Prominent Egyptian dancer Fifi Abdo accused of ‘rigging’ her TV prank show

Fifi Abdo’s show is not the first prank show to be accused of fabrication. (Instagram)
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Updated 15 May 2020

Prominent Egyptian dancer Fifi Abdo accused of ‘rigging’ her TV prank show

  • Picture circulating on social media hints that guests are briefed before filming begins

CAIRO: A picture circulating on social media claims to show one of the cameramen working on prank TV show “Watch Out For Fifi” with Hassan El-Raddad — one of the show’s guests — before filming began, bolstering long-held suspicions that such shows are scripted in advance.

Egyptian star Fifi Abdo, the host of “Watch Out For Fifi” — which uses hidden cameras placed in Abdo’s home — claims the picture is a fake.

“The picture is fabricated and it is not from my show,” she said. “New technology can do more than this. Besides, isn’t it possible that the director of the show missed something while he was editing?”

The picture has reignited the long-running debate over whether prank shows are themselves faked. Many viewers believe that the celebrity guests know in advance what is going to happen.

Mohamed El-Morsy, a professor of mass communication at Cairo University, said that the majority of viewers believe the shows are, at least, exaggerated and that the pranks are agreed with the guests beforehand.

“This is confirmed by the amount of exaggeration as well as the real health risks in some dangerous situations, which could lead to real heart attacks if the scene is not previously agreed on,” El-Morsy said.

But El-Morsy noted that prank shows remain popular with TV audiences “especially if they are carried out in an ethical way.”

The shows depend on an important psychological aspect, he suggested: That the viewers puts themselves in the shoes of the show’s guests.

Prank shows consistently bring in high ratings in the Arab world and are extremely popular with advertisers, he said, which means they also make huge profits.

However, El-Morsy added that prank shows have gradually turned into “the goose that laid the golden egg,” with networks milking them in a way that, he said, has a negative effect. “They contain violence, cursing, and humiliation — whether of the guest or the host,” he told Arab News. “Thus, the viewer is actually hurt by all this exaggeration.”

Indeed, El-Morsy believes that viewers are starting to lose interest in the shows and will “morally reject them.”

“If they continue with all these platitudes, they will come to an end soon,” he said.

Abdo’s show is not the first prank show to be accused of fabrication. Egyptian entertainer Ramez Galal’s long-running series of Ramadan prank shows has also faced similar charges.

In 2014, actress Athar El-Hakim filed a report with the prosecutor general to block an episode of the show in which she appeared — “Ramez the Sea Shark” — from being broadcast on satellite channels.

However, a video reportedly leaked by Galal showed El-Hakim agreeing to appear in the episode and play along with the prank. The disagreement was over the fee she would receive for doing so.

Another show, “Crazy Taxi,” was slammed last year when pictures posted on social media revealed that the instigator of the prank hired professional stuntmen to play the role of the victims. But the show was still renewed for a second season, with a third rumored to be in the pipeline.

Nagwa Kamel, another professor of mass communication at Cairo University, said Galal’s shows, in particular, have gone too far.

“I refuse to watch prank shows because I am not sadistic. I don’t like to see people afraid and terrorized,” she said. “What’s so funny about that? It is unacceptable.”


In Lebanon, single-concert festival serenades empty ruins

Updated 05 July 2020

In Lebanon, single-concert festival serenades empty ruins

  • The Baalbek International Festival was streamed live on television and social media
  • The night kicked off with the Lebanese philharmonic orchestra and choir performing the national anthem

BEIRUT: A philharmonic orchestra performed to spectator-free Roman ruins in east Lebanon Sunday, after a top summer festival downsized to a single concert in a year of economic meltdown and pandemic.
The Baalbek International Festival was instead streamed live on television and social media, in what its director called a message of “hope and resilience” amid ever-worsening daily woes.
The night kicked off with the Lebanese philharmonic orchestra and choir performing the national anthem, followed by Carmina Burana’s “O Fortuna,” a 13th century poem set to music.

The program, which ran for just over an hour, included a mix of classical music and rock and folk tunes by composers ranging from Beethoven to Lebanon’s Rahbani brothers.
Held in the open air and conducted by Harout Fazlian, the 150 musicians and chorists were scattered inside the illuminated Temple of Bacchus, as drones filmed them among the enormous ruins and Greco-Roman temples of Baalbek.
Festival director Nayla de Freige told AFP most artists performed for free at the designated UNESCO World Heritage site.
The concert aimed to represent “a way of saying that Lebanon does not want to die. We have an extremely productive and creative art and culture sector,” she said.
“We want to send a message of civilization, hope and resilience.”
Baalbek itself became a militia stronghold during Lebanon’s 1975-1990 civil war, but conservation and tourism have revived the ruins over the past three decades.
Lebanon is known for its summer music festivals, which have in past years drawn large crowds every night and attracted performers like Shakira, Sting and Andrea Bocelli.
Other festivals have not yet announced their plans for this year.
Lebanon has recorded just 1,873 cases of COVID-19, including 36 deaths.
But measures to stem the spread of the virus have exacerbated the country’s worst economic crisis since the 1975-1990 civil war.
Since economic woes in the autumn sparked mass protests against a political class deemed irretrievably corrupt, tens of thousands have lost their jobs or part of their income, and prices have skyrocketed.
Banks have prevented depositors from withdrawing their dollar savings, while the local currency has lost more than 80 percent of its value to the greenback on the black market.