‘Monte Cristo’, ‘Emilia Perez’ front-runners at France’s Cesar film awards

(FILES) French actor Pierre Niney poses during a photocall for the film "Le Comte de Monte-Cristo" (The Count of Monte-Cristo) at the 77th edition of the Cannes Film Festival in Cannes, southern France, on May 23, 2024. With one month to go until the 50th Cesar ceremony, the Academy is due to unveil the names of the nominees for French cinema's each of the 24 awards on January 29, 2025. (Photo by Christophe SIMON / AFP)
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Updated 29 January 2025
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‘Monte Cristo’, ‘Emilia Perez’ front-runners at France’s Cesar film awards

  • “The Count of Monte Cristo” topped the nominations released Wednesday for the Cesars, France’s version of the Oscars, followed closely by international awards season front-runner “Emilia Perez“

PARIS: Home-made hit “The Count of Monte Cristo” topped the nominations released Wednesday for the Cesars, France’s version of the Oscars, followed closely by international awards season front-runner “Emilia Perez.”
“The Count of Monte Cristo,” a big-budget French adaptation of Alexandre Dumas’s epic novel, was the second most watched film in French cinemas last year and leads the Cesars nominations with 14.
Lead actor Pierre Niney is the front-runner in the best actor category, but faces competition from Francois Civil who starred in the surprise French comedy hit of the year, “Un P’tit Truc en Plus” (“A Little Something Extra“).
The film about a father and son who go to work in a holiday camp for people with disabilities topped the French 2024 box office and picked up 13 nominations.
“Emilia Perez,” directed by Frenchman Jacques Audiard and the most-nominated film for the Oscars, was picked in 12 categories for the Cesars, including best film and best director.
The surreal musical odyssey about a narco boss who transitions to life as a woman shattered the record for the most Academy Award nominations for a non-English-language film last week, with 13 Oscar nominations.
It was also the second-most nominated film for Britain’s BAFTA awards, according to the shortlist unveiled on January 15, behind Vatican thriller “Conclave.”

The Cesars will be handed out in Paris on February 28 at a ceremony hosted by Jean-Pascal Zadi, who starred in a hit 2021 satire about racial politics called “Tout Simplement Noir” (“Simply Black“).
This edition will mark the 50th year of the Cesars, which like the Oscars are frequently embroiled in the political issues of the day.
“L’Histoire de Souleymane” (“Souleymane’s Story“), an arthouse production that recounts the struggles of an undocumented food delivery cyclist in Paris, emerged as a strong awards contender with four nominations including best film and best director.
It comes at a time of rising support for far-right political parties in France and follows a recent tightening of immigration rules by hard-line Interior Minister Bruno Retailleau to make it more difficult for foreigners to gain work documents.
The star of the film, Abou Sangare, was an undocumented migrant from Guinea with no previous acting experience when he was chosen at a casting call by director Boris Lojkine.
The 23-year-old was nominated for a Cesar in the breakthrough male actor category, while co-star Nina Meurisse was nominated as best actress.
Sangare, who was the subject of a deportation order, only recently obtained a work permit to stay in France legally as a mechanic.
He told the Liberation newspaper this month that he intended to take up a job in a garage, rather than pursue a career in film.
“There might be offers but I’m a mechanic, that’s my trade,” he said.
The winners of the Cesars are picked by the 4,951 members of the Cesars academy.


As an uncertain 2026 begins, virtual journeys back to 2016 become a trend

Updated 30 January 2026
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As an uncertain 2026 begins, virtual journeys back to 2016 become a trend

  • Over the past few weeks, millions have been sharing throwback photos to that time on social media, kicking off one of the first viral trends of the year

LONDON: The year is 2016. Somehow it feels carefree, driven by Internet culture. Everyone is wearing over-the-top makeup.
At least, that’s how Maren Nævdal, 27, remembers it — and has seen it on her social feeds in recent days.
For Njeri Allen, also 27, the year was defined by the artists topping the charts that year, from Beyonce to Drake to Rihanna’s last music releases. She also remembers the Snapchat stories and an unforgettable summer with her loved ones. “Everything felt new, different, interesting and fun,” Allen says.
Many people, particularly those in their 20s and 30s, are thinking about 2016 these days. Over the past few weeks, millions have been sharing throwback photos to that time on social media, kicking off one of the first viral trends of the year — the year 2026, that is.
With it have come the memes about how various factors — the sepia hues over Instagram photos, the dog filters on Snapchat and the music — made even 2016’s worst day feel like the best of times.
Part of the look-back trend’s popularity has come from the realization that 2016 was already a decade ago – a time when Nævdal says she felt like people were doing “fun, unserious things” before having to grow up.
But experts point to 2016 as a year when the world was on the edge of the social, political and technological developments that make up our lives today. Those same advances — such as developments under US President Donald Trump and the rise of AI — have increased a yearning for even the recent past, and made it easier to get there.
2016 marked a year of transition
Nostalgia is often driven by a generation coming of age — and its members realizing they miss what childhood and adolescence felt like. That’s certainly true here. But some of those indulging in the online journeys through time say something more is at play as well.
It has to do with the state of the world — then and now.
By the end of 2016, people would be looking ahead to moments like Trump’s first presidential term and repercussions of the United Kingdom leaving the EU after the Brexit referendum. A few years after that, the COVID-19 pandemic would send most of the world into lockdown and upend life for nearly two years.
Janelle Wilson, a professor of sociology at the University of Minnesota-Duluth, says the world was “on the cusp of things, but not fully thrown into the dark days that were to come.”
“The nostalgia being expressed now, for 2016, is due in large part to what has transpired since then,” she says, also referencing the rise of populism and increased polarization. “For there to be nostalgia for 2016 in the present,” she added, “I still think those kinds of transitions are significant.”
For Nævdal, 2016 “was before a lot of the things we’re dealing with now.” She loved seeing “how embarrassing everyone was, not just me,” in the photos people have shared.
“It felt more authentic in some ways,” she says. Today, Nævdal says, “the world is going downhill.”
Nina van Volkinburg, a professor of strategic fashion marketing at University of the Arts, London, says 2016 marked the beginning of “a new world order” and of “fractured trust in institutions and the establishment.” She says it also represented a time of possibility — and, on social media, “the maximalism of it all.”
This was represented in the bohemian fashion popularized in Coachella that year, the “cut crease” makeup Nævdal loved and the dance music Allen remembers.
“People were new to platforms and online trends, so were having fun with their identity,” van Volkinburg says. “There was authenticity around that.”
And 2016 was also the year of the “boss babe” and the popularity of millennial pink, van Volkinburg says, indications of young people coming into adulthood in a year that felt hopeful.
Allen remembers that as the summer she and her friends came of age as high school graduates. She says they all knew then that they would remember 2016 forever.
Ten years on, having moved again to Taiwan, she said “unprecedented things are happening” in the world. “Both of my homes are not safe,” she said of the US and Taiwan, “it’s easier to go back to a time that’s more comfortable and that you felt safe in.”
Feelings of nostalgia are speeding up
In the last few days, Nævdal decided to hide the social media apps on her phone. AI was a big part of that decision. “It freaks me out that you can’t tell what’s real anymore,” she said.
“When I’ve come off of social media, I feel that at least now I know the things I’m seeing are real,” she added, “which is quite terrifying.”
The revival of vinyl record collections, letter writing and a fresh focus on the aesthetics of yesterday point to nostalgia continuing to dominate trends and culture. Wilson says the feeling has increased as technology makes nostalgia more accessible.
“We can so readily access the past or, at least, versions of it,” she said. “We’re to the point where we can say, ‘Remember last week when we were doing XYZ? That was such a good time!’”
Both Nævdal and Allen described themselves as nostalgic people. Nævdal said she enjoys looking back to old photos – especially when they show up as “On This Day” updates on her phone, She sends them to friends and family when their photos come up.
Allen wished that she documented more of her 2016 and younger years overall, to reflect on how much she has evolved and experienced since.
“I didn’t know what life could be,” she said of that time. “I would love to be able to capture my thought process and my feelings, just to know how much I have grown.”