Psy: Wacky Korean singer who made YouTube history

Updated 26 November 2012
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Psy: Wacky Korean singer who made YouTube history

Psy made his quirky debut in South Korea’s K-pop industry back in 2001 but it wasn’t until July that he began shooting to global fame with “Gangnam Style” — now the most-watched video of all time on YouTube.
A rare sense of humor and irony distinguished the chubby rapper, now 34, from his peers in the manufactured world of K-pop and made him an unlikely worldwide success.
As of yesterday “Gangnam Style” — whose wacky music and dance moves mock the hedonistic lifestyle of the upmarket southern Seoul neighborhood — had registered almost 814 million views in four months.
The video has inspired thousands of online imitations of Psy’s famous horse-ride dance, and flash mobs of tens of thousands in Paris, Rome and Milan.
The song peaked at number two on the US Billboard’s pop chart for seven weeks in a row after sweeping the charts in countries including Australia and Britain.
World figures swept up in the fever include UN Secretary General Ban Ki-moon, British Prime Minister David Cameron and US President Barack Obama, who either tried out the dance or marvelled at its popularity.
Psy, whose real name is Park Jae-Sang, gained the ultimate showbiz accolade by teaming up with Madonna in the pop diva’s concert and performing a special version of “Gangnam Style” with MC Hammer in the American Music Awards.
YouTube called the music video — which Saturday overtook Justin Bieber’s “Baby” in number of views — “a massive hit at a global level unlike anything we’ve ever seen before.”
Billboard.com noted it racked up the YouTube milestone in about four months compared to more than two years for “Baby,” calling it “nothing short of a pop culture phenomenon.”
Psy’s dramatic rise has been viewed with a mixture of pride and surprise in his home country, whose music industry has long been dominated by prettified, highly-manufactured girl and boy bands.
Having taken Asia by storm over the past decade with bubblegum hooks and dance moves staged with military precision, K-pop in recent years has garnered a small but growing fan base among teenagers in parts of Europe and America.
But none has come close to the worldwide popularity of the homely Psy.
“Psy is right at the opposite of our typical K-pop stars who are extremely preened and whose every single move is strictly dictated by their agent,” prominent music critic Kang Hun told AFP.
Humour, especially satire, is rare in the mainstream Korean music scene and that, coupled with Psy’s embrace of his anti-pop idol looks, has set him apart.
The singer, well known at home for his humorous and explosive stage performances, has long been a somewhat provocative figure in Korea.
He was once convicted in Seoul of smoking marijuana. In 2007 Psy was forced to serve a second period of compulsory military service after it was revealed that he had continued with his showbiz interests during his first two-year stint.
“Psy has long had very freewheeling, humorous and even provocative elements in his songs which are utterly lacking in most young K-pop singers,” Kang said.
“I think ‘Gangnam Style’ is a pinnacle of such a humorous, non-serious bad-boy style of his. And apparently people around the world can relate to his self-deprecating sense of humor.”
Psy himself says he invites laughter and not ridicule.
“My motto is to be funny, but not stupid,” he once said in an interview with Yonhap news agency.

It remains to be seen if “Gangnam Style” will prove anything more than a one-hit wonder. Psy is set to release a new album in English and Korean early next year which will be distributed globally.
But even if it takes off, it will be hard to replicate the success of “Gangnam Style,” said Han Koo-Hyun, the head of the Korean Wave Research Institute.
“His next song will be able to rack up at least hundreds of millions of views due to the popularity of ‘Gangnam Style’ but will never be more popular than ‘Gangnam Style’, said Han.
“This is too huge a success to accomplish twice.”


Art Cairo spotlights pioneering artist Inji Efflatoun

Updated 23 January 2026
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Art Cairo spotlights pioneering artist Inji Efflatoun

CAIRO: Art Cairo 2026 returned to Egypt’s bustling capital from Jan. 23-26, with visitors treated to gallery offerings from across the Middle East as well as a solo museum exhibition dedicated to pioneering Egyptian artist Inji Efflatoun.

While gallery booths hailed from across the Arab world, guests also had the chance to explore the oeuvre of the politically charged artist, who died in 1989.

Many of the pieces in the 14-work exhibition were drawn from the collection of the Egyptian Museum of Modern Art and cover four main periods of the artist’s work, including her Harvest, Motherhood, Prison and Knoll series.

While gallery booths hailed from across the Arab world, guests also had the chance to explore the oeuvre of the politically charged artist, who died in 1989. (Supplied)

Efflatoun was a pivotal figure in modern Egyptian art and is as well known for her work as her Marxist and feminist activism.

“This is the third year there is this collaboration between Art Cairo and the Ministry of Culture,” Noor Al-Askar, director of Art Cairo, told Arab News.

“This year we said Inji because (she) has a lot of work.”

Born in 1924 to an affluent, Ottoman-descended family in Cairo, Efflatoun rebelled against her background and took part heavily in communist organizations, with her artwork reflecting her abhorrence of social inequalities and her anti-colonial sentiments.

Many of the pieces in the 14-work exhibition were drawn from the collection of the Egyptian Museum of Modern Art and cover four main periods of the artist’s work, including her Harvest, Motherhood, Prison and Knoll series. (Supplied)

One untitled work on show is a barbed statement on social inequalities and motherhood, featuring a shrouded mother crouched low on the ground, working as she hugs and seemingly protects two infants between her legs.

The artist was a member of the influential Art et Liberte movement, a group of staunchly anti-imperialist artists and thinkers.

In 1959, Efflatoun was imprisoned under Gamal Abdel Nasser, the second president of Egypt. The artist served her sentence for four years across a number of women’s prisons in the deserts near Cairo — it was a period that heavily impacted her art, leading to her post-release “White Light” period, marked dynamic compositions and vibrant tones.

Grouped together, four of the exhibited works take inspiration from her time in prison, with powerful images of women stacked above each other in cell bunkbeds, with feminine bare legs at sharp odds with their surroundings.

Art Cairo 2026 returned to Egypt’s bustling capital from Jan. 23-26. (Supplied)

The bars of the prison cells obstruct the onlooker’s view, with harsh vertical bars juxtaposed against the monochrome stripes of the prison garb in some of her works on show.

“Modern art, Egyptian modern art, most people, they really don’t know it very well,” Al-Askar said, adding that there has been a recent uptick in interest across the Middle East, in the wake of a book on the artist by UAE art patron Sultan Sooud Al-Qassemi.

“So, without any reason, all the lights are now on Inji,” Al-Askar added.

Although it was not all-encompassing, Art Cairo’s spotlight on Efflatoun served as a powerful starting point for guests wishing to explore her artistic journey.