GAZA CITY: When nightfall descends upon Gaza, the glittering lights of the Level Up restaurant seem to be the only bright spot in this darkened city.
In a territory plagued by chronic power outages, poverty and shortages of construction materials, the restaurant defies all the rules: It’s well lit, thanks to a humming generator. The tables are crowded and hard to come by, and it is one of the few places in Gaza to rebound and relax.
“People want to believe that they should live their lives,” said Basil Eleiwa, the manager of the restaurant. “People seem to like this place.”
The story of Level Up is in many ways the story of Gaza. It’s located in a high-rise complex that symbolized the short-lived hopes for prosperity in the crowded seaside territory two decades ago. It has been impacted by the rule of the Hamas militant group, experienced the horrors of war, yet somehow manages to plod along in difficult circumstances.
The restaurant opened just days before last year’s war with Israel broke out on July 8. At first, it suffered only minor damage. But about three weeks into the fighting, owner Mohammed Abu Mathkour says he received a phone call from the Israeli Army.
An Israeli intelligence officer told him that Hamas maintained a communications antenna on the roof of the building and that he had several hours to take it down.
“I told them I cannot take it down without permission from the Hamas Interior Ministry,” he explained. Knowing what lay ahead, he rushed home to avoid the likely Israeli attack. The next day, Israeli tank shells hit the upper floors of the building. Level Up’s kitchen was severely damaged.
The Israeli officer called him back, and Abu Mathkour says they had the same argument about the antenna. The 56-year-old, who worked as a construction worker in Israel as a youth, vowed to rebuild the damage.
“You destroy. I rebuild,” he says he told the officer on the phone. “That’s what I was born to do.”
In the following days, the building absorbed two more rounds of shelling, Abu Mathkour said. During a temporary cease-fire, he visited the site to inspect the damage. The restaurant was flooded and covered in dust. Chairs and tables were broken, and so was most of the glassware.
When the Israeli officer called again, Abu Mathkour says he told him: “I promise you to open it 10 days after the war stops.”
Owner of one of the largest construction firms in Gaza, he says he began making repairs before the war ended. Whenever there was a lull in fighting, his workers mixed cement in the basement of the building and sent it to the roof in buckets to rebuild the walls. The war ended on Aug. 26, and Level Up reopened on Sept. 10.
These days, reservations must be made well ahead of time to get a table, especially in the evenings. The cafe and restaurant are packed with people, as customers dine and smoke flavored tobacco from bubbling water pipes.
“The place is new. We see the sea from here and see all Gaza. It’s open, not dark,” said Sami Abu Haloub, a 34-year-old engineer who sat with his friends sipping hot drinks and smoking.
Rooftop restaurant delicious symbol of Gaza resilience
Rooftop restaurant delicious symbol of Gaza resilience
Archeologists discover world’s oldest artwork in Indonesia’s Sulawesi
- Newly dated artworks are believed to have been created by ancestors of indigenous Australians
- Discovery shows Sulawesi as one of world’s oldest centers of artistic culture, researcher says
JAKARTA: Hand stencils found in a cave in Indonesia’s Sulawesi are the world’s oldest known artworks, Indonesian and Australian archeologists have said in a new study that dates the drawings back to at least 67,800 years ago.
Sulawesi hosts some of the world’s earliest cave art, including the oldest known example of visual storytelling — a cave painting depicting human-like figures interacting with a wild pig. Found in 2019, it dates back at least 51,200 years.
On Muna, an island off the province’s southeast, researchers have discovered new artworks which are faint and partially obscured by a more recent motif on the wall. They used a new dating technique to determine their age.
The cave art is of two faded hand stencils, one at least 60,900 years old and another dating back at least 67,800 years. This makes it the oldest art to be found on cave walls, authors of the study, which was published this week, said in the journal Nature.
Adhi Agus Oktaviana, a researcher at the National Research and Innovation Agency, or BRIN, and co-author, said this hand stencil was 16,600 years older than the rock art previously documented in the Maros-Pangkep caves in Sulawesi, and about 1,100 years older than stencils found in Spain believed to have been drawn by Neanderthals.
The discovery “places Indonesia as one of the most important centers in the early history of symbolic art and modern human seafaring. This discovery is the oldest reliably dated rock art and provides direct evidence that humans have been intentionally crossing the ocean since almost 70,000 years ago,” Oktaviana said on Wednesday.
The stencils are located in Liang Metanduno, a limestone cave on Muna that has been a tourist destination known for cave paintings that are about 4,000 years old.
“This discovery demonstrates that Sulawesi is one of the oldest and most continuous centers of artistic culture in the world, with roots dating back to the earliest phases of human habitation in the region,” said Prof. Maxime Aubert of Australia, another of the study’s co-authors.
To figure out the stencils’ ages, researchers used a technique called laser-ablation uranium-series dating, which allows for the accurate dating of ocher-based rock art. The method uses a laser to collect and analyze a tiny amount of mineral crusts that had formed on top of the art.
The study also explored how and when Australia first became settled, with the researchers saying the stencil was most likely created by the ancestors of indigenous Australians.
