REVIEW: ‘Donkey Kong Country Returns’ offers classic retro platform fun

“Donkey Kong” is platformer ballet, requiring a combination of timing of directional jumps and a small variety of attacks to proceed. (Supplied)
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Updated 19 March 2025
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REVIEW: ‘Donkey Kong Country Returns’ offers classic retro platform fun

LONDON: Way back in 1999, “Donkey Kong 64” was a genre-defining release for the Nintendo 64. It was the first 3D Donkey Kong game, a generation apart from the first time the gorilla appeared in computer games in 1981.

The return of “Donkey Kong” in this newly released high-definition title for the Switch, offers nothing as groundbreaking as some of his previous titles but is rather core fun for a new generation of younger players.

Indeed, it offers a rehashed, polished and enjoyable platformer for a console that is about to welcome its first major upgrade in the coming months.

At its essence, “Donkey Kong” is platformer ballet, requiring a combination of timing of directional jumps and a small variety of attacks to proceed. Set against the lush backdrop of a tropical island that takes you across nine worlds: from jungles to ruins, underground mines to factories.

With jaunty music and a storyline no more complicated than trying to rescue stolen bananas, Donkey Kong is very much a pick and play rather than a brain teaser.

The game’s simple premise has a degree of depth within it when it comes to the search for perfection. Completing one setting straight through is one thing, doing it whilst collecting all jigsaw puzzle pieces, Donkey Kong letters and bananas is another entirely.

Charming music and enemies and allies alike make up part of your journey. Diddy Kong is your key ally, in single-player mode he rides on DK’s back providing that extra jump boost, in two-player mode he can take down enemies with his banana throws.

Puzzles are straightforward enough for the younger gamer (the game is advertised as age 3 and over) and the biggest frustration is how far you have to go back if you are felled by a bad guy or in a bottomless pit.

Racing minecarts or buccaneering rhinos offer more variety away from the core jumping and the end-of-level bosses are imaginative.

A nice new touch is the use of perspective, accessed through blasting barrels, to conquer more distant parts of each world. Something that is slightly harder on the handheld versus the console as your character vanishes into a miniature.


‘Palestine 36’ set for Saudi cinemas in January

Updated 04 January 2026
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‘Palestine 36’ set for Saudi cinemas in January

DUBAI: Filmmaker Annemarie Jacir’s “Palestine 36,” which screened at Jeddah’s Red Sea International Film Festival, is scheduled for release in Saudi cinemas on Thursday.

The sweeping historical epic — Palestine’s official entry to the Oscars this year, which made it to the official longlist — is a deep exploration of resistance, resilience and the struggle of the Palestinian people. 

“Palestine 36” is set during the 1936 Arab Revolt and follows five interconnected narratives as villages across Palestine confront British colonial rule.

With rising numbers of Jewish immigrants escaping antisemitism in Europe, and the Palestinian population uniting against Britain’s 30-year dominion, all sides spiral toward inevitable collision in a decisive moment for the British Empire and the future of the entire region. 

The film won the Best Film award at the Tokyo International Film Festival.

Jacir — whose three previous feature films “Salt of this Sea,” “When I Saw You,” and “Wajib” were also official Palestinian Oscar entries — hopes “Palestine 36” will provide a mirror for audiences, particularly those from colonized or war-affected countries.  

“I hope people see themselves in the film,” she told Arab News in December. “I don’t want to teach anyone anything. There’s a lot of history in the film and there’s a lot of history that’s been erased. I hope that’s something that comes through.” 

The film features an ensemble cast, including Oscar-winner Jeremy Irons, “Game of Thrones” star Liam Cunningham, and Tunisian actor Dhafer L’Abidine, alongside Palestinian talents Hiam Abbass, Yasmine Al-Massri, Kamel El Basha, and Saleh Bakri.

At the Red Sea International Film Festival premiere of the film in December, Jacir walked the red carpet with Palestinian Jordanian designer Reema Dahbour, who dressed the director for the event.

Dahbour created a custom piece titled “From the River to the Sea,” which she described on social media as “a dress born from our narrative, our symbols, and our enduring connection to the land. A garment that mirrors the spirit showcased so powerfully in the film.”