Gulf brands feeding scourge of social media influencers

Models present creations at London Fashion Week last year. From fashion to travel, influencers are increasingly important marketing channels for brands — but are they getting too big for their boots? (Reuters)
Updated 30 January 2018
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Gulf brands feeding scourge of social media influencers

LONDON: Entitled brats or slick personal brands? Public relations liabilities or effective marketing tools? Influencers, or those who have the power — usually through social media — to affect people’s purchasing decisions, are back in the spotlight thanks to the naming and public shaming of British YouTuber Elle Darby.
The 22-year-old requested a free four-night stay at a Dublin hotel in exchange for coverage on her social media channels, only for owner Paul Stenson to post her request on Twitter and Facebook and attack Darby’s lack of “self-respect and dignity.” He subsequently banned all influencers from his establishments.
In the ensuing media maelstrom — in which Stenson was accused of cyber-bullying — the role of influencer marketing has been questioned. Why pander to the whims and desires of free-loaders? What value do they add to brands? Are we living in a world of influencer entitlement?
“Unfortunately we are,” said Shamim Kassibawi, MENA CEO at The SMC Group, a global rights procurement firm that specializes in develop- ing relationships between brands and rights holders. “Brands and consumers need to understand that celebrities and influencers are not the same.
“Celebrities are famous because they have some sort of talent which gave them a career. Influencers are famous sometimes for the way they look. We used to worry about teenagers opening magazines and wanting to be like the women in them — images that have been edited by an art director. Now we worry about them going through accounts on Instagram and wanting to be like these girls who are sitting at home editing their Instastories and snaps.”
Kassibawi, who is also the founder of Dubai-based PR firm Spread Communications and specializes in matching brands with talent, has experienced numerous cases of entitlement first-hand.
“I keep reminding myself not to make the wrong person famous,” she said. “I want brands and agencies to
think, ‘If my daughter turned out to be like one of these influencers, would I be happy?’ If your answer is yes, then go ahead and work with that person.
“We are empowering the wrong people; wrong for our society, wrong for our culture. I want you to name five influencers in our region who are famous for their education or research. Anything other than their looks. We are obsessed with contouring, rather than reading a book.”
An increasing number of young people, however, see being a social media influencer or a YouTube star as a potential career choice, said Taghreed Oraibi, senior PR director at the communications agency BPG Cohn & Wolfe. It is easy to see why. Influencers are big business, and perhaps nowhere more so than in fashion, beauty and travel.
Millions of dollars will be spent this year on fashion shoots, influencer trips, paid posts and content deals, and the spending shows no sign of slowing down. Free clothes, free hotels, free dinners, even payment of thousands of dollars for a single Instagram post (much higher if you are in the big league and have millions of followers), are all part of the influencer dream. A dream that has led to a seemingly never-ending surge in wannabe influencers.
“What disappoints us as PR professionals is being faced with personalities who are in the business for the sole purpose of making money and nothing more,” said Oraibi. “For example, I am personally disappointed by some influencers who request financial compensation for promoting a social and worthwhile cause that is purely non-commercial.”
Is the influencer bubble likely to burst any time soon?
“One hundred percent,” replied Kassibawi. “There is no way this will last. Their rates are insane. We are cutting out professional journalists who have studied for years and replacing them with young ladies that know how to edit their social media pictures. We are creating a society where 18-year- olds are getting Botox and fillers. This is not OK. I want brands to be smart with their money, set the KPIs (key performance indicators) and not take nonsense from influencers.”
Yet brands show no sign of pulling back. A survey conducted by BPG Cohn & Wolfe in partnership with YouGov last year revealed that 94 percent of
in-house marketers in the UAE believe influencer marketing is significant for the success of their brands. And accord- ing to the Social Media Influencer Report released last week by The Online Project, a full-service digital agency working with brands in the UAE, Saudi Arabia, Oman and Jordan, influencer marketing budgets are set to go up in 2018 as it increasingly becomes a “pay-to-play” game.
“It’s easy to tar influencers with the same brush based on negative stories, but there are also a lot of hardworking, talented people out there who have put in a lot of effort to be where they are,” said Khazmin Jumain, social content manager at advertising agency FP7/DXB. “For these folks, we have to appreciate the work they’ve done to reach that level. Just because their success is on social media doesn’t make it of less value.”
For Farah Shaer, content manager at UM Studios, part of the problem lies in an unclear evaluation system that allows the good, the bad and the entitled to be treated equally. It is this issue, along with others such as authenticity, relevance, measurement and effectiveness, that threatens influencer marketing.
“In this day and age, what creates real influence is genuine content where brands and influencers have built relationships that create real endorsements,” said Shaer.
It is creating those real endorsements, weeding out the freeloaders, and transparency that will be key to the longevity of influencers.
“The bubble won’t burst,” said Jumain. “It will evolve to be more grounded on results. It’s no longer about paying someone with one million followers just to repost your brand’s photo on Instagram or talk about your product on YouTube. Brands are realizing that a large fan- base isn’t everything (especially as followers can be bought), and that’s why micro-influencers have been trending recently. These are influencers whose audiences are smaller (though still sizeable) but can be more loyal and engaging.
“So influencer wannabes will realize that if they are serious, it’s not only about chasing numbers but also about maintaining and engaging with their community, and creating interesting content to keep people coming back. Not all of them will be able to commit to that kind of demand.”


Universal Music Group artists to return to TikTok after new licensing pact

Updated 13 min 28 sec ago
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Universal Music Group artists to return to TikTok after new licensing pact

  • New deal to restore label’s song to platform, increase artists’ protection from AI
  • Universal Music says TikTok accounts for 1 percent of its annual revenue in 2023

LONDON: Universal Music Group and TikTok said on Thursday they had reached a new licensing agreement that will restore the label’s songs and artists to the social media platform as well as give musicians more protections from artificial intelligence.
TikTok began removing Universal’s content from its app after their licensing deal expired in January and the two sides failed to reach agreement on royalties, AI and online safety for TikTok’s users.
Describing their new pact as a multi-dimensional deal, the companies said they were working “expeditiously” to return music by the label’s artists to TikTok, and also said they would team up to realize new monetization opportunities from TikTok’s growing e-commerce capabilities.
They will “work together on campaigns supporting UMG’s artists across genres and territories globally,” the two firms said in a joint statement.
The short video app is a valuable marketing and promotional tool for the music industry. TikTok is where 16- to 19-year-olds in the United States most commonly discover music, ahead of YouTube and music streaming services such as Spotify , according to Midia Research.
“Roughly a quarter of US consumers say they listen to songs they have heard on TikTok,” said Tatiana Cirisano, Midia’s senior music industry analyst.
However, Universal Music claimed its artists and songwriters are paid just a fraction of what it receives from other major social media platforms.
The music label says TikTok accounts for 1 percent of its annual revenue or about $110 million in 2023. YouTube, by contrast, paid the music industry $1.8 billion from user-generated content in the 12 months ending in June 2022, according to Midia.
In a move that may well have eroded its bargaining power, Taylor Swift, one of Universal Music’s biggest acts, allowed a selection of her songs to return to TikTok as she promoted her latest album, “The Tortured Poets Department.”
Swift owns the copyrights to her recordings through her 2018 deal with Universal and can control where her songs are available, according to the Financial Times.
As licensing negotiations resumed in recent weeks, AI remained a major point of contention. Universal has claimed TikTok is “flooded” with AI-generated recordings, including songs that users create with the help of TikTok’s AI songwriting tools.
In Thursday’s deal, TikTok and Universal said that they would work together to ensure AI development across the music industry will protect human artistry and the economics that flow to those artists and songwriters.
“TikTok is also committed to working with UMG to remove unauthorized AI-generated music from the platform, as well as (developing) tools to improve artist and songwriter attribution,” the statement said.
Concerns about AI have grown in the creative community. In April, a non-profit group called the Artist Rights Alliance published an open letter urging the responsible use of the technology. The group of more than 200 musicians and songwriters called on technology companies and digital music services to pledge not to deploy AI in a way that would “undermine or replace the human artistry of songwriters and artists or deny us fair compensation for our work.”
The deal comes amid questions over TikTok’s long-term future in the United States. President Joe Biden signed legislation last week that gives TikTok’s Chinese owner, ByteDance, 270 days to sell its US assets. TikTok has vowed to file suit to challenge the legislation, which it calls a ban.
More than 170 million Americans use its video service, according to TikTok. Globally, it has more than 1.5 billion monthly active users, according to research firm Statista.


Arab News wins three Awards of Excellence at Newspaper Design competition

Updated 46 min 22 sec ago
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Arab News wins three Awards of Excellence at Newspaper Design competition

  • Accolades bring Arab News’ total awards to 125, underscoring its editorial evolution since relaunch

LONDON: Arab News, Saudi Arabia’s first English language daily, won three Awards of Excellence at the sixth Newspaper Design competition.

“The Kingdom’s Bride and Joy” won the Best of Page One award, while “Riyadh: A city steeped in history” took home the prize for Best of Double Page Spreads, and “Accession to the British Throne” scooped the Best of Infographics recognition.

Established in 2009, the distinguished Newspaper Design is Asia’s inaugural newspaper design website, acknowledging outstanding contributions to news design in both print and online media.

Chaired by Mario Garcia, a globally renowned Cuban-American media designer dubbed the “godfather of newspaper design,” this year’s jury praised Arab News’ entries for their innovation and visual storytelling prowess.

“The Kingdom’s Bride and Joy” page, commemorating the historic union between Crown Prince Hussein of Jordan and Saudi Arabia’s Rajwa Al-Saif, was lauded for its cinematic illustration capturing the significance of the occasion. The judges said: “This page marks a historic occasion and captures the sweep and significance with a polished illustration that looks more like a well-directed movie poster than just a newspaper centerpiece.”

Similarly, the design spotlighting Riyadh’s National Day and Arab News’ Expo 2030 campaign was commended for its innovative blend of landscape photography and illustration, seamlessly narrating the city’s story.

Arab News’ coverage of King Charles III’s coronation ceremony last May earned recognition for its elegant and celebratory infographics. In December, the page was also recognized within the category Supplements for Special Occasions at the European Newspaper Awards.

These accolades bring Arab News’ total awards to 125, underscoring its editorial evolution under Editor-in-Chief Faisal J. Abbas, who spearheaded its relaunch in 2018.

Under the guidance of Design Department head Omar Nashashibi, Arab News continues to receive acclaim, recently earning multiple honors at the 59th Annual Society of Publications Designers, including for its feature opener “Onions’ tears and inflation fears” page and custom feature design for the special investigation “Kingdom vs Captagon.”

Past recognitions encompass a range of special projects, including coverage of the “Saudi’s Animal Kingdom,” the “Step by Step Hajj Guide 2023,” and the “FIFA Qatar World Cup 2022” special edition.

For more information about Arab News and its award-winning design, visit https://www.arabnews.com/greatesthits.


Comedian Stephen Colbert defends pro-Palestine college campus demonstrators after Trump attack

Updated 02 May 2024
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Comedian Stephen Colbert defends pro-Palestine college campus demonstrators after Trump attack

  • Comedian said protests should be allowed to continue as long as they are peaceful
  • Trump claimed 2017 white nationalist rally in Charlottesville was ‘nothing’ in comparison to pro-Palestine college protests

LONDON: American comedian Stephen Colbert has defended pro-Palestinian college campus demonstrators, countering recent criticism from former President Donald Trump.

Last week, Trump likened the student rallies to the 2017 white nationalist rally in Charlottesville, Virginia, claiming the latter was “nothing” in comparison.

On his “Late Show” segment, Colbert expressed solidarity with the protestors who are urging their institutions to cut ties with companies profiting from the conflict in Gaza.

The host said that peaceful protests “should be allowed,” rebuking Trump for “downplaying one of the darkest chapters in American history.”

He added: “Now even if you don’t agree with the subject of their protests, as long as they are peaceful, students should be allowed to protest. It’s their First Amendment right.”

The former “The Colbert Report” star criticized the response of both university officials and law enforcement to recent events at Columbia University, denouncing the use of heavily armed police and threats to call in the National Guard as a “classic de-escalation tactic.”

Trump, however, praised law enforcement’s handling of the situation, commending New York City’s police force.

Colbert’s remarks coincided with the deployment of riot police at Columbia University’s Hamilton Hall, resulting in the arrest of numerous pro-Palestinian students who had occupied the building.

The raids drew condemnation from advocacy groups such as Jewish Voice for Peace and UN Special Rapporteur Francesca Albanese. New York City’s mayor reported the arrest of 282 students.

Subsequent clashes between pro-Palestinian groups, counter-protestors, and law enforcement erupted at other campuses across the US.

Meanwhile, Brown University in Rhode Island reached an agreement with protesters on Tuesday, marking what appears to be the first time a US college has agreed to vote on divestment in response to the protests.


Like Digital & Partners opens new office in Saudi Arabia

Updated 02 May 2024
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Like Digital & Partners opens new office in Saudi Arabia

  • Digital transformation agency expands with Riyadh premises

DUBAI: Like Digital & Partners, an independent digital transformation agency with offices in Dubai and London, has announced the opening of premises in Riyadh to mark its expansion into the Kingdom.

The move comes a month after the agency partnered with business expansion platform AstroLabs to extend its footprint in the region.

The new office in Riyadh will underscore its commitment to the region, it said in a statement.

Like Digital & Partners aims to create new jobs primarily in the fields of project management and user interface design. It plans to employ 10 to 15 staff members at its Riyadh office by the end of 2025.

Specializing in the hospitality industry, the agency has worked with resorts such as Atlantis and One&Only One Za’abeel. It aims to leverage this expertise and experience in the Kingdom, which is seeing an influx of new hotels and resorts, the agency said.

Karl Escritt, CEO of Like Digital & Partners, said: “As we continue our rapid expansion into the GCC (Gulf Cooperation Council) market and beyond, we are delighted to lay down roots in Riyadh, Saudi Arabia.

“Having dedicated years to nurturing our business in the Kingdom and developing our knowledge and expertise of the market, we are looking forward to further strengthening our ties and servicing new clients.”


Publicis Sapient appoints new managing director for Saudi Arabia

Updated 01 May 2024
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Publicis Sapient appoints new managing director for Saudi Arabia

  • Ashwaq Al-Shathri will be based in Riyadh, oversee company’s business growth in the Kingdom

DUBAI: Publicis Sapient, a digital business transformation company, has announced the appointment of Ashwaq Al-Shathri as country managing director for Saudi Arabia.

The appointment reflects the importance of the Kingdom and the Middle East for Publicis Sapient, the company said.

Based in the company’s Riyadh office, Al-Shathri will be responsible for accelerating business growth in Saudi Arabia and building the operational business and community.

She will lead the teams responsible for digital business transformation in the region, leveraging the company’s strategy, product, experience, engineering and data, and artificial intelligence capabilities.

Nigel Vaz, CEO of Publicis Sapient, said: “We’re committed to supporting KSA’s technology-driven transformation and realization of Vision 2030, while also, ultimately, helping position KSA as a leader in digital innovation on the global stage.”

Al-Shathri’s appointment “will directly contribute to our continued business growth as we scale our expertise in the Middle East to better serve our clients and their customers and help them transform digitally,” said Srinivas Devulapalli, managing director of Publicis Sapient MENA (Middle East and North Africa).

Publicis Sapient is the digital business transformation hub of Publicis Groupe with 20,000 people and over 53 offices worldwide. Its global clients include Marriott, Goldman Sachs, McDonald’s, and Walmart, while regional clients include Omantel, Diriyah Gate, and Miral.