Saudi Arabia stages first ever Biennale for Islamic Art in Jeddah

The inaugural Islamic Arts Biennale is being staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)
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Updated 26 January 2023

Saudi Arabia stages first ever Biennale for Islamic Art in Jeddah

  • Artworks by 60 established and emerging artists from Saudi Arabia and around the world have been displayed at the event
  • The idea of Islam is the unifying element at the biennale that continues to connects cultures and people throughout the world

JEDDAH: Saudi Arabia witnessed a historic moment with the opening of the inaugural Islamic Arts Biennale, which presented historic and contemporary works of Islamic art from around the world.

On the evening of Jan. 22, the Western Hajj Terminal at King Abdulaziz International Airport in Jeddah was filled with crowds of people waiting in eager anticipation. This was not the usual throng of pilgrims that use the terminal each year to travel to Makkah for the annual Hajj pilgrimage, but one awaiting the beginning of another voyage — a metaphorical one into the realm of Islamic art through the first-ever Islamic Arts Biennale hosted by the Kingdom. 

The crowd gathered under the impressive canopies of the Hajj Terminal, designed by Skidmore, Owings & Merrill, which won the 1983 Aga Khan Award for Architecture.

The biennial event, which includes many newly-commissioned and never-before-seen works of art, marked a historic moment not just for Saudi Arabia and the Diriyah Biennale Foundation that staged the event, but for the legacy of Islamic art, which has witnessed hardly any large-scale international exhibitions since the 1976 World of Islam Festival in London.

Jeddah’s inaugural Islamic Arts Biennale celebrates the legacy of Islamic art in a place close to Makkah, the fountainhead and cradle of Islam, while forging a dialogue between the past, present and future through contemporary artworks by 60 established and emerging artists from Saudi Arabia and around the world, and with over 60 new commissions and 280 historical artifacts. 




A woman walks by a display at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

The effect is illuminating, mystical and enlightening in that this biennial, like its theme “Awwal Bait” which means “First House” in Arabic, celebrates the beauty and heritage of Islamic art in the birthplace of Islam.

“The Islamic Biennale, staged in this location at the Western Hajj Terminal, has meaning and anticipation for the future,” Saad Alrashid, a leading Saudi scholar, archaeologist and one of the curators of the event, told Arab News.

“Jeddah is the gate of the Haramain and has a deep history. There is an accumulation of strata of civilization in Saudi Arabia and throughout the ages this area was the crossroads of civilization between East and West and up to the North. Staging the Islamic Biennale here presents to the world the idea of connection between all Muslims and everybody that comes and goes from Saudi Arabia geographically, historically and politically.”

In the same vein, the theme “Awwal Bait” explores how the Holy Kaaba in Makkah and the Prophet’s Mosque in Madinah aim to inspire Muslims both culturally and metaphysically to explore their sense of belonging and ponder the definition of home.

“At its core, the Biennale is about giving contemporary objects a home by giving them a lineage and giving historic objects a home by giving them a future,” Sumayya Vally, artistic director of the Biennale, told Arab News. 




Artwork displayed at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

“Seeing the Biennale come to life through the voices and perspectives of our artists has been profound,” she added. “Each of them has boldly and sensitively taken on the opportunity of this platform to contribute to an emerging discourse on Islamic arts that we hope will continue.”

Staging the Islamic Arts Biennale was the result of a global effort. More than 18 local and international institutions, including the General Presidency for the Affairs of the Two Holy Mosques, alongside artifacts loaned by other prestigious international institutions with an interest in Islamic Arts, such as Benaki Museum in Athens, the History of Science Museum at the University of Oxford, the Louvre in Paris and the Victoria and Albert Museum in London.

The Biennale was curated by a multi-disciplinary group of specialists, including Omniya Abdel Barr, an Egyptian architect and Barakat Trust Fellow at the V&A, and Julian Raby, director emeritus of the National Museum of Asian Art at the Smithsonian Institution in Washington, DC.

“It was challenging to find objects that have survived that were made in Makkah and Madinah,” said Abdel Barr to Arab News. “We searched within collections to see how we could create a conversation between historic objects while also keeping in mind the contemporary context and this was the most interesting part.”

Regionally, the Diriyah Biennale Foundation has secured loans for the exhibition from institutions such as the King Abdulaziz Library, the National Museum, King Faisal Center for Research and Islamic Studies and King Saud University — all in Riyadh — and Makkah’s Museum of Antiquities and Heritage, the General Presidency for the Affairs of the Two Holy Mosques and Umm Al-Qura University. From the wider region, works have been loaned from the Al-Sabah Collection and Dar Al-Athar Al-Islamiyyah in Kuwait, the Museum of Islamic Art, Cairo, and the Museum of Islamic Art, Doha, among others. 




Man taking a picture of the artwork displayed at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

The viewing experience is mystical, like a pilgrimage in itself. It begins in darkness with American Lebanese artist Joseph Namy’s commission “Cosmic Breath” presenting recorded calls to prayer from countries around the world played together, working as if in unison with the installation across the room by Saudi artist Nora Alissa, titled “Epiphamania: The First Light,” which depicts various black and white shots of pilgrims around the Kaaba shot impressively from beneath her abaya. Nearby is an Islamic astrolabe that is positioned towards Makkah. The trio of works mark the first example in the carefully curated show, demonstrating the dialogue generated from historic and contemporary Islamic works of art.

The structure of the Biennale is divided into four galleries and two pavilions that house artworks regarding daily Islamic rituals and Hajj. These sections intend to evoke both personal and collective emotions about the spiritual life of Muslims around the world. 

Large-scale, newly-commissioned works are found outside around the terminal’s expansive and evocative canopies, amid rays of sunlight and views of Jeddah that periodically include airplanes taking off high into the sky. The works outside communicate with nature and the Aga Khan award-winning architecture of the terminal itself.

Outside are also the pavilions of Makkah and Madinah, which present material from the Two Holy Mosques, Masjid Al-Haram and from the Hujra Al-Sharifa in Madinah. The focus here is on the initial journey that the Prophet Mohammad and his followers took from Makkah to Madinah to escape persecution. The objects on display, once again a mixture of historic and contemporary, shed light on the sense of universal belonging that ensues from the Muslim pilgrimage and journey home afterward.

Surrounding the pavilions are works by artists including Dima Srouji, Shahpour Pouyan, Moath Alofi, Reem Al-Faisal, Alia Farid, and Leen Ajlan. 




Display of Islamic art at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

Of note is Bricklab’s architectural installation “Air Pilgrims Accommodation 1958” inspired by Jeddah’s historic Hajj housing, which Vally describes as a site that “gathered people from all over the world to stay in one place — a place for cultural production and trade.”

“The idea emanating from the works outside is for them to generate invitations for gathering, for discussion and exchange,” Vally told Arab News.

This is reflected in Tanzanian artist Lubna Chowdhary’s “The Endless Iftar” which is a 40-meter-long table inspired by rituals of eating and gathering from around the world during Ramadan.

Also positioned outside is “My Place is the Placeless” by Iranian London-based artist Shahpour Pouyan, presenting three large-scale differently colored architectural domes that represent the three major traces in the artist’s DNA after he took a test that revealed his origins go beyond his native Iran to include Scandinavia, Central and South Asia, and the Middle East.

“It’s about human interconnectedness in an effort to break down ethnic labels and identities,” Pouyan explained to Arab News. 

Like the other works on show, Pouyan’s work reflects not just on Islamic culture but on its universality, its ability to connect beyond the Middle East and offer a unifying force that goes beyond religion, nationality and culture.

As Alrashid states: “Islam is a communication of knowledge and culture.”

He added: “Since the 2030 Vision we sense that we are more welcoming just like the Makkans in the past welcomed visitors during Hajj.

“We are showing the whole world how they can enjoy Islamic art,” he said. “The Biennale is not just an exhibition or something from the past — it continues through culture, through integration with the multiculturalism of Muslims.”

Perhaps the most powerful theme of the exhibition is the idea of Islam and its art across the ages as a physical and metaphorical unifying element that continues to connect diverse cultures and people throughout the world. It is also a way, as Vally stressed to Arab News, “to define what it means to be Muslim from our own perspective, through our own art and culture to the rest of the world and to show how Islam has the power to unite us all, even non-Muslims, through its history, traditions and spiritual practices.”

 

 


Hollywood scriptwriter participates in Qur’an recitation contest

Updated 26 March 2023

Hollywood scriptwriter participates in Qur’an recitation contest

  • Palestinian-American Yasser Omar Shaheen wows viewers with melodic voice, distinctive recitation

RIYADH: Palestinian-American contestant Yasser Omar Shaheen, a Hollywood film and television scriptwriter, was a participant in the latest episode of the international Qur’an recitation and adhan competition.

Shaheen entertained the viewers with his melodic voice and distinctive recitation of the Qur’an.

The “Otr Elkalam” TV show, which is being supervised by the General Entertainment Authority and is broadcast on MBC1 and the Shahid digital platform, has a total prize pool of SR12 million ($3.2 million).

Shaheen said: “My life is a mixture of memorizing and reciting the Holy Qur’an and writing scripts in Hollywood, where I have supervised the production of more than 130 programs, produced 14 documentaries, and contributed to several shows on TV channels of Arab and Islamic countries.”

He enjoys teaching Muslim children the verses of the Qur’an and the rules of intonation in mosques in Dallas, Texas. Shaheen also works as a faculty member at San Jose University in California.

Several competitions resulted in his participation in “Otr Elkalam” and its first episode featured 32 contestants from around the world.

It also focused on last year’s winners of the Qur’an recitation and adhan competitions, Younes Gharbi from Morocco and Mohsen Kara of Turkiye, respectively.

The “Otr Elkalam” competition is designed to highlight the rich diversity of cultures in the Islamic world, and the vocal methods of reciting the Qur’an and raising the call to prayer.

More than 50,000 entrants from 165 countries were whittled down to 50 for the final stage, which is held in Riyadh.

Another selection process by the main jury then left 32 contestants, 16 for each competition.

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Filipino engineers help fellow expats climb career ladder in Saudi Arabia

Updated 25 March 2023

Filipino engineers help fellow expats climb career ladder in Saudi Arabia

  • Philippine Council of Engineers and Architects has helped 40k Pinoy professionals

MANILA: Mario Balboa had initially planned to return to the Philippines after a year, but his stay in Saudi Arabia has now spanned almost two decades, motivated by his successes and a desire to help other Filipino expats on their career paths.

An electronics and communications engineer, Balboa left his hometown in San Fernando, La Union province and moved to Riyadh in 2004 to work as a business consultant and analyst at Saudi Telecom Co.

Now a senior manager for product development, he enjoyed steady career progression over the years but at some point, saw that many Filipino engineers living and working in the Kingdom lagged behind.

Although they had all the necessary skills, many lacked the proper licenses, certifications, and credentials.

“In any development project here, you will always find a Filipino ... The only problem is that some lack the necessary papers to show that they are certified,” Balboa told Arab News. “If there’s a position where you are capable but not qualified because you don’t have the certification, it’s a lost opportunity.”

The situation prompted him to establish the Philippine Council of Engineers and Architects in the Kingdom in October 2013.

In January 2014, the PCEA signed a cooperation agreement with the Saudi Council of Engineers to exchange expertise and help qualify Philippine professionals in engineering and architectural practice.

A few months later, Balboa also took on board the Philippine government agencies — the Professional Regulation Commission and the Technical Education and Skills Development Authority — which inked deals with the SCE for the professional development of Filipino engineers, architects, and technicians.

“The PCEA’s main goal is inclusive progression of Filipino professionals, especially engineers, architects, and technicians, upgrading their respective credentials and qualifications,” Balboa said.

HIGHLIGHT

Council’s role becoming increasingly valuable as Kingdom undertakes Vision 2030 megaprojects.

“It helped in making Filipinos, especially the engineers and architects, recognized in terms of professionalism and qualification level.”

Over the past decade, nearly 40,000 Filipino professionals working in Saudi Arabia have, thanks to the PCEA, received training, improved their skills, and obtained official certificates to validate their qualifications.

The efforts have been recognized both in Saudi Arabia and in the Philippines, where last year Balboa received the Presidential Banaag Award, which recognizes individuals advancing the cause of Filipinos overseas.

The PCEA helps connect Filipinos directly with Saudi authorities to evaluate their qualifications.

Leandro Conti, chairman of the PRC’s board of mechanical engineering, told Arab News: “Then they will give you a certificate on the equivalency based on their (Saudi) standards ... which is good for Filipinos so they can be at par with the locals based on their qualifications.”

The certification is becoming increasingly valuable as Saudi Arabia continues to undertake megaprojects as part of its Vision 2030 reform plan.

“Once the projects will be in full swing ... definitely they’ll need Filipinos,” Conti said. “Some of my friends from Dubai and Abu Dhabi came back to Saudi Arabia because of the opportunities.”

Leo Argoso, an engineer who for the past five years has been working for a Saudi company specializing in medical equipment and instruments, was one of those who obtained a good job thanks to the PCEA.

“It was them (the PCEA) who bridged my qualification in order for me to become an SCE member so that I will be able to work my craft here in Saudi Arabia, to be able to take on a position that is equivalent to my level of qualification,” Argoso said.

He knows many other Filipino professionals whose chances on the career ladder got similarly boosted.

“With the help of the PCEA, they were able to fill up what is lacking in their credentials and after some time get recognized by the SCE,” he added.

“Once you are recognized by the SCE, you will be given an ID, proof that you are a legitimate professional and qualified to take on perhaps a higher position than you are currently holding.”


Saudi Arabia, Syria in talks to resume consular services — Saudi foreign ministry

Updated 24 March 2023

Saudi Arabia, Syria in talks to resume consular services — Saudi foreign ministry

  • Move comes after Saudi Arabia and Iran decided earlier this month to resume diplomatic relations
  • Last month Riyadh said consensus was growing among Arab nations that Syrian isolation was “not workable”

RIYADH: Saudi Arabia and Syria are in talks to resume consular services between the two countries, Al-Ekhbariya TV said on Thursday.

“Within the framework of the Kingdom’s keenness to facilitate the provision of necessary consular services between the two nations, discussions are underway with officials in Syria to resume consular services,” the TV channel reported, citing a Saudi foreign ministry official.

The report added that the statement from the foreign ministry’s source was in response to international media reports from earlier on Thursday.

The move comes after Saudi Arabia and Iran decided earlier this month to resume diplomatic relations and reopen embassies in both countries, following a China-brokered deal.

In a phone call on Wednesday, Saudi Foreign Minister Prince Faisal bin Farhan spoke with his Iranian counterpart, Hussein Amir Abdollahian, about holding a bilateral meeting in the near future.

On February 19, Prince Faisal said consensus among Arab countries was growing that Syrian isolation was “not workable”, adding that dialogue with Damascus was needed “at some point” at least with regards to the “humanitarian angle.”

He also said on March 8 engagement with Syria might eventually lead to its return to the Arab League, but that at the time, it was “too early to discuss.”


Saudi Civil Defense warns of thunderstorms, dust storms

Updated 24 March 2023

Saudi Civil Defense warns of thunderstorms, dust storms

JEDDAH: The General Directorate of Saudi Civil Defense has urged residents to take precautionary measures against thunderstorms and dust storms that are likely to affect some regions between Friday and Monday. 

The organization, acting on information from the National Center of Meteorology, said the Makkah region will be affected by moderate to heavy rains that may lead to torrential flows. The areas of Taif, Maysan, Adham, Al-Khurmah, Al-Ardiyat, Turbah, Rania, Al-Muwayh, Qia, Khulais, Al-Kamil, Al-Jumum, Bahra, Al-Lith, and Al-Qunfudhah are expected to be hit.

The Riyadh region is also expected to suffer, including the capital, Al-Kharj, Wadi Al-Dawasir, As-Sulayyil, Afif, Al-Duwadmi, Shaqra, Al-Zulfi, Al-Majma’ah, Al-Quwa’iyah, Al-Ghat, Hotat Bani Tamim, Al-Aflaj, Thadiq, Ramah, Al-Muzahimiyah, Al-Diriyah, Dhurma, Huraymila and Al-Dalam.

Authorities stressed the need to stay away from areas where torrents gather, and not to swim in dangerous places. 

Residents have been advised to adhere to instructions announced through the media. 

The regions of Asir, Al-Baha, Jazan, Najran, Madinah, Hail, Tabuk, Al-Jawf, the northern borders, Al-Qasim and the eastern borders are also expected to be affected.

Moderate rains and winds resulting in dust storms are expected in the Makkah region, including Jeddah and Rabigh.

The Civil Defense has stressed the need to stay away from areas where torrents gather, and not to swim in dangerous places.

Residents have been advised to adhere to instructions announced through the media. 

 


Saudi Arabia marks World Meteorological Day

Updated 24 March 2023

Saudi Arabia marks World Meteorological Day

JEDDAH: World Meteorological Day, observed on March 23 every year, is celebrated this year under the theme “The Future of Weather, Climate and Water Across Generations.”

It aims to join efforts at all national, regional and international levels to address the causes of extreme weather events and climate change, as well as the increasing scarcity of water resources.

The occasion also falls on the anniversary of the World Meteorological Organization’s establishment in 1950. The organization acts as an international umbrella that deals with weather and climate predictions, and serves as an effective channel for international cooperation in this vital area of development, urbanization and stability of humans and living organisms on the planet.

Through this year’s theme, the organization aims to pay tribute to the 24-hour national services of the meteorological and hydrological facilities, which collect and consolidate weather prediction data. 

Saudi Arabia is one of the founding states of the organization and undertook significant work in the field of meteorology at the local, regional and international levels. Its work in this regard is reflected in its functions on meteorology and climate, as well as through eight regional and international centers.

These centers are the Jeddah Regional Communication Center, the Regional Center for Drought Monitoring and Early Warning, the Jeddah Regional Climate Center, the Jeddah Global Information System Center, the Operational Information Center for Air Navigation Services, the Jeddah Historical Information Rescue Center, the Atmospheric and Hydrological Research Center, and the Agricultural Meteorology Research Center.