LONDON: One of the most valuable violins in the world, crafted three centuries ago and once owned by composer Niccolo Paganini, is to be played at a top UK classical music festival.
The violin, known as the Carrodus, is one of only around 150 made by Giuseppe Guarneri del Gesu known to have survived down the centuries, and was acquired by a philanthropic group for $20 million in June.
It was crafted in 1743 in Cremonia, northern Italy, and will be played for the first time as part of the BBC Proms by South Korean violinist Inmo Yang.
The violin once owned by Italian virtuoso Paganini will be seen on August 28 at London’s Royal Albert Hall.
“I can’t believe how lucky I am to have this instrument. This is easily one of the greatest instruments ever made,” Yang, who is also making his debut at the Proms, told AFP.
“I feel a duty to take good care of the instrument and make a beautiful sound, so that people know that it’s worth playing these instruments rather than having them in a vault in a museum.”
The Stretton Society, a network of philanthropists, patrons and sponsors that has loaned the violin to Yang, seeks to acquire rare and valuable instruments to lend to the world’s leading musicians.
Guarneri was one of the most important violin makers of all time, alongside Italian luthier Antonio Stradivari, said the society’s co-founder Stephan Jansen.
Whereas Stradivari made instruments for the Church and the nobility, Guarneri’s violins were made for musicians, and they became renowned for their deep and sonorous tones, Jansen said.
“Inmo is one of the finest musicians of his generation,” Jansen told AFP.
“When he came to my house and I showed him the fiddle, it was clear from the very first second that this is a match,” he said. “Because in the end, it’s also about chemistry, you know?“
Yang will perform Pablo de Sarasate’s “Carmen Fantasy,” which he described as “a virtuoso piece for the violin.”
The broad palette of the violin adds the “strong, at times flirty character of the Carmen character,” said Yang.
The instrument’s sound is also “quite unpredictable,” he said, and “this kind of capricious nature really gives more liveliness to the piece.”
“Thinking that Paganini used this instrument is kind of spiritual, and I think people also want to hear Paganini’s music played on his own violin,” Yang added.
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One of the most valuable violins in the world, crafted by an Italian maker three centuries ago and once owned by composer Niccolo Paganini, is to be played at a top UK classical music festival.
The violin, known as the Carrodus, is one of only around 150 made by Giuseppe Guarneri del Gesu known to have survived down the centuries, and was acquired by a philanthropic group for $20 million in June.
It was crafted in 1743 in Cremonia, northern Italy, and will be played for the first time as part of the BBC Proms by South Korean violinist Inmo Yang.
The violin once owned by famed Italian composer and violin virtuoso Niccolo Paganini will be seen on August 28 at London’s Royal Albert Hall.
“I can’t believe how lucky I am to have this instrument. This is easily one of the greatest instruments ever made,” Yang, who is also making his debut at the Proms, told AFP.
“I feel a duty to take good care of the instrument and make a beautiful sound, so that people know that it’s worth playing these instruments rather than having them in a vault in a museum.”
The Stretton Society, a network of philanthropists, patrons and sponsors that has loaned the violin to Yang, seeks to acquire rare and valuable instruments to lend to the world’s leading musicians.
Guarneri was one of the most important violin makers of all time, alongside Italian luthier Antonio Stradivari, said the society’s co-founder Stephan Jansen.
Whereas Stradivari made instruments for the Church and the nobility, Guarneri’s violins were made for musicians, and they became renowned for their deep and sonorous tones, Jansen said.
“Inmo is one of the finest musicians of his generation,” Jansen told AFP.
“When he came to my house and I showed him the fiddle, it was clear from the very first second that this is a match,” he said. “Because in the end, it’s also about chemistry, you know?“
Yang will perform Pablo de Sarasate’s “Carmen Fantasy,” which he described as “a virtuoso piece for the violin.”
The broad palette of the violin adds the “strong, at times flirty character of the Carmen character,” said Yang.
The instrument’s sound is also “quite unpredictable,” he said, and “this kind of capricious nature really gives more liveliness to the piece.”
“Thinking that Paganini used this instrument is kind of spiritual, and I think people also want to hear Paganini’s music played on his own violin,” Yang added.
300-year-old violin to star at UK music festival
https://arab.news/rhjsg
300-year-old violin to star at UK music festival
- The violin, known as the Carrodus, is one of only around 150 made by Giuseppe Guarneri del Gesu
- Guarneri was one of the most important violin makers of all time, alongside Italian luthier Antonio Stradivari
Egypt reveals restored colossal statues of pharaoh in Luxor
- Amenhotep III, one of the most prominent pharaohs, ruled during the 500 years of the New Kingdom, which was the most prosperous time for ancient Egypt
LUXOR: Egypt on Sunday revealed the revamp of two colossal statues of a prominent pharaoh in the southern city of Luxor, the latest in the government’s archeological events that aim at drawing more tourists to the country.
The giant alabaster statues, known as the Colossi of Memnon, were reassembled in a renovation project that lasted about two decades. They represent Amenhotep III, who ruled ancient Egypt about 3,400 years ago.
“Today we are celebrating, actually, the finishing and the erecting of these two colossal statues,” Mohamed Ismail, secretary-general of the Supreme Council of Antiquities, said ahead of the ceremony.
Ismail said the colossi are of great significance to Luxor, a city known for its ancient temples and other antiquities. They’re also an attempt to “revive how this funerary temple of King Amenhotep III looked like a long time ago,” Ismail said.
Amenhotep III, one of the most prominent pharaohs, ruled during the 500 years of the New Kingdom, which was the most prosperous time for ancient Egypt. The pharaoh, whose mummy is showcased at a Cairo museum, ruled between 1390–1353 BC, a peaceful period known for its prosperity and great construction, including his mortuary temple, where the Colossi of Memnon are located, and another temple, Soleb, in Nubia.
The colossi were toppled by a strong earthquake in about 1200 BC that also destroyed Amenhotep III’s funerary temple, said Ismail.
They were fragmented and partly quarried away, with their pedestals dispersed. Some of their blocks were reused in the Karnak temple, but archeologists brought them back to rebuild the colossi, according to the Antiquities Ministry.
In late 1990s, an Egyptian German mission, chaired by German Egyptologist Hourig Sourouzian, began working in the temple area, including the assembly and renovation of the colossi.
“This project has in mind … to save the last remains of a once-prestigious temple,” she said.
The statues show Amenhotep III seated with hands resting on his thighs, with their faces looking eastward toward the Nile and the rising sun. They wear the nemes headdress surmounted by the double crowns and the pleated royal kilt, which symbolizes the pharaoh’s rule.
Two other small statues on the pharaoh’s feet depict his wife, Tiye.
The colossi — 14.5 meters and 13.6 meters respectively — preside over the entrance of the king’s temple on the western bank of the Nile. The 35-hectare complex is believed to be the largest and richest temple in Egypt and is usually compared to the temple of Karnak, also in Luxor.
The colossi were hewn in Egyptian alabaster from the quarries of Hatnub, in Middle Egypt. They were fixed on large pedestals with inscriptions showing the name of the temple, as well as the quarry.
Unlike other monumental sculptures of ancient Egypt, the colossi were partly compiled with pieces sculpted separately, which were fixed into each statue’s main monolithic alabaster core, the ministry said.
Sunday’s unveiling in Luxor came just six weeks after the inauguration of the long-delayed Grand Egyptian Museum, the centerpiece of the government’s bid to boost the country’s tourism industry. The mega project is located near the famed Giza Pyramids and the Sphinx.
In recent years, the sector has started to recover after the coronavirus pandemic and amid Russia’s war on Ukraine — both countries are major sources of tourists visiting Egypt.
“This site is going to be a point of interest for years to come,” said Tourism and Antiquities Minister Sherif Fathy, who attended the unveiling ceremony. “There are always new things happening in Luxor.”
A record number of about 15.7 million tourists visited Egypt in 2024, contributing about 8 percent of the country’s GDP, according to official figures.
Fathy, the minister, has said about 18 million tourists are expected to visit the country this year, with authorities hoping for 30 million visitors annually by 2032.
