Noor Riyadh returns to illuminate Saudi capital

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Robert Wilson’s Palace of Light (2021). (Supplied)
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Ahaad Alamoudi’s Ghosts of Today and Tomorrow (2022). (Supplied)
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Installation of artwork Earth by artist SpY at King Fahd National Library in Riyadh as part of the Noor Riyadh Festival 2022. (Supplied)
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Yayoi Kusama’s Infinity Mirror Room — Brilliance of the Souls (2021). (Supplied)
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Christopher M. Bauder’s Axion (2022). (Supplied)
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Updated 01 September 2025
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Noor Riyadh returns to illuminate Saudi capital

  • More than 60 large-scale light installations to transform historic sites, urban landmarks, metro network
  • Minister of Culture Prince Badr bin Abdullah bin Farhan: Through Noor Riyadh we continue to deepen the role of public art in shaping cultural exchange

RIYADH: The public art initiative Noor Riyadh is returning for its fifth edition from Nov. 20 to Dec. 6.

Under the umbrella of Riyadh Art, the light art festival will once again transform the Saudi capital with groundbreaking installations by leading local and international artists.

“In the Blink of an Eye,” its theme for 2025, is inspired by Riyadh’s rapid transformation. It reflects the city’s evolving identity which juxtaposes its historic core with visionary infrastructure, including the newly launched metro system.

Noor Riyadh is part of the Riyadh Art program, one of four megaprojects in the capital launched by King Salman under the Vision 2030 plan.

As a pioneering cultural initiative, Riyadh Art is led by the Royal Commission for Riyadh City, which oversees strategic, multi-sector transformational programs to help position the capital as a global center for contemporary art and culture.

The program drives cultural innovation and supports economic diversification by embedding art in public spaces to enhance the urban experience.

Minister of Culture Prince Badr bin Abdullah bin Farhan, who also chairs the Riyadh Art program’s steering committee, said: “This year’s theme captures the momentum of change that defines Riyadh today.

“Through Noor Riyadh we continue to deepen the role of public art in shaping cultural exchange, enriching daily life, and positioning Riyadh as a creative capital on the world stage.”

Riyadh Art has showcased more than 550 artworks by more than 500 Saudi and international artists, attracting more than 9.6 million visitors through major programs, including Noor Riyadh.

This year’s edition further expands the festival’s curatorial ambition and aims to create meaningful moments for residents and visitors.

Noor Riyadh 2025 will feature more than 60 large-scale light installations, building on the success of previous editions and reaffirming its status as a leading platform for contemporary public art.

First launched in March 2021, it includes an exhibition alongside a public program of community activities such as educational workshops, talks, and performances.


Saudi designer Njoud Alghamdi: ‘We want to sustain our cultural identity in a new form’ 

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Saudi designer Njoud Alghamdi: ‘We want to sustain our cultural identity in a new form’ 

  • The Saudi designer on revamping the date-serving experience with Muntj Studio 

 

DUBAI: Saudi product designer Njoud Alghamdi brought a culturally rooted product to last month’s Dubai Design Week with “Nawat” — showcased under the Designed in Saudi initiative by the Saudi Architecture and Design Commission. 

Alghamdi is the co-founder and lead product designer of Muntj Studio, which she describes as “a cultural design studio where we focus on sustaining our cultural identity.” 

But Alghamdi isn’t interested in simply reproducing products from the past. “I am passionate about cultural innovation,” she told Arab News.  

“Nawat” — which she describes as the studio’s “signature piece” — is a perfect example of that innovation. It was created to address an issue that occurs in gatherings across Saudi Arabia and the Gulf. 

“Nawat” is the studio’s “signature piece,” according to Njoud Alghamdi. (Supplied) 

 “As you know, dates hold a very special place for us,” she said. But Alghamdi and her team identified a common concern. “Usually when people eat dates, they are embarrassed dealing with the pits themselves,” she explained. “So usually, they hide it in their pockets or in a tissue.  

“We asked ourselves, ‘How we can solve this problem to make the experience easier for the users?’” she continued. The elegant result is “Nawat,” a rounded wooden vessel with openings designed to store date pits out of sight.  

Those openings were inspired by traditional Najdi architectural elements, with a particular focus on the motifs used in old Najdi doors. During the research phase, she and her team reviewed a range of patterns but chose not to use the sharper shapes found in older houses.  

“We didn’t want to use motifs like the triangle,” she said. “So, we found the perfect circular motif and used that. Najdi doors are also a symbol of welcoming.” 

This connection aligned naturally with the social role of dates in Khaleeji culture. “The date pit holds a very special place for us at every table,” she said. “We hope that reflects how friendly this object is.” 

The final product was crafted in Riyadh by local artisans, she explained. “They used natural wood with natural finishes as well.”  

The final product was crafted in Riyadh by local artisans. (Supplied) 

The studio is now developing an entire “Nawat” range, Alghamdi said, explaining that the collection will include different sizes and dimensions to fit a wider range of occasions.  

Alghamdi described the studio’s broader focus as creating contemporary objects that sustain cultural identity. “Most of our products reflect our Saudi identity in a new format,” she said. “We want to sustain our cultural identity in a new form that can share our story with the whole world.” 

Current projects include an incense burner inspired by the camel hump, intended to “support a more comfortable daily incense ritual.” She added that the studio is also working on “cultural games,” which she described as ways to express Saudi identity in an interactive way.  

“Playing a game is the perfect way to communicate,” she said. “We believe that by expressing our identities through these games, it will help us to spread our identity and culture to the whole world.” 

Dubai Design Week was a small step towards that goal.  

“Actually, this is one of my proudest moments, to be honest,” Alghamdi said. “Exhibiting with the Architecture and Design Commission is something really special to me. 

“We’re always grateful for all the support and empowerment that (the commission is) giving us,” she continued. “As a Saudi designer, they always ensure that we get the best (opportunities) to present our work. This is something that makes every Saudi designer super-excited to come up with the best designs, because (we have the chance to) reflect our identity and the (wider design) scene.”