ICESCO announces prizes in Remote Culture initiative 

The head office of the Islamic World Educational, Scientific and Cultural Organization (ICESCO) in Rabat, Morocco. (ICESCO photo via Twitter)
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Updated 02 April 2020
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ICESCO announces prizes in Remote Culture initiative 

  • Remote Culture is part of the “ICESCO Digital Home” initiative launched to support member states' efforts in fighting COVID-19

RIYADH: The Islamic World Educational, Scientific and Cultural Organization (ICESCO) has announced the creation of three awards for students in three cultural areas as part of its Remote Culture initiative.

The first prize is $6,000, the second is $4,000 and the third is $2,000, in addition to certificates of appreciation, in the fields of short story writing and painting, the organization said.

National committees in member states will communicate with educational institutions to invite students to take part in competitions, and will select three works of each category to be sent to ICESCO by the end of June 2020.

The organization then will form a specialized international jury to choose the best three works in each branch.

The initiative is part of the “ICESCO Digital Home” initiative launched to support member states' efforts in combating the coronavirus disease (COVID-19) and to find alternative solutions to ensure the sustainability of its educational, scientific and cultural work.

The new ICESCO initiative includes remote training and capacity-building for heritage frameworks, where the organization will be preparing and broadcasting a series of videos through its website as of April 15.

The videos include training programs in physical and intangible heritage, and documentation of cultural heritage using artificial intelligence techniques and risk-, crisis- and disaster-management in heritage sites and museums.

They will also introduce techniques for registering heritage sites on the lists of Islamic world heritage and world heritage, rehabilitating endangered crafts, promoting the general principles of managing museums in the Islamic world and protecting underwater cultural heritage.

The initiative also offers an invitation for remote reading to take advantage of ICESCO's digital libraries and other sites available.


‘One in a Million’: Syrian refugee tale wows Sundance

Updated 24 January 2026
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‘One in a Million’: Syrian refugee tale wows Sundance

PARK CITY: As a million Syrians fled their country's devastating civil war in 2015, directors Itab Azzam and Jack MacInnes headed to Turkey where they would meet a young girl who encapsulated the contradictions of this enormous migration.

In Ismir, they met Isra'a, a then-11-year-old girl whose family had left Aleppo as bombs rained down on the city, and who would become the subject of their documentary "One In A Million," which premiered at the Sundance Film Festival on Friday.

For the next ten years, they followed her and her family's travels through Europe, towards Germany and a new life, where the opportunities and the challenges would almost tear her family apart.

The film is by directors Itab Azzam and Jack MacInnes. (Supplied)

There was "something about Isra'a that sort of felt to us like it encapsulated everything about what was happening there," MacInnes told an audience at the Sundance Film Festival in Park City, Utah on Friday.

"The obvious vulnerability of her situation, especially as being a child going through this, but that at the same time, she was an agent.

"She wasn't sitting back, waiting for other people to save her. She was trying to fight, make her own way there."

The documentary mixes fly-on-the-wall footage with sit-down interviews that reveal Isra'a's changing relationship with Germany, with her religion, and with her father.

It is this evolution between father and daughter that provides the emotional backbone to the film, and through which tensions play out over their new-found freedoms in Europe -- something her father struggles to adjust to.

Isra'a, who by the end of the film is a married mother living in Germany, said watching her life on film in the Park City theatre was "beautiful."

And having documentarists follow her every step of the way as she grew had its upsides.

"I felt like this was something very special," she told the audience after the screening. "My friends thought I was famous; it made making friends easier and faster."