Now on Netflix, ‘Skater Girl’ promises potential but falls flat

‘Skater Girl’ focuses on a teenage girl from a rural village in India. (YouTube)
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Updated 23 June 2021
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Now on Netflix, ‘Skater Girl’ promises potential but falls flat

BENGALURU: Now on Netflix, “Skater Girl” starts out with a winning premise — a coming-of-age story about realizing your dreams and persevering against all odds. Prerna, a teenage girl from a rural village in Rajasthan, India, has everything going against her — societal shackles and a poverty-ridden life that doesn’t allow her to dream or desire.

That is, until she is introduced to a skateboard.

British-Indian Jessica arrives in the remote village to find her roots and forms an attachment with the village kids. She introduces them to the world of skating, thus giving a new meaning to Prerna’s life. Skating becomes the one thing that Prerna feels “belongs” to her; there are no rules and no one to control her.

It’s a thing of joy to see Prerna’s exhilaration as she zips through the village or sneaks away at night to practice. It’s also heartwarming to witness a world that permits Prerna to dream and defy societal and familial expectations.

Apart from a handful of these scenes, there is little in “Skater Girl” that makes for compelling storytelling or performances.

The White Savior trope seems to play out, helped along by the fact that Jessica has neither expertise in nor passion for skating but nonetheless makes it her life’s mission to build a skatepark for the village kids. In an interview, the filmmakers explained that Jessica’s character only brings out a natural talent in the children, but this narrative fails to translate on-screen.

Scenes in which Jessica navigates the bureaucracy to mobilize resources lack depth or conviction.

The movie skirts around important and relevant issues. There are ample mentions of caste discrimination, but the filmmakers don’t delve into it. It’s simply a matter that everyone is aware of but no says anything about, which, given the recent spate of caste-based incidents in India, is ludicrous to believe or even comprehend. 

Loosely based on the inspiring story behind India’s first rural skatepark in Madhya Pradesh, “Skater Girl” leaves the viewer wanting more. Everyone wants to root for the underdog, but “Skater Girl” doesn’t soar — it falls flat.


‘One in a Million’: Syrian refugee tale wows Sundance

Updated 24 January 2026
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‘One in a Million’: Syrian refugee tale wows Sundance

PARK CITY: As a million Syrians fled their country's devastating civil war in 2015, directors Itab Azzam and Jack MacInnes headed to Turkey where they would meet a young girl who encapsulated the contradictions of this enormous migration.

In Ismir, they met Isra'a, a then-11-year-old girl whose family had left Aleppo as bombs rained down on the city, and who would become the subject of their documentary "One In A Million," which premiered at the Sundance Film Festival on Friday.

For the next ten years, they followed her and her family's travels through Europe, towards Germany and a new life, where the opportunities and the challenges would almost tear her family apart.

The film is by directors Itab Azzam and Jack MacInnes. (Supplied)

There was "something about Isra'a that sort of felt to us like it encapsulated everything about what was happening there," MacInnes told an audience at the Sundance Film Festival in Park City, Utah on Friday.

"The obvious vulnerability of her situation, especially as being a child going through this, but that at the same time, she was an agent.

"She wasn't sitting back, waiting for other people to save her. She was trying to fight, make her own way there."

The documentary mixes fly-on-the-wall footage with sit-down interviews that reveal Isra'a's changing relationship with Germany, with her religion, and with her father.

It is this evolution between father and daughter that provides the emotional backbone to the film, and through which tensions play out over their new-found freedoms in Europe -- something her father struggles to adjust to.

Isra'a, who by the end of the film is a married mother living in Germany, said watching her life on film in the Park City theatre was "beautiful."

And having documentarists follow her every step of the way as she grew had its upsides.

"I felt like this was something very special," she told the audience after the screening. "My friends thought I was famous; it made making friends easier and faster."