while forging a dialogue between the past, present and future through contemporary artworks by 60 established and emerging artists from Saudi Arabia and around the world, and with over 60 new commissions and 280 historical artifacts. 




A woman walks by a display at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

The effect is illuminating, mystical and enlightening in that this biennial, like its theme “Awwal Bait” which means “First House” in Arabic, celebrates the beauty and heritage of Islamic art in the birthplace of Islam.

“The Islamic Biennale, staged in this location at the Western Hajj Terminal, has meaning and anticipation for the future,” Saad Alrashid, a leading Saudi scholar, archaeologist and one of the curators of the event, told Arab News.

“Jeddah is the gate of the Haramain and has a deep history. There is an accumulation of strata of civilization in Saudi Arabia and throughout the ages this area was the crossroads of civilization between East and West and up to the North. Staging the Islamic Biennale here presents to the world the idea of connection between all Muslims and everybody that comes and goes from Saudi Arabia geographically, historically and politically.”

In the same vein, the theme “Awwal Bait” explores how the Holy Kaaba in Makkah and the Prophet’s Mosque in Madinah aim to inspire Muslims both culturally and metaphysically to explore their sense of belonging and ponder the definition of home.

“At its core, the Biennale is about giving contemporary objects a home by giving them a lineage and giving historic objects a home by giving them a future,” Sumayya Vally, artistic director of the Biennale, told Arab News. 




Artwork displayed at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

“Seeing the Biennale come to life through the voices and perspectives of our artists has been profound,” she added. “Each of them has boldly and sensitively taken on the opportunity of this platform to contribute to an emerging discourse on Islamic arts that we hope will continue.”

Staging the Islamic Arts Biennale was the result of a global effort. More than 18 local and international institutions, including the General Presidency for the Affairs of the Two Holy Mosques, alongside artifacts loaned by other prestigious international institutions with an interest in Islamic Arts, such as Benaki Museum in Athens, the History of Science Museum at the University of Oxford, the Louvre in Paris and the Victoria and Albert Museum in London.

The Biennale was curated by a multi-disciplinary group of specialists, including Omniya Abdel Barr, an Egyptian architect and Barakat Trust Fellow at the V&A, and Julian Raby, director emeritus of the National Museum of Asian Art at the Smithsonian Institution in Washington, DC.

“It was challenging to find objects that have survived that were made in Makkah and Madinah,” said Abdel Barr to Arab News. “We searched within collections to see how we could create a conversation between historic objects while also keeping in mind the contemporary context and this was the most interesting part.”

Regionally, the Diriyah Biennale Foundation has secured loans for the exhibition from institutions such as the King Abdulaziz Library, the National Museum, King Faisal Center for Research and Islamic Studies and King Saud University — all in Riyadh — and Makkah’s Museum of Antiquities and Heritage, the General Presidency for the Affairs of the Two Holy Mosques and Umm Al-Qura University. From the wider region, works have been loaned from the Al-Sabah Collection and Dar Al-Athar Al-Islamiyyah in Kuwait, the Museum of Islamic Art, Cairo, and the Museum of Islamic Art, Doha, among others. 




Man taking a picture of the artwork displayed at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

The viewing experience is mystical, like a pilgrimage in itself. It begins in darkness with American Lebanese artist Joseph Namy’s commission “Cosmic Breath” presenting recorded calls to prayer from countries around the world played together, working as if in unison with the installation across the room by Saudi artist Nora Alissa, titled “Epiphamania: The First Light,” which depicts various black and white shots of pilgrims around the Kaaba shot impressively from beneath her abaya. Nearby is an Islamic astrolabe that is positioned towards Makkah. The trio of works mark the first example in the carefully curated show, demonstrating the dialogue generated from historic and contemporary Islamic works of art.

The structure of the Biennale is divided into four galleries and two pavilions that house artworks regarding daily Islamic rituals and Hajj. These sections intend to evoke both personal and collective emotions about the spiritual life of Muslims around the world. 

Large-scale, newly-commissioned works are found outside around the terminal’s expansive and evocative canopies, amid rays of sunlight and views of Jeddah that periodically include airplanes taking off high into the sky. The works outside communicate with nature and the Aga Khan award-winning architecture of the terminal itself.

Outside are also the pavilions of Makkah and Madinah, which present material from the Two Holy Mosques, Masjid Al-Haram and from the Hujra Al-Sharifa in Madinah. The focus here is on the initial journey that the Prophet Mohammad and his followers took from Makkah to Madinah to escape persecution. The objects on display, once again a mixture of historic and contemporary, shed light on the sense of universal belonging that ensues from the Muslim pilgrimage and journey home afterward.

Surrounding the pavilions are works by artists including Dima Srouji, Shahpour Pouyan, Moath Alofi, Reem Al-Faisal, Alia Farid, and Leen Ajlan. 




Display of Islamic art at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

Of note is Bricklab’s architectural installation “Air Pilgrims Accommodation 1958” inspired by Jeddah’s historic Hajj housing, which Vally describes as a site that “gathered people from all over the world to stay in one place — a place for cultural production and trade.”

“The idea emanating from the works outside is for them to generate invitations for gathering, for discussion and exchange,” Vally told Arab News.

This is reflected in Tanzanian artist Lubna Chowdhary’s “The Endless Iftar” which is a 40-meter-long table inspired by rituals of eating and gathering from around the world during Ramadan.

Also positioned outside is “My Place is the Placeless” by Iranian London-based artist Shahpour Pouyan, presenting three large-scale differently colored architectural domes that represent the three major traces in the artist’s DNA after he took a test that revealed his origins go beyond his native Iran to include Scandinavia, Central and South Asia, and the Middle East.

“It’s about human interconnectedness in an effort to break down ethnic labels and identities,” Pouyan explained to Arab News. 

Like the other works on show, Pouyan’s work reflects not just on Islamic culture but on its universality, its ability to connect beyond the Middle East and offer a unifying force that goes beyond religion, nationality and culture.

As Alrashid states: “Islam is a communication of knowledge and culture.”

He added: “Since the 2030 Vision we sense that we are more welcoming just like the Makkans in the past welcomed visitors during Hajj.

“We are showing the whole world how they can enjoy Islamic art,” he said. “The Biennale is not just an exhibition or something from the past — it continues through culture, through integration with the multiculturalism of Muslims.”

Perhaps the most powerful theme of the exhibition is the idea of Islam and its art across the ages as a physical and metaphorical unifying element that continues to connect diverse cultures and people throughout the world. It is also a way, as Vally stressed to Arab News, “to define what it means to be Muslim from our own perspective, through our own art and culture to the rest of the world and to show how Islam has the power to unite us all, even non-Muslims, through its history, traditions and spiritual practices.”

 

 


Saudi foreign minister urges developing cooperation with BRICS to achieve prosperity

Updated 24 sec ago

Saudi foreign minister urges developing cooperation with BRICS to achieve prosperity

  • The Saudi foreign minister attended on Friday a ministerial meeting of the Friends of BRICS in South Africa
  • In his speech, Prince Faisal bin Farhan said the Kingdom was keen to advance future cooperation with BRICS

CAPE TOWN: Saudi Arabia is keen to develop future cooperation with the BRICS group to achieve collective prosperity, Minister of Foreign Affairs Prince Faisal bin Farhan bin Abdullah said on Friday.

The BRICS group consists of Brazil, Russia, India, China and South Africa.

The Saudi foreign minister participated on Friday in the ministerial meeting of Friends of BRICS in Cape Town, South Africa, held under the theme, “Partnership for Mutually Accelerated Growth, Sustainable Development and Inclusive Multilateralism.”

In his speech at the meeting, Prince Faisal bin Farhan said that the Kingdom was keen to advance its future cooperation with BRICS by benefiting from the potential and capabilities possessed by both sides.

This aimed to fulfill joint interests and achieve prosperity for all, the foreign minister said.

Saudi Arabia was the BRICS group’s largest commercial partner in the Middle East, Prince Faisal said, affirming that trade relations with the BRICS countries had witnessed great growth.

“This reflects the growing and developed relations with the countries of the group,” he said.

The total value of bilateral trade with the countries of the BRICS group increased from $81 billion in 2017 and $128 billion in 2021 to surpass $160 billion last year, the foreign minister said.

The Kingdom shared basic values with the BRICS countries, represented in the belief that relations between countries were based on the principles of respect for sovereignty, non-interference and adherence to international law, Prince Faisal said.

These principles also included the existence of multilateral frameworks and collective action as reference points in the face of mutual challenges.

Saudi Arabia, along with BRICS countries, also believed in the importance of peace, security and stability in order to refocus efforts toward national development and common prosperity, Prince Faisal said.

The Kingdom maintained its commitment to working with international partners to achieve the UN Sustainable Development Goals by 2030, he said.

He added that Saudi Arabia also worked on intensifying global efforts to enhance food and energy security amid recurring crises and supply-chain issues.

The Kingdom was a pioneering country worldwide in humanitarian and development aid and was among the top 10 donors to low- and middle-income countries, Prince Faisal said.

Dr. Abdulrahman Al-Rassi, undersecretary of the foreign affairs ministry for international multilateral affairs, and Saudi Ambassador to South Africa Sultan Al-Liwiahan Al-Anqary were also part of the Saudi delegation at the meeting.


Saudi foreign minister urges developing cooperation with BRICS to achieve prosperity

Updated 03 June 2023

Saudi foreign minister urges developing cooperation with BRICS to achieve prosperity

CAPE TOWN: Saudi Arabia is keen to develop future cooperation with the BRICS group to achieve collective prosperity, Minister of Foreign Affairs Prince Faisal bin Farhan bin Abdullah said on Friday.

The BRICS group consists of Brazil, Russia, India, China and South Africa.

The Saudi foreign minister participated on Friday in the ministerial meeting of Friends of BRICS in Cape Town, South Africa, held under the theme, “Partnership for Mutually Accelerated Growth, Sustainable Development and Inclusive Multilateralism.”

In his speech at the meeting, Prince Faisal bin Farhan said that the Kingdom was keen to advance its future cooperation with BRICS by benefiting from the potential and capabilities possessed by both sides.

This aimed to fulfill joint interests and achieve prosperity for all, the foreign minister said.

Saudi Arabia was the BRICS group’s largest commercial partner in the Middle East, Prince Faisal said, affirming that trade relations with the BRICS countries had witnessed great growth.

“This reflects the growing and developed relations with the countries of the group,” he said.

The total value of bilateral trade with the countries of the BRICS group increased from $81 billion in 2017 and $128 billion in 2021 to surpass $160 billion last year, the foreign minister said.

The Kingdom shared basic values with the BRICS countries, represented in the belief that relations between countries were based on the principles of respect for sovereignty, non-interference and adherence to international law, Prince Faisal said.

These principles also included the existence of multilateral frameworks and collective action as reference points in the face of mutual challenges.

Saudi Arabia, along with BRICS countries, also believed in the importance of peace, security and stability in order to refocus efforts toward national development and common prosperity, Prince Faisal said.

The Kingdom maintained its commitment to working with international partners to achieve the UN Sustainable Development Goals by 2030, he said.

He added that Saudi Arabia also worked on intensifying global efforts to enhance food and energy security amid recurring crises and supply-chain issues.

The Kingdom was a pioneering country worldwide in humanitarian and development aid and was among the top 10 donors to low- and middle-income countries, Prince Faisal said.

Dr. Abdulrahman Al-Rassi, undersecretary of the foreign affairs ministry for international multilateral affairs, and Saudi Ambassador to South Africa Sultan Al-Liwiahan Al-Anqary were also part of the Saudi delegation at the meeting.
 


Malaysian minister lauds Saudi Arabia’s Makkah Route initiative

Updated 01 June 2023

Malaysian minister lauds Saudi Arabia’s Makkah Route initiative

RIYADH: Malaysian Interior Minister Saifuddin Nasution praised Saudi Arabia’s Makkah Route initiative, facilitating the travel procedures of Hajj pilgrims from Malaysia.

The statement was made during Nasution’s visit on Wednesday to a hall dedicated to the initiative at Kuala Lumpur International Airport, where he was briefed on its readiness to facilitate pilgrims’ journey.

The Makkah Route initiative enables Hajj pilgrims from six countries to complete immigration, cargo and travel procedures before departing for the Kingdom.
 


Kenyan defense minister meets Islamic Military Counter Terrorism Coalition chief

Updated 31 May 2023

Kenyan defense minister meets Islamic Military Counter Terrorism Coalition chief

RIYADH: Secretary-General of the Islamic Military Counter Terrorism Coalition Maj. Gen. Mohammed bin Saeed Al-Moghedi met Kenyan Defense Minister Aden Bare Duale in Nairobi on Wednesday to discuss counterterrorism and violent extremism-related issues.

During his meeting with Al-Moghedi, the Kenyan minister praised the coalition’s framework – for military, counterterrorism, anti-terrorism financing, as well as intellectual and media matters – as a strategic pillar in fighting terrorism and violent extremism.

He added that terrorism has its roots in intellectual and ideological orientations, which constitute the basis of the extremist approach.

“Working on preparing the mindset and integrating it within the proper framework constitutes one of the proactive action pillars aimed to repress and contain extremist thinking,” Duale said.

Al-Moghedi said that strategic initiatives by the coalition in its counterterrorism efforts have taken into consideration the hierarchy of terrorist tendencies.

The secretary-general also spoke about social media and communication platforms, and their role in influencing users. He also discussed countering illegal terror financing through military support and assistance services.

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Who’s Who: Hussain AbdRab Al-Nabi, vice president at SAP South Europe, Middle East and Africa

Updated 31 May 2023

Who’s Who: Hussain AbdRab Al-Nabi, vice president at SAP South Europe, Middle East and Africa

Hussain AbdRab Al-Nabi is an innovation and strategy marketing leader and expert who has worked in both marketing and finance fields. He is vice president and head of marketing strategy at SAP South Europe, Middle East and Africa.

He has contributed significantly to SAP throughout his more than decade-long experience with the company.

As VP, his responsibilities include developing and implementing cohesive marketing strategies for Europe, the Middle East and Africa, and managing relationships with regional and global stakeholders across all departments.

AbdRab Al-Nabi is also executive marketing director at SAP for Saudi Arabia, Kuwait, Bahrain, Iraq, Syria, Pakistan and Afghanistan. His responsibilities cover seven countries and more than 13 major cities.

Before that, he worked as head of marketing transformation at SAP, where he led a team for restructuring the scope of marketing within the targeted countries.

In 2016, he was appointed marketing director for the newly segmented market unit of Saudi Arabia, Bahrain and Yemen, and as a financial services marketing program head for the MENA region. During that time, AbdRab Al-Nabi developed marketing programs for the financial services industry.

Previously at SAP, he was assigned as marketing lead for the public services and energy, and natural resources industries, and he worked closely with industry principles to drive a focused marketing plan.

He first joined SAP in 2011 as a country marketing manager, handling the marketing and demand generation initiatives in Saudi Arabian operations.

In 2008, AbdRab Al-Nabi worked at Zain Group as a segment manager of corporate marketing and acting head of business marketing.

Before that, he was a relationship manager in the commercial markets division at SAMBA Financial Group.

AbdRab Al-Nabi started his career in 2001 as a credit and marketing senior officer at ORIX Leasing company, and later worked as a financial controller at Arab National Bank.

He holds a bachelor’s degree in finance from King Fahd University of Petroleum and Minerals. AbdRab Al-Nabi completed the Esade executive leadership program and the Misk leaders program last year. He has also obtained certifications from the Association of International Product Marketing and Management.

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