Saudi Arabia stages first ever Biennale for Islamic Art in Jeddah

The inaugural Islamic Arts Biennale is being staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)
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Updated 26 January 2023

Saudi Arabia stages first ever Biennale for Islamic Art in Jeddah

  • Artworks by 60 established and emerging artists from Saudi Arabia and around the world have been displayed at the event
  • The idea of Islam is the unifying element at the biennale that continues to connects cultures and people throughout the world

JEDDAH: Saudi Arabia witnessed a historic moment with the opening of the inaugural Islamic Arts Biennale, which presented historic and contemporary works of Islamic art from around the world.

On the evening of Jan. 22, the Western Hajj Terminal at King Abdulaziz International Airport in Jeddah was filled with crowds of people waiting in eager anticipation. This was not the usual throng of pilgrims that use the terminal each year to travel to Makkah for the annual Hajj pilgrimage, but one awaiting the beginning of another voyage — a metaphorical one into the realm of Islamic art through the first-ever Islamic Arts Biennale hosted by the Kingdom. 

The crowd gathered under the impressive canopies of the Hajj Terminal, designed by Skidmore, Owings & Merrill, which won the 1983 Aga Khan Award for Architecture.

The biennial event, which includes many newly-commissioned and never-before-seen works of art, marked a historic moment not just for Saudi Arabia and the Diriyah Biennale Foundation that staged the event, but for the legacy of Islamic art, which has witnessed hardly any large-scale international exhibitions since the 1976 World of Islam Festival in London.

Jeddah’s inaugural Islamic Arts Biennale celebrates the legacy of Islamic art in a place close to Makkah, the fountainhead and cradle of Islam, while forging a dialogue between the past, present and future through contemporary artworks by 60 established and emerging artists from Saudi Arabia and around the world, and with over 60 new commissions and 280 historical artifacts. 




A woman walks by a display at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

The effect is illuminating, mystical and enlightening in that this biennial, like its theme “Awwal Bait” which means “First House” in Arabic, celebrates the beauty and heritage of Islamic art in the birthplace of Islam.

“The Islamic Biennale, staged in this location at the Western Hajj Terminal, has meaning and anticipation for the future,” Saad Alrashid, a leading Saudi scholar, archaeologist and one of the curators of the event, told Arab News.

“Jeddah is the gate of the Haramain and has a deep history. There is an accumulation of strata of civilization in Saudi Arabia and throughout the ages this area was the crossroads of civilization between East and West and up to the North. Staging the Islamic Biennale here presents to the world the idea of connection between all Muslims and everybody that comes and goes from Saudi Arabia geographically, historically and politically.”

In the same vein, the theme “Awwal Bait” explores how the Holy Kaaba in Makkah and the Prophet’s Mosque in Madinah aim to inspire Muslims both culturally and metaphysically to explore their sense of belonging and ponder the definition of home.

“At its core, the Biennale is about giving contemporary objects a home by giving them a lineage and giving historic objects a home by giving them a future,” Sumayya Vally, artistic director of the Biennale, told Arab News. 




Artwork displayed at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

“Seeing the Biennale come to life through the voices and perspectives of our artists has been profound,” she added. “Each of them has boldly and sensitively taken on the opportunity of this platform to contribute to an emerging discourse on Islamic arts that we hope will continue.”

Staging the Islamic Arts Biennale was the result of a global effort. More than 18 local and international institutions, including the General Presidency for the Affairs of the Two Holy Mosques, alongside artifacts loaned by other prestigious international institutions with an interest in Islamic Arts, such as Benaki Museum in Athens, the History of Science Museum at the University of Oxford, the Louvre in Paris and the Victoria and Albert Museum in London.

The Biennale was curated by a multi-disciplinary group of specialists, including Omniya Abdel Barr, an Egyptian architect and Barakat Trust Fellow at the V&A, and Julian Raby, director emeritus of the National Museum of Asian Art at the Smithsonian Institution in Washington, DC.

“It was challenging to find objects that have survived that were made in Makkah and Madinah,” said Abdel Barr to Arab News. “We searched within collections to see how we could create a conversation between historic objects while also keeping in mind the contemporary context and this was the most interesting part.”

Regionally, the Diriyah Biennale Foundation has secured loans for the exhibition from institutions such as the King Abdulaziz Library, the National Museum, King Faisal Center for Research and Islamic Studies and King Saud University — all in Riyadh — and Makkah’s Museum of Antiquities and Heritage, the General Presidency for the Affairs of the Two Holy Mosques and Umm Al-Qura University. From the wider region, works have been loaned from the Al-Sabah Collection and Dar Al-Athar Al-Islamiyyah in Kuwait, the Museum of Islamic Art, Cairo, and the Museum of Islamic Art, Doha, among others. 




Man taking a picture of the artwork displayed at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

The viewing experience is mystical, like a pilgrimage in itself. It begins in darkness with American Lebanese artist Joseph Namy’s commission “Cosmic Breath” presenting recorded calls to prayer from countries around the world played together, working as if in unison with the installation across the room by Saudi artist Nora Alissa, titled “Epiphamania: The First Light,” which depicts various black and white shots of pilgrims around the Kaaba shot impressively from beneath her abaya. Nearby is an Islamic astrolabe that is positioned towards Makkah. The trio of works mark the first example in the carefully curated show, demonstrating the dialogue generated from historic and contemporary Islamic works of art.

The structure of the Biennale is divided into four galleries and two pavilions that house artworks regarding daily Islamic rituals and Hajj. These sections intend to evoke both personal and collective emotions about the spiritual life of Muslims around the world. 

Large-scale, newly-commissioned works are found outside around the terminal’s expansive and evocative canopies, amid rays of sunlight and views of Jeddah that periodically include airplanes taking off high into the sky. The works outside communicate with nature and the Aga Khan award-winning architecture of the terminal itself.

Outside are also the pavilions of Makkah and Madinah, which present material from the Two Holy Mosques, Masjid Al-Haram and from the Hujra Al-Sharifa in Madinah. The focus here is on the initial journey that the Prophet Mohammad and his followers took from Makkah to Madinah to escape persecution. The objects on display, once again a mixture of historic and contemporary, shed light on the sense of universal belonging that ensues from the Muslim pilgrimage and journey home afterward.

Surrounding the pavilions are works by artists including Dima Srouji, Shahpour Pouyan, Moath Alofi, Reem Al-Faisal, Alia Farid, and Leen Ajlan. 




Display of Islamic art at the Islamic Arts Biennale staged at the Western Hajj Terminal in Jeddah. (AN Photo by Ali Khamaj)

Of note is Bricklab’s architectural installation “Air Pilgrims Accommodation 1958” inspired by Jeddah’s historic Hajj housing, which Vally describes as a site that “gathered people from all over the world to stay in one place — a place for cultural production and trade.”

“The idea emanating from the works outside is for them to generate invitations for gathering, for discussion and exchange,” Vally told Arab News.

This is reflected in Tanzanian artist Lubna Chowdhary’s “The Endless Iftar” which is a 40-meter-long table inspired by rituals of eating and gathering from around the world during Ramadan.

Also positioned outside is “My Place is the Placeless” by Iranian London-based artist Shahpour Pouyan, presenting three large-scale differently colored architectural domes that represent the three major traces in the artist’s DNA after he took a test that revealed his origins go beyond his native Iran to include Scandinavia, Central and South Asia, and the Middle East.

“It’s about human interconnectedness in an effort to break down ethnic labels and identities,” Pouyan explained to Arab News. 

Like the other works on show, Pouyan’s work reflects not just on Islamic culture but on its universality, its ability to connect beyond the Middle East and offer a unifying force that goes beyond religion, nationality and culture.

As Alrashid states: “Islam is a communication of knowledge and culture.”

He added: “Since the 2030 Vision we sense that we are more welcoming just like the Makkans in the past welcomed visitors during Hajj.

“We are showing the whole world how they can enjoy Islamic art,” he said. “The Biennale is not just an exhibition or something from the past — it continues through culture, through integration with the multiculturalism of Muslims.”

Perhaps the most powerful theme of the exhibition is the idea of Islam and its art across the ages as a physical and metaphorical unifying element that continues to connect diverse cultures and people throughout the world. It is also a way, as Vally stressed to Arab News, “to define what it means to be Muslim from our own perspective, through our own art and culture to the rest of the world and to show how Islam has the power to unite us all, even non-Muslims, through its history, traditions and spiritual practices.”

 

 


Saudi crown prince, Venezuela president discuss relations in Jeddah 

Updated 5 min 42 sec ago

Saudi crown prince, Venezuela president discuss relations in Jeddah 

  • The meeting also reviewed enhancing cooperation in all fields

RIYADH: Saudi Arabia’s Crown Prince Mohammed bin Salman received Venezuela’s President Nicolás Maduro in Jeddah, the Saudi Press Agency reported early Tuesday.

The meeting reviewed bilateral relations and enhancing cooperation in all fields, in addition to discussing issues of mutual interest.

Senior Saudi and Venezuelan officials attended the meeting.

President Maduro arrived in Jeddah on Monday and was received by deputy governor of Makkah region Prince Badr bin Sultan.

Saudi Arabia’s Foreign Minister Prince Faisal bin Farhan and his Venezuelan counterpart Yvan Eduardo Gil Pinto also met in Jeddah on Monday.

The diplomats reviewed  ways to enhance and develop bilateral cooperation in various fields.

They also discussed efforts in laying the foundations for international peace and security, and contributing to the achievement of global sustainable development goals.

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Iran to reopen diplomatic missions in Saudi Arabia this week

Updated 05 June 2023

Iran to reopen diplomatic missions in Saudi Arabia this week

  • Mission will return under leadership of Alireza Enayati, previously Iran's ambassador to Kuwait
  • Step comes several months after Tehran and Riyadh agreed to end tensions under Chinese-brokered deal

RIYADH: Iran will reopen its diplomatic missions in Saudi Arabia this week, the Iranian foreign ministry spokesman said on Monday.  

Tehran's foreign ministry spokesman Nasser Kanani announced the reopening in a statement Monday, confirming earlier comments by a diplomatic source in Riyadh.

“To implement the agreement ..., Iran’s embassy in Riyadh, our Consulate General in Jeddah and our office to the Organization of Islamic Cooperation will be officially reopened on Tuesday and Wednesday,” spokesman Nasser Kanaani said.

The diplomatic mission will return under the leadership of Alireza Enayati, who previously served as Iran's ambassador to Kuwait.

The step comes several months after Tehran and Riyadh agreed to end years of antagonism under a Chinese-brokered deal.

In March, Iran and Saudi Arabia agreed to re-establish relations between the regional rivals whose hostility had threatened stability and security in the Middle East and helped fuel regional conflicts from Yemen to Syria.


How Saudi Arabia’s environmental initiatives are restoring the natural equilibrium

Updated 06 June 2023

How Saudi Arabia’s environmental initiatives are restoring the natural equilibrium

  • Strides made by the Kingdom in increasing its protected habitats to 30% by 2030 in the limelight on World Environment Day
  • Initiatives such as SGI offer a road map for increasing vegetation, rehabilitating endangered species, protecting vulnerable habitats

JEDDAH: Centuries of abuse by human hands have challenged the globe’s natural cycle of biodiversity. On this World Environment Day, governments are working to restore balance, including in Saudi Arabia, a country with one of the harshest and most diverse natural environments on the planet.

Almost all organisms live in environments altered, to some degree, by human activities, causing habitat loss, species endangerment and extinction, pollution, and more. The Food and Agriculture Organization of the United Nations report on the world’s forests in 2022 stated that “as the window for action narrows, and as population growth and aspirations place new demands on physical resources, it seems clear that natural ecosystems are vital assets that must be restored, maintained and sustainably managed.”

Led by the UN Environment Programme since its inception in 1973, World Environment Day, the most influential global platform for environmental outreach, serves as a reminder of the issues and challenges plaguing the world, with millions of people engaging to protect the planet.

Conservation, “the care and preservation of natural resources,” is not a recent phenomenon, though it was undermined and ignored until the 21st century and the harsh realities of climate change became apparent, making crafting environmental policies an increasingly urgent task.

The Saudi Green Initiative, an ambitious national plan to combat climate change, was launched in 2021. (SGI)

It has often proven to be an uphill challenge. Realizing the consequences of inaction, there have been intense and determined campaigns to further the complex task of defining long-term goals at a time when nature is under assault, to issue guidelines and laws with profound changes in environmental infrastructure, and to promote environmental protection and conservation.

In 2021, the Saudi Green Initiative was launched, an ambitious national plan to combat climate change, improve quality of life and protect the planet for future generations. It coined the term “conservation” with initiatives such as environmental protection, energy transition, sustainability programs, and more under its umbrella. It has become a core message in every ambitious project, company environmental target, and social responsibility goal in less than two years.

Under the SGI, Saudi Arabia has committed to protecting 30 percent of its terrestrial and marine area by 2030. Its targets are clear — emissions reduction, afforestation, and land and sea protection, with 77 initiatives activated. To date, 66,000 sq. km of land and sea are currently protected, over 1,200 animals have been rewilded, and approximately 17 percent of the Kingdom’s land and sea are protected.

Ecosystems, particularly their living components, have always provided the capital to fuel human economies, a notion realized in Saudi Arabia as conservation efforts and development projects go hand in hand.

The Kingdom’s flagship giga-project, NEOM, is considered one of the most ambitious projects with sustainable development embedded in its core values.

While no universally acceptable, practical definition of sustainable development exists, the concept has evolved to encompass three significant points of view: economic, social, and environmental.

The economy is geared mainly toward improving human welfare, the environmental domain focuses on protecting the integrity and resilience of ecological systems, and the social domain emphasizes enriching human life and achievements and strengthening values and institutions.

INNUMBERS

  • 1,200+ Endangered animals rewilded in 15 Saudi locations.
  • $25m Fund for efforts to conserve critically endangered Arabian leopard.
  • 8m Hectares of degraded land to be rehabilitated by 2030.
  • 600m Trees to be planted by 2030.
  • 10bn Trees planted is equivalent to rehabilitating 40m hectares of degraded land. 
  • 16% Terrestrial and 5.5% marine protected areas.   

Speaking to Arab News, Dr. Paul Marshall, head of Nature Region, said that NEOM has embarked on an ambitious and innovative conservation mission that includes “re-greening” and rewilding while committing 95 percent of the project to nature, spanning 26,500 sq. km.

For “re-greening,” NEOM is planting native vegetation and reducing pressure on the landscape from livestock, which will protect and reverse the degradation of the land by planting 100 million shrubs, trees, and other plants by 2030. So far, more than 100,000 plants have been planted, with over 1 million trees, shrubs, and grasses to be planted by the end of 2023.

As for rewilding, it will reintroduce species that were once indigenous to the area but have since declined. Native species will initially be reintroduced to large, enclosed areas, and over time, as the landscape recovers and animal numbers increase, fences will be removed.

“An early indicator of the success of the rewilding project can be seen in the NEOM Nature Reserve’s first breeding season. Working closely with our partner, The National Center for Wildlife, the first release of native animals into our reserve took place in late 2022 with herds of Nubian ibex, Arabian sand gazelle, mountain gazelle and Arabian oryx successfully reintroduced. The total number of babies born this breeding season is 31. This is 23 Sand gazelle babies and 8 Ibex babies.

Arabian Sand Gazelle released at NEOM Nature Reserve in December 2022. (NEOM)

The achievement is challenging, as he explained that three elements are incorporated into NEOM’s animal distribution modeling. “The first assesses the immediately accessible areas to ensure a healthy and safe release environment, the second analyzes potential dispersal constraints, and the third simulate dispersal through time,” he said.

“For this, we work in conjunction with the plant rewilding team to ascertain where our animals’ potential food sources will be. This helps us model likely dispersal patterns and allows us to plot the regeneration of the reserve.

“In terms of a shift being needed to protect certain species, I think it’s fair to say that a century ago, if we had the tools, knowledge, expertise and capacity that we have now, the Nubian ibex, Arabian sand gazelle, mountain gazelle and Arabian oryx would never have disappeared from the region and would instead be thriving in a vibrant, rich and self-sustaining ecosystem. It is how we envisage NEOM’s land to be and what we are working towards.”

In a statement to Arab News on Sunday, NEOM said “the total number of babies born this breeding season is 31, including 23 sand gazelles and eight (Nubian) ibex. The total number of animals in the NEOM Nature Reserve is now 146.”

With its rich land and marine biodiversity, astounding wildlife, and breathtaking bird migrations passing above the Kingdom’s skies, it is difficult to disconnect the link between science from the initiatives.

Arabian Oryx being released into NEOM Nature reserve in December 2022 – the first time in more than 100 years the species walked the sands of this region. (NEOM)

There are 15 designated protected areas in Saudi Arabia managed by the National Center for Wildlife, including several royal reserves and natural reserves managed by other authorities that are home to over 10,000 species of animals, nearly 500 species of birds, more than 1,800 species of fish, whale, and dolphin, 330 species of coral reefs, and many more according to NCW.

Like land conservation, marine conservation is considered one of the world’s most pressing scientific issues. From space, Earth is a pale blue dot covered with more than 70 percent water.

According to UNESCO, the ocean functions as a life-support system for our “blue planet,” regulating the climate on a global scale and producing over half of the oxygen we breathe. Despite this, humanity has mistreated these life-giving oceans to the point where around 40 percent of marine ecosystems have been harmed.

Nestled in one of the Red Sea’s lagoons, the King Abdullah University for Science and Technology considers the body of water it neighbors as its biggest and most unique laboratory. and one of the Kingdom’s most vital strategic assets.

Coral reefs in the Red Sea. (Supplied) 

Considered one of the saltiest and warmest seas, it provides insight into the environmental stressors the rest of the world’s seas will face in the near future, the director of KAUST’s Red Sea Research Center, Michael Berumen, told Arab News.

“The marine life of the Red Sea has adapted to these challenging conditions, and we seek to understand the mechanisms facilitating this adaptation — ranging from genes and genomes to unique behaviors and physiologies.

“Careful management of Red Sea ecosystems is fundamental for conservation and to ensure that this national treasure remains as healthy as possible for generations to come. Particular attention has been paid to improved management of fisheries and habitat restoration capabilities. Faculty in the RSRC work very closely with KAUST’s Reefscape Restoration Initiative at Shushah Island, arguably the world’s most ambitious coral restoration program,” said Prof. Berumen.

“The lessons learned from the Red Sea can be transferred to many other regions of the world. In line with KAUST’s educational objectives, the RSRC facilitates the training and education of future leaders in marine science through student and postdoctoral support,” he added.

Wide angle view of plants on water and boats in the distance on the Mangrove Coastline. (Supplied) 

The world’s population is growing, with an estimated increase of nearly 2 billion people in the next 30 years, reaching 9.7 billion by 2050. The trend is toward migration into cities.

By 2050, it is projected that more than two-thirds of the world’s population — close to 7 billion people — will live in urban areas. There is a long-standing dispute about how much population growth causes environmental degradation.

Historical trajectories, local policies, and cultural preferences affect how compact or dispersed residential areas are built. “What is needed are solutions that see nature protected and restored, not spoiled by human development and increased urbanization,” said Marshall.

 

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Saudi Arabia's Heritage Commission discovers ancient Arabic inscription in Najran

Updated 04 June 2023

Saudi Arabia's Heritage Commission discovers ancient Arabic inscription in Najran

  • The inscription, the sixth-oldest according to the latest records, is located in Al-Haqqan mountain
  • Ka’b bin Amr bin Abd Manat, an Arabian merchant, initially recorded the inscription around the year 380

JEDDAH: One of the oldest known Arabic inscriptions in Saudi Arabia has been discovered during survey work, the Heritage Commission announced.
The inscription, the sixth-oldest according to the latest records, is located in Al-Haqqan mountain at the Hima cultural area of the Najran region in southern Saudi Arabia.
Ka’b bin Amr bin Abd Manat, an Arabian merchant, initially recorded the inscription around the year 380. He came across the inscription while traveling to his home in the northwest of the Arabian Peninsula.
Abd Manat recorded and sealed the Arabic inscription with the date of its implementation according to the Nabataean calendar, using the method of Nabataean symbols with numerical values.
The modern discovery of the Al-Haqqan inscription is a valuable historical addition to the register of early Arabic writings before Islam, the commission said.
The Al-Haqqan inscription also showcases an important stage in the development of Arabic writing.
Several inscriptions across the Kingdom predate the Al-Haqqan inscription, including three in AlUla governorate and another in Najran, as well as others in Jouf and Tabuk.
The discovery is part of the commission’s efforts to discover the heritage of various Saudi regions, as well as preserve protected areas.
The commission also seeks to benefit from antiquities and national heritage as an important cultural and economic resource within the National Strategy for Culture of the Kingdom’s Vision 2030.
With several ancient inscriptions and burial mounds, Hima cultural area is one of the largest open museums in the world. The area is registered in the UNESCO World Heritage List and is one of the most important archaeological sites in the Najran region.
It extends over an area of about 557 km, and includes caves and mountains containing rock art and thousands of inscriptions.


Global Research Council re-elects Saudi Arabia as MENA region chair

Updated 04 June 2023

Global Research Council re-elects Saudi Arabia as MENA region chair

  • The decision came during the 11th annual meeting of the Global Research Council in The Hague, Netherlands
  • The Kingdom presented working paper on challenges, opportunities faced by research councils in MENA region

RIYADH: Saudi Arabia has been re-elected to represent the Middle East and North Africa region on the governing board of the Global Research Council during its 11th annual meeting in The Hague, The Netherlands, the Saudi Press Agency reported on Saturday.

The President of King Abdulaziz City for Science and Technology, Dr. Munir Eldesouki, will continue to represent Saudi Arabia at the GRC and his re-election reaffirms the Kingdom’s prominent position in the scientific and research fields and its commitment to enhancing joint cooperation among research centers in the MENA region.

This achievement is also a testament to the unwavering support of King Salman and Crown Prince Mohammed bin Salman, who is head of the Higher Committee of Research, Development and Innovation.

During the annual meeting, which took place from May 29 to June 2, Eldesouki chaired a meeting of the heads of research councils from the MENA region and participated in a panel discussion on the funding of climate change research, in which the participants endorsed a statement to strengthen international cooperation, research outputs, scientific communication, financing strategies, taking into account social and economic conditions, local cultures and knowledge, capacity building in science, innovation and entrepreneurship, and identifying best practices.

Eldesouki, who is also the general supervisor of the founding team of the Research, Development and Innovation Authority, met with a number of heads of international research councils from Singapore, Canada, the US, Turkiye, Britain and Germany to discuss areas of cooperation on the sidelines of the annual meeting.

The Kingdom presented a working paper on the challenges and opportunities faced by the research councils in the MENA region and the delegation participated in a number of other key meetings, including the council’s executive committee, the international consultative committee, and the working groups concerned with equality, diversity and inclusion, responsible evaluation of research, and international multilateral funding.

Saudi Arabia has played a pivotal role in the GRC’s work since its establishment in 2012, including strengthening cooperation between research funding institutions, exchanging best practices and expertise in supporting scientific research, and exploring ways to support the scientific community across the world.

The Kingdom currently occupies the position of vice-chair of the GRC’s board of governors and also represents the regional research councils of the MENA region on the board, as well as on the executive committee.