US-Palestinian model Fai Khadra talks fashion career and upcoming projects

Khadra appeared in the campaign video for Ralph Lauren. (AFP)
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Updated 26 February 2022
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US-Palestinian model Fai Khadra talks fashion career and upcoming projects

DUBAI: US-Palestinian model and artist Fai Khadra jetted to Dubai this week to celebrate the launch of US label Ralph Lauren’s Club Eau de Parfum, in which he stars. 

Khadra appeared in the campaign video, set in a swanky nightclub of the same name as the fragrance, alongside Palestinian-Dutch model Gigi Hadid, model and musician Lucky Blue Smith and artist and actor Luka Sabbat. 

In an interview with Arab News, Khadra said he enjoyed filming the campaign, his first post-pandemic. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Fai Khadra (@faikhadra)

“Ralph Lauren is such an iconic American heritage brand, and their concept for this fragrance was really to bring together a community that felt authentic to Ralph’s club, and that felt like a real club of a group of friends,” he said. 

“I think they did that so beautifully because all the cast members who were in the campaign are really friends in real life. We hang out and we see each other all the time.” 

Besides the friendly atmosphere on set, Khadra said that one of his favorite memories was spending time with Hadid. 

“Gigi had just had her baby and I didn’t get a chance to meet her. So I got a chance to, you know, at least see photos of the baby and hear about how she’s doing. It was just great to be all together again,” he explained. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Fai Khadra (@faikhadra)

Khadra has had a lot on his plate, recently partnering with heritage eyewear brand Oliver Peoples on a capsule collection of handcrafted sunglasses. 

“They really are the perfect everyday shape. I designed them to be ‘every day,’ ‘looks great on everyone’ and can just seamlessly fit into your lifestyle,” he said. 

Turning back to his art, Khadra also recently displayed a sculpture at a show called “Vessels” in Los Angeles.  

“It was really an interesting idea. A friend of mine, Alex — who curates these shows — comes up with a concept for each show. The last one he did was chairs,” he said. “My idea was to carve a vessel out of the ground, which I thought was an interesting kind of take on the concept of his show.”

Some of Khadra’s favorite artists that he is inspired by are Bruce Nauman, Richard Prince and Andy Warhol. 

He spent the lockdown period caused by COVID-19 in Los Angeles. “I was with my family for most of the time. We honestly cooked a lot. I know it was a very difficult time for everybody including myself, but I think something positive that came out of it was really being able to spend time with loved ones and kind of take a break from a very tricky life that we all live.”

Besides modeling, sculptures, DJ’ing and set design, Khadra is interested in exploring the tech world. 

“I’ve actually been really interested in different tech companies and this new NFT (non-fungible token) space, and how art and technology are coming in together. I think that is definitely going to be the future,” he said. 

“I’m very interested in learning more about the different tech spaces and how we can optimize the experience and create an experience that maybe you can’t achieve in the physical world.”


‘One in a Million’: Syrian refugee tale wows Sundance

Updated 24 January 2026
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‘One in a Million’: Syrian refugee tale wows Sundance

PARK CITY: As a million Syrians fled their country's devastating civil war in 2015, directors Itab Azzam and Jack MacInnes headed to Turkey where they would meet a young girl who encapsulated the contradictions of this enormous migration.

In Ismir, they met Isra'a, a then-11-year-old girl whose family had left Aleppo as bombs rained down on the city, and who would become the subject of their documentary "One In A Million," which premiered at the Sundance Film Festival on Friday.

For the next ten years, they followed her and her family's travels through Europe, towards Germany and a new life, where the opportunities and the challenges would almost tear her family apart.

The film is by directors Itab Azzam and Jack MacInnes. (Supplied)

There was "something about Isra'a that sort of felt to us like it encapsulated everything about what was happening there," MacInnes told an audience at the Sundance Film Festival in Park City, Utah on Friday.

"The obvious vulnerability of her situation, especially as being a child going through this, but that at the same time, she was an agent.

"She wasn't sitting back, waiting for other people to save her. She was trying to fight, make her own way there."

The documentary mixes fly-on-the-wall footage with sit-down interviews that reveal Isra'a's changing relationship with Germany, with her religion, and with her father.

It is this evolution between father and daughter that provides the emotional backbone to the film, and through which tensions play out over their new-found freedoms in Europe -- something her father struggles to adjust to.

Isra'a, who by the end of the film is a married mother living in Germany, said watching her life on film in the Park City theatre was "beautiful."

And having documentarists follow her every step of the way as she grew had its upsides.

"I felt like this was something very special," she told the audience after the screening. "My friends thought I was famous; it made making friends easier and faster."