‘Spider-Man’ surpasses $1bn globally in second weekend

Tom Holland attends the premiere for the film Spider-Man: No Way Home in Los Angeles, California on December 13. (Reuters)
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Updated 27 December 2021
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‘Spider-Man’ surpasses $1bn globally in second weekend

  • According to studio estimates Sunday “Spider-Man” added $81.5 million over the three-day weekend
  • The Sony and Marvel film has now grossed $467 million from North American theaters

DUBAI: Peter Parker’s good fortune continued over the holiday weekend.
Even with some mighty competition from new Matrix and Sing movies, and rising concerns over the omicron variant, “Spider-Man: No Way Home” stayed in the No. 1 spot and netted a few more milestones too including crossing the $1 billion mark globally.
According to studio estimates Sunday “Spider-Man” added $81.5 million over the three-day weekend, down 69 percent from its first weekend.
The Sony and Marvel film has now grossed $467 million from North American theaters, more than doubling the domestic grosses of 2021′s previous No. 1 film, “Shang-Chi and the Legend of the Ten Rings.”
With $587.1 million from 61 overseas markets, in just 12 days of release, “Spider-Man” has grossed $1.05 billion globally, making it the highest earner of the pandemic. It’s the first film of the pandemic to cross $1 billion and is tied with “Star Wars: The Force Awakens” for being the third-fastest film ever to do so — and this without the benefit of its release in China.
Universal’s “Sing 2” came in second place with an estimated $23.8 million, while Warner Bros.’ “The Matrix Resurrections” grossed $12 million to take third place.
The animated musical “Sing 2” features high-profile celebrity talent including Matthew McConaughey, Scarlett Johansson, Reese Witherspoon and Bono, as well as a jukebox soundtrack full of well-known hits. Since its release Wednesday, it’s made $41 million ($1.6 million of that came from Thanksgiving weekend showings) from North America and $65 million worldwide.
“We’re extraordinarily pleased,” said Jim Orr, Universal’s president of domestic distribution.
Orr said the stellar CinemaScore (A+) and audience scores suggest that the film will continue to perform well in the next few weeks, when many kids are still out of school for the holidays.
The fourth Matrix also opened on Wednesday and has earned an estimated $22.5 million in its first five days in North America. The film, directed by Lana Wachowski and starring Keanu Reeves and Carrie-Anne Moss, is currently streaming on HBO Max as well. Globally, it’s grossed $69.8 million to date.
And in fourth is Disney and 20th Century’s “The King’s Man,” a prequel to the action-comedy Kingsman series starring Ralph Fiennes. It came in slightly under expectations with $10 million from its first five days. The audience skewed heavily male (65 percent).
The Kurt Warner biopic “American Underdog” opened on Christmas Day and has made an estimated $6.2 million in its two days in release. Zachary Levi stars as Warner, the quarterback who went from undrafted free agent to Hall of Famer.
Paul Thomas Anderson’s “Licorice Pizza” expanded nationwide on Christmas, after playing in limited release for a month, and added $2.3 million bringing its total to $3.7 million.


‘One in a Million’: Syrian refugee tale wows Sundance

Updated 24 January 2026
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‘One in a Million’: Syrian refugee tale wows Sundance

PARK CITY: As a million Syrians fled their country's devastating civil war in 2015, directors Itab Azzam and Jack MacInnes headed to Turkey where they would meet a young girl who encapsulated the contradictions of this enormous migration.

In Ismir, they met Isra'a, a then-11-year-old girl whose family had left Aleppo as bombs rained down on the city, and who would become the subject of their documentary "One In A Million," which premiered at the Sundance Film Festival on Friday.

For the next ten years, they followed her and her family's travels through Europe, towards Germany and a new life, where the opportunities and the challenges would almost tear her family apart.

The film is by directors Itab Azzam and Jack MacInnes. (Supplied)

There was "something about Isra'a that sort of felt to us like it encapsulated everything about what was happening there," MacInnes told an audience at the Sundance Film Festival in Park City, Utah on Friday.

"The obvious vulnerability of her situation, especially as being a child going through this, but that at the same time, she was an agent.

"She wasn't sitting back, waiting for other people to save her. She was trying to fight, make her own way there."

The documentary mixes fly-on-the-wall footage with sit-down interviews that reveal Isra'a's changing relationship with Germany, with her religion, and with her father.

It is this evolution between father and daughter that provides the emotional backbone to the film, and through which tensions play out over their new-found freedoms in Europe -- something her father struggles to adjust to.

Isra'a, who by the end of the film is a married mother living in Germany, said watching her life on film in the Park City theatre was "beautiful."

And having documentarists follow her every step of the way as she grew had its upsides.

"I felt like this was something very special," she told the audience after the screening. "My friends thought I was famous; it made making friends easier and faster."