Saad Tahaitah showcases cultural heritage in ‘Aseer Memory’ at Red Sea International Film Festival

The film focuses on Mohammed Al-Matali, who lives in Asir. (Supplied)
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Updated 09 December 2024
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Saad Tahaitah showcases cultural heritage in ‘Aseer Memory’ at Red Sea International Film Festival

JEDDAH: Saudi director Saad Tahaitah is set to present his short documentary “Aseer Memory” at the Red Sea International Film Festival in Jeddah, which runs until Dec. 14.

In an interview with Arab News, he discussed on the film’s exploration of cultural identity and the significance of preserving local history through the lens of its central character, Mohammed Al-Matali. The 18-minute film narrates the journey of Al-Matali, who dedicates his life to curating his father’s library, filled with invaluable old books and documents that serve as vital links to the history of the Asir region in Saudi Arabia.

Tahaitah reflected on his filmmaking journey, saying: “I started making documentary films about eight years ago. What always inspires me is the story of people and their places; it’s a significant motivation and inspiration for making every film.”

His attraction to Al-Matali’s story stemmed from the “great legacy that this person possesses.” The director believes that Al-Matali's efforts will have an even more pronounced impact on the culture of the region in the coming years, highlighting that “the film serves as an extension and preservation of his efforts over the past decades.”

Born into a family of scholars, Al-Matali works to preserve precious old books and original documents that are often the only local sources of information about the area in which he grew up. Along with his collections, he has photographed and made videos of the prehistoric petroglyphs and ancient forts that stand in the area. In his latest project, he discovers forgotten local street names in the hope of restoring them to local villages.

Set to run among a slate of international titles hailing from countries including South Korea and the US, Tahaitah hopes that “Aseer Memory” will enlighten the international festival goers who flock to Jeddah about rich heritage of the Asir region.

“The external audience may not be aware of the extent of the culture and heritage we have in our country, especially regarding the subject of the film, the Asir region. The film showcases events and documents from hundreds of years ago, as well as the way of life of people decades ago. I aspire to create more works that focus on this aspect because documentaries are the soft power to convey what we want,” Tahaitah said.

“Documenting culture and human life will create an eternal memory for the region, making films immortal,” he added.


‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

Updated 06 February 2026
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‘The Wrecking Crew’ — Jason Momoa and Dave Bautista head enjoyable romp

RIYADH: Angel Manuel Soto directs this odd-couple action-comedy with a confidence and flair that — along with the chemistry between its central performers and its better-than-you’d-ever-expect script — just about raises it above the slop swarming the streamers.

Jason Momoa and Dave Bautista play estranged half-brothers Jonny and James Halle. Both have the same father — a not-much-liked private detective called Walter who’s just been killed in a hit-and-run in Hawaii (where they were raised and where James, a Navy SEAL, still lives). Neither brother is particularly upset to hear the news of Walter’s death, but when Yakuza henchmen attack Jonny in his Oklahoma home (where he’s a maverick, heavy-drinking cop) demanding a package sent by Walter (a package he hasn’t yet received), he decides to return to Hawaii for the first time in years to attend the funeral and investigate further.

Jonny’s reunion with James is less than cordial, but he does meet James’ wife Leila and their kids for the first time. Leila is a child-psychologist — not afraid to call the brothers out on their emotional shortcomings, nor to try and help them fix their fractured fraternity.

The brothers’ investigation uncovers a plan to build a casino on Hawaiian home lands (an area held in trust for Native Hawaiians). The developer is the extremely wealthy Marcus Robichaux (played with gleeful pantomime-villain campness by Claes Bang), who — it turns out — had hired Walter to investigate his wife, who had hired Walter to investigate her husband.

Now our heroes know who they have to bring down, they’re into far more comfortable territory (both for the characters and, you suspect, the actors). Yep. Forget the dialogue, it’s action time.

Cue multiple scenes of high-octane mayhem expertly helmed by Soto in what’s essentially a slightly updated (emotional healing!) throwback to the dumb-but-fun action blockbusters of the Eighties and Nineties. The nostalgia isn’t hidden, either. The soundtrack starts with Guns N’ Roses and ends with Phil Collins. And there’s a shoutout to Jean-Claude Van Damme in between.

There’s a plot here too, but, honestly, who cares? Momoa and Bautista get to flex their considerable muscles, show off their ink, and make a few wisecracks. No one’s watching this for a clever twist, right? Watch it hoping for a couple hours of entertaining excitement and you’ll be well satisfied.