BEIRUT: Lebanon said Monday it had submitted a complaint to the United Nations Security Council over an Israeli strike last week that killed three journalists in the country’s south.
The strike early Friday hit a complex in the Druze-majority town of Hasbaya in south Lebanon where more than a dozen journalists from Lebanese and Arab media outlets were sleeping.
The Israeli army said Friday that the strike was “under review,” maintaining it had targeted Hezbollah militants.
Lebanon submitted “a complaint to the Security Council regarding the latest Israeli attacks that targeted journalists and media facilities in Hasbaya in south Lebanon, and the Ouzai area” in Beirut’s southern suburbs, a statement from the foreign ministry said on social media platform X.
“The repeated Israeli targeting of media crews is a war crime” and Israel must be “held to account and punished,” the statement added.
Cameraman Ghassan Najjar and broadcast engineer Mohammad Reda from pro-Iran, Beirut-based broadcaster Al-Mayadeen, and video journalist Wissam Qassem from Hezbollah’s Al-Manar television, were killed in the strike on the complex in Hasbaya, relatively far from the Israel-Hezbollah war’s main flashpoints.
Prime Minister Najib Mikati said the attack was deliberate and both he and Information Minister Ziad Makary labelled it a war crime.
Days earlier, Al-Mayadeen said an Israeli strike hit an office the broadcaster had vacated near Ouzai in south Beirut.
Israel launched an intense air campaign in Lebanon last month and later launched ground incursions following a year of cross-border clashes with the Iran-backed Hezbollah group over the Gaza war.
In October last year, Reuters journalist Issam Abdallah was killed by Israeli shellfire while he was covering southern Lebanon, and six other journalists were wounded, including AFP’s Dylan Collins and Christina Assi, who had to have her right leg amputated.
Last November, Israeli bombardment killed Al-Mayadeen correspondent Farah Omar and cameraman Rabih Maamari, the channel said.
Lebanese rights groups said five more journalists and photographers working for local media had been killed in Israeli strikes on the country’s south and Beirut’s southern suburbs.
Lebanon complains to UN over latest deadly Israel strike on journalists
https://arab.news/pwxt7
Lebanon complains to UN over latest deadly Israel strike on journalists
- Lebanon submitted “a complaint to the Security Council regarding the latest Israeli attacks that targeted journalists and media facilities in Hasbaya in south Lebanon
Paris exhibition marks 200 years of Le Figaro and the enduring power of the press
- The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive
PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.
