PARIS: Defiant in diamonds, Kim Kardashian appeared in a Paris courtroom Tuesday to testify in the trial over the 2016 armed robbery that upended her life. The reality star and business mogul gave emotional, at times harrowing, testimony about the night masked men tied her up at gunpoint and stole more than $6 million in jewelry.
Here’s what she revealed — and what’s still to come.
A night that changed everything
Kardashian said she was starting to doze off in bed in the early hours when she heard stomping on the stairs. She assumed it was her sister Kourtney returning from a night out. “Hello? Hello? Who is it?” she called.
Moments later, two masked men burst in. They dragged the concierge in handcuffs. They were dressed as police.
“I thought it was some sort of terrorist attack,” she said.
She grabbed her phone but froze — “I didn’t know what 911 was (in France).” She tried to call her sister and her bodyguard, but one man grabbed her hand to stop her. They threw her on the bed, bound her hands and held a gun to her back.
“I have babies,” she recalled telling the robbers. “I have to make it home. They can take everything. I just have to make it home.”
Her robe fell open — she said she was naked underneath — as one man pulled her toward him. “I was certain that was the moment that he was going to rape me,” Kardashian said.
One attacker leaned in and told her, in English, she’d be OK if she stayed quiet. He taped her mouth shut, and took her to the bathroom.
Kardashian later managed to free her hands by rubbing the tape against the bathroom sink. She hopped downstairs, ankles still bound, and found her friend and stylist, Simone Harouche. Fearing the men might return, the women climbed onto the balcony and hid in bushes. While lying there, Kardashian called her mother.
The men took a diamond ring she’d worn that night to a Givenchy show and rifled through her jewelry box. They took items including a watch her late father had given her when she graduated high school. “It wasn’t just jewelry. It was so many memories,” she said.
A changed life and constant fear
Investigators believe the attackers followed Kardashian’s digital breadcrumbs — images, timestamps, geotags — and exploited them with old-school criminal methods.
The robbery reshaped Kardashian’s sense of safety and freedom. “This experience really changed everything for us,” she said. “I started to get this phobia of going out.”
She often rents adjoining hotel rooms for protection and no longer stores jewelry at home, and now has up to six security guards at home.
“I can’t even sleep at night” otherwise, she said.
She also said she no longer makes social media posts in real time unless at a public event. Her Los Angeles home was robbed shortly after the Paris heist in what she believes was a copycat attack.
A letter and an unexpected moment of grace
In a powerful courtroom moment, the chief judge read aloud a letter from one of the accused, who is too ill to testify. The letter said he had seen Kardashian’s tears on television and expressed regret. Kardashian was visibly moved.
“I’m obviously emotional,” she said in response.
“I do appreciate the letter, for sure,” she added. “I forgive you for what had taken place. But it doesn’t change the emotion, the trauma, and the way my life is forever changed.”
Kardashian, who is studying to become a lawyer, added that she regularly visits prisons. “I’ve always believed in second chances,” she said.
Diamonds, defiance and public image
Kardashian made a fashion statement in court, wearing a $1.5 million necklace by Samer Halimeh New York. The jeweler’s press release for the necklace came out even as she was on the witness stand, a reminder that visibility remains currency, even if the rules have grown more complicated.
The choice reflected defiance and the reclaiming of the image and luxury once used against her.
Kardashian said Paris had once been a sanctuary, a place where she would walk at 3 or 4 a.m., window shopping, sometimes stopping for hot chocolate. It “always felt really safe,” she said. “It was always a magical place.”
What’s next
Twelve suspects were originally charged. One has died. One was excused due to illness. The French press dubbed the group les papys braqueurs — “the grandpa robbers” — but prosecutors say they were no harmless retirees.
The defendants face charges including armed robbery, kidnapping and gang association. If convicted, they could face life in prison.
Kardashian said she was grateful for the opportunity to “tell my truth” in the packed Paris courtroom.
“This is my closure,” she said. “This is me putting this, hopefully, to rest.”
The trial is expected to conclude May 23.
Tears, trauma and a million-dollar necklace as defiant Kim Kardashian faces Paris robbery suspects
https://arab.news/8tc63
Tears, trauma and a million-dollar necklace as defiant Kim Kardashian faces Paris robbery suspects
- The defendants face charges including armed robbery, kidnapping and gang association
This handout photograph released on Jan. 21, 2026, shows a view of prehistoric cave paintings in the Sulawesi island of Indonesia, which includes faded hand stencils dated to at least 67,800 years ago. (AFP Photo/Maxime Aubert/Griffith University)
- Newly dated artworks are believed to have been created by ancestors of indigenous Australians
- Discovery shows Sulawesi as one of world’s oldest centers of artistic culture, researcher says
JAKARTA: Hand stencils found in a cave in Indonesia’s Sulawesi are the world’s oldest known artworks, Indonesian and Australian archeologists have said in a new study that dates the drawings back to at least 67,800 years ago.
Sulawesi hosts some of the world’s earliest cave art, including the oldest known example of visual storytelling — a cave painting depicting human-like figures interacting with a wild pig. Found in 2019, it dates back at least 51,200 years.
On Muna, an island off the province’s southeast, researchers have discovered new artworks which are faint and partially obscured by a more recent motif on the wall. They used a new dating technique to determine their age.
The cave art is of two faded hand stencils, one at least 60,900 years old and another dating back at least 67,800 years. This makes it the oldest art to be found on cave walls, authors of the study, which was published this week, said in the journal Nature.
Adhi Agus Oktaviana, a researcher at the National Research and Innovation Agency, or BRIN, and co-author, said this hand stencil was 16,600 years older than the rock art previously documented in the Maros-Pangkep caves in Sulawesi, and about 1,100 years older than stencils found in Spain believed to have been drawn by Neanderthals.
The discovery “places Indonesia as one of the most important centers in the early history of symbolic art and modern human seafaring. This discovery is the oldest reliably dated rock art and provides direct evidence that humans have been intentionally crossing the ocean since almost 70,000 years ago,” Oktaviana said on Wednesday.
The stencils are located in Liang Metanduno, a limestone cave on Muna that has been a tourist destination known for cave paintings that are about 4,000 years old.
“This discovery demonstrates that Sulawesi is one of the oldest and most continuous centers of artistic culture in the world, with roots dating back to the earliest phases of human habitation in the region,” said Prof. Maxime Aubert of Australia, another of the study’s co-authors.
To figure out the stencils’ ages, researchers used a technique called laser-ablation uranium-series dating, which allows for the accurate dating of ocher-based rock art. The method uses a laser to collect and analyze a tiny amount of mineral crusts that had formed on top of the art.
The study also explored how and when Australia first became settled, with the researchers saying the stencil was most likely created by the ancestors of indigenous Australians.
