What We Are Reading Today: My Kurdish oppressor — New York Review of Books

Using teargas, Kurdish government police disperse a demonstration in Erbil on March 25. (Getty Images/AFP)
Updated 23 April 2018
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What We Are Reading Today: My Kurdish oppressor — New York Review of Books

Hoshang Waziri, a writer and journalist, describes in detail how he was arrested by the Iraqi Kurdish security apparatus, known as Asaysh, after a wave of demonstrations against corruption and unpaid salaries swept through Iraqi Kurdistan last month.

On March 27, he was using his cellphone as a “citizen journalist” when he and several others were detained and some were threatened with torture. One of his fellow detainees, a Peshmerga fighter, told Waziri he had fought against Daesh around Mosul but was now disillusioned with the Kurdistan Regional Government. “Enough!” he said. “I’m fed up with these thieves.”

“Irbil, ruled with a tight fist by Masoud Barzani’s Kurdistan Democratic Party, has not faced a public political protest for years,” Waziri writes.  

“Last month’s action was the first major show of political discontent directed at the government since 1996.”

He says the Iraqi Kurds’ new oppressors are the two ruling families, the Barzanis and Talabanis. He stresses that the situation is not as bad as it was under Saddam Hussein. But if Kurdish rulers keep silencing opposition with violence, “Iraqi Kurdistan will soon become another republic of fear.”


What We Are Reading Today: ‘Silence So Deep It Rings’ by Laura Mcphee

Updated 21 December 2025
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What We Are Reading Today: ‘Silence So Deep It Rings’ by Laura Mcphee

Spanning almost all of Nevada and Utah and portions of California, Idaho, Oregon, and Wyoming, the sparsely populated regions of the Great Basin and the Basin and Range Province have stories to tell—stories intimate and vast, familial, historical, and geological.

“In Silence So Deep It Rings,” renowned landscape photographer Laura McPhee challenges the tradition of nineteenth-century survey photography, capturing the sheer beauty and depth of the West while conveying what has since occurred on the surface of the land.