Rays of creativity: Noor Riyadh concludes after bright run

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Each piece was inspired by the history and culture of the Kingdom, weaving together tradition and creativity. (Supplied)
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Each piece was inspired by the history and culture of the Kingdom, weaving together tradition and creativity. (Supplied)
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Each piece was inspired by the history and culture of the Kingdom, weaving together tradition and creativity. (Supplied)
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Each piece was inspired by the history and culture of the Kingdom, weaving together tradition and creativity. (Supplied)
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Updated 14 December 2024
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Rays of creativity: Noor Riyadh concludes after bright run

  • Festival aims to safeguard ‘Saudi Arabia’s cultural and natural heritage,’ says Nouf Al-Moneef

RIYADH: Noor Riyadh 2024 concluded on Saturday after 17 days filled with creativity, art, and culture.

The festival, held under the theme “Light Years Apart,” featured artworks from more than 60 Saudi and international artists across three hubs: King Abdulaziz Historical Center, Wadi Hanifa, and JAX District.

Each piece was inspired by the history and culture of the Kingdom, weaving together tradition and creativity. The artworks explored the bond between humans and the environment, and emphasized the importance of preserving natural resources.

Fahd Alnuaimah’s light installation “Mangiah” depicted a caravan of white camels and masterfully brought to life the spirit of the desert. Saeed Gamhawi, meanwhile, created a sculpture symbolizing the unification of the Kingdom, composed of 21 lit columns, which became a striking icon of this year’s event.

“Energy of Vision” was an interactive installation created by Hmoud Al-Attawi that embodied the Kingdom’s vision for a bright and prosperous future, glowing brighter when sensors detect a presence nearby. The artwork depicts how “how human contributions are vital to growth and progress,” according to the artist’s statement.

Dr. Effat Fadag, curator of Noor Riyadh 2024, told Arab News that the festival is a valuable opportunity to foster artistic collaboration and knowledge exchange between creators from the Kingdom and around the world.

“This exchange significantly supports local artists and plays a pivotal role in the growth of Riyadh’s art scene, solidifying the city’s position as a global hub for contemporary art,” she said.

One of the key goals of the festival is to enhance the quality of life in the capital by providing an inspiring platform that brings together families, artists, and creatives, encouraging them to embark on a journey of artistic discovery, and “transforming Riyadh into a vibrant cultural destination teeming with creativity,” Fadag added.

Festival director Nouf Al-Moneef noted that Nour Riyadh underscores Saudi Arabia’s position as a cultural and creative hub in the region. 

“(The) festival captivated global attention with its extraordinary art installations, while shining a spotlight on the vital importance of safeguarding Saudi Arabia’s cultural and natural heritage,” she said. “Noor Riyadh 2024 was a resounding success, showcasing Saudi Arabia’s ability to host world-class events.”


Balad Beast brings global beats to historic streets

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Balad Beast brings global beats to historic streets

  • ‘MDLBEAST put us on the international map,’ say Saudi electronic duo Dish Dash

JEDDAH: The music festival Balad Beast concluded its fourth edition this weekend, having transformed Jeddah’s UNESCO World Heritage district of Al-Balad into an open-air celebration of music, culture and creativity that attracted thousands of music lovers over two nights.

The festival, organized by Saudi music platform MDLBEAST, featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds.

French Haitian singer-songwriter Naïka performed on the second night of Balad Beast. (Supplied)

Speaking to Arab News, MDLBEAST chief creative officer Ahmad Al-Ammary, also known as DJ Baloo, described Balad Beast as a “cultural takeover” adding that finding the right spaces for dance floors was a challenge, “but Balad is constantly evolving and we work with that change.”

Addressing the challenges of working in a heritage area, he said: “Balad is sensitive and condensed, so logistics can be complex. In our first year, heavy rain flooded one of the planned squares and we had to relocate the Souq Stage to a much smaller space, but it worked and it has remained there ever since.

HIGHLIGHT

Reggae superstar Shaggy noted that the reality of playing live in Saudi Arabia often surprises those who arrive with preconceptions.

“Yes, the alleys are narrow and the district is old, but they’re full of ideas, patterns, colors and visuals. Everything flows here,” he continued. “As a festival, it’s hard to define Balad, because it gives so much of itself creatively. It’s incredibly generous with its ideas and details, and inspiration comes from everywhere.”

Balad Beast featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds. (Supplied)

Balad Beast featured performances from international artists including US rapper Playboi Carti, making his first appearance in Saudi Arabia; US rapper Destroy Lonely; Swedish DJ and producer Alesso; and Bosnian-German DJ Solomun on the opening night. The following night saw French-Haitian singer-songwriter Naïka, reggae superstar Shaggy, Dutch DJ Franky Rizardo, British DJ Pawsa, and US rapper Tyga, and more take the stage, while Saudi and regional artists including Cosmicat, TUL8TE, Zeina, Vinyl Mode, Moayed, Dish Dash, Musab, Varoo and HiFi appeared across the festival, offering audiences a mix of global and local talent.

Saudi electronic duo Dish Dash reflected on the festival organizer’s impact for local artists.

As a festival, it’s hard to define Balad, because it gives so much of itself creatively. It’s incredibly generous with its ideas and details, and inspiration comes from everywhere.

Ahmad Al-Ammary, MDLBEAST chief creative officer

“MDLBEAST put us on the international map,” the brothers told Arab News. “It helped us get recognized by festivals, promoters and event organizers abroad. When we travel, people don’t expect this level of talent coming from Saudi Arabia, especially considering we didn’t have this scene before.”

Shaggy, who performed a hit-filled set during the festival, told Arab News: “I’ve been blessed with some incredible songs, and I see music as a gift and a tool for service. When I go on stage, I’m there to entertain people, to make them smile and feel good, but that service also supports many livelihoods from the people working at this festival to those who work with me. These songs have become part of people’s lives, and I don’t take that lightly.”

Balad Beast featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds. (Supplied)

Shaggy also noted that the reality of playing live in Saudi Arabia often surprises those who arrive with preconceptions.

“I’ve performed in Saudi Arabia more than once, and while there are certain rules that are different, it’s not an issue for me. My focus is always on delivering the hits and giving the audience a great time,” he said.

“There’s a big misconception. People have more freedom than (outsiders) think. Everyone has been extremely nice.”

Asked what advice he would offer to aspiring artists, Shaggy said: “Understand that what you’re given is a gift and a form of service. Stay humble, do the work, and remember why you’re doing it.”

As Al-Ammary noted, there are many such aspiring artists now making a name for themselves in the Kingdom.

“Talent is emerging everywhere, at different levels,” he said. “The scene is still in a mysterious and surprising phase. There’s a rawness to it.”