REVIEW: ‘S.T.A.L.K.E.R. 2: Heart of Chornobyl’ tells a story of resilience and survival

“S.T.A.L.K.E.R. 2: Heart of Chornobyl,” developed by Ukrainian studio GSC Game World, stands as both a gripping survival adventure and a reflection of real-world resistance in the face of adversity. (Supplied)
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Updated 20 December 2024
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REVIEW: ‘S.T.A.L.K.E.R. 2: Heart of Chornobyl’ tells a story of resilience and survival

LONDON: “S.T.A.L.K.E.R. 2: Heart of Chornobyl,” developed by Ukrainian studio GSC Game World, stands as both a gripping survival adventure and a reflection of real-world resistance in the face of adversity.

The game’s development faced significant challenges, with the studio partially relocating to the Czech Republic due to the ongoing conflict in Ukraine. This struggle has imbued the game with poignant cultural references and an atmosphere shaped by the harsh realities of its creators’ circumstances.

Players assume the role of Skif, a Ukrainian Marine Corps veteran drawn into the “Zone,” a dystopian take on the Chernobyl exclusion zone. In this alternate universe, the infamous nuclear disaster unleashed not only radiation but also space-time anomalies and a host of mutated threats.

The Zone is merciless, and so is the gameplay. Stalkers — explorers of this treacherous area — must navigate its dangers in pursuit of adventure, profit or ideology. The game emphasizes survival, with a steep learning curve that demands careful planning. From radiation and traps to scarce resources and malfunctioning weapons, every step is fraught with danger. Deaths are frequent and the game tracks your fatalities, adding to the sense of vulnerability.

The game shines in its atmospheric design and mechanics. The 64 sq. km open-world setting is a stunning yet haunting playground for chaos. Weapon handling is top notch, and the enemy AI is intelligent and challenging. The various human factions and mutant creatures add layers of unpredictability to the experience, while side missions pile up in classic open-world fashion.

However, the game is not without its flaws. Some elements feel restrictive, limiting creativity in problem-solving. For instance, mutant dogs may attack you relentlessly while ignoring nearby enemies. Invisible anomalies that kill instantly and radiation-related deaths can feel arbitrary, especially early on when resources like health kits and food are scarce. Additionally, the dialogue leans on cliches, which may detract from the storytelling for some players.

Despite its challenges, “S.T.A.L.K.E.R. 2: Heart of Chornobyl” offers a deeply rewarding experience for those willing to persevere. The unforgiving difficulty and grounded survival mechanics create a palpable sense of tension, while the evocative setting offers a mix of chaos and beauty. Fans of open-world games, particularly those craving a grittier and more challenging experience, will find much to appreciate.

Born out of extraordinary circumstances, it is more than just a game — it’s a testament to the resilience and creativity of its developers. Stick with it, and you will discover a truly unique title forged in the most difficult of times.
 


‘The Secret Agent’ — Brazilian political thriller lives up to the awards hype

Updated 13 February 2026
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‘The Secret Agent’ — Brazilian political thriller lives up to the awards hype

DUBAI: Brazilian director Kleber Mendonca Filho’s political thriller may be set during his homeland’s turbulent 1970s — under a military dictatorship that committed extensive human rights abuses — but this ambitious, layered, and beautifully realized movie is loaded with timely reminders of what happens when political violence and moral turpitude are normalized, and — in one memorable fantastical scene — when fake news turns into mass hysteria.

The film follows Marcelo (the compelling Wagner Moura), an academic working in engineering, who discovered that a government minister was shutting down his university department in order to funnel its research into a private company in which the minister owned shares. When Marcelo points out the corruption, he becomes a marked man and must go on the run, leaving his young son with the parents of his late wife. He is moved to a safe house in Recife, run by the sweet-but-steely Dona Sebastiana (an effervescent Tania Maria) on behalf of a resistance group. They find him a job in the government department responsible for issuing ID cards.

Here he meets the despicable Euclides (Roberio Diogenes) — a corrupt cop whose department uses a carnival as cover to carry out extrajudicial murders — and his goons. He also learns that the minister with whom he argued has hired two hitmen to kill him. Time is running out. But soon he should have his fake passport and be able to flee.

“The Secret Agent” is much more than just its plot, though. It is subtle — sometimes oblique, even. It is vivid and darkly humorous. It takes its time, allowing the viewer to wallow in its vibrant colors and equally vibrant soundtrack, but always building tension as it heads towards an inevitable and violent climax. Filho shows such confidence, not just in his own skills, but in the ability of a modern-day audience to still follow stories without having to have everything neatly parceled and dumbed-down.

While the director deserves all the plaudits that have already come his way — and there will surely be more at the Oscars — the cast deserve equal praise, particularly the bad guys. It would’ve been easy to ham it up as pantomime villains. Instead, their casual cruelty is rooted in reality, and all the more sinister for it. Like everything about “The Secret Agent,” they are pitch perfect.