Riyadh Fashion Week Day 4: A masterclass in day-to-night dressing

Day four of Riyadh Fashion Week drew well-heeled crowds as Saudi Arabia’s capital played host to the penultimate day of the annual showcase. (Supplied)
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Updated 23 October 2024
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Riyadh Fashion Week Day 4: A masterclass in day-to-night dressing

RIYADH: Day four of Riyadh Fashion Week drew well-heeled crowds as Saudi Arabia’s capital played host to the penultimate day of the annual showcase, with a clear focus on sharp cuts and day-to-night dressing on the runway.

Saudi labels including MD29, RBA, Noura Sulaiman, Harjuss, KML and Mazrood staged catwalk shows.




Known for its experimental take on formal fashion, MD29 presented a boardroom-ready collection. (Supplied)

Known for its experimental take on formal fashion, MD29 presented a boardroom-ready collection featuring deconstructed blazers in a muted color palette of greys, camel tones and dark blues.

Bubble skirts made an appearance on the runway, exemplifying the label’s desire to incorporate current trends in sleek day-to-night wear.




Ready-to-wear brand RBA, which is based between Saudi Arabia and New York, celebrated the power of texture. (Supplied)

Ready-to-wear brand RBA, which is based between Saudi Arabia and New York, celebrated the power of texture.

Models showed off elevated casual looks created from linen and wrinkled, textured cotton. Layering was a key component of the collection, with hooded waistcoat-style garments styled over linen shirts in shades of beige, rust and chocolate brown.




Noura Sulaiman, who specializes in both menswear and womenswear, sent a bevy of models down the runway in a variety of looks. (Supplied)

For her part, ready-to-wear designer Noura Sulaiman, who specializes in both menswear and womenswear, sent a bevy of models down the runway in a variety of looks. Materials and embellishments were varied, with some ensembles featuring gold-to-solver ombre paillettes while others were rendered in ribbed wool.

A standout detail were the lines of embroidered Arabic text on the labels of some blazers and shirts, while a grey jumper dress with a trailing cape decorated with celestial patterns turned heads on the runway.




KML co-founders Ahmed and Razan Hassan showed off a chic collection, with structed blazer sets and belted workwear for men. (Supplied)

KML co-founders Ahmed and Razan Hassan showed off an equally chic collection, with structed blazer sets and belted workwear for men. Wraparound co-ords and menswear complete with capes capped off a sleek, standout collection that seemed to meld Arab and Japanese-style influences in something altogether new for the Saudi fashion scene.




Riyadh-based label Mazrood took the evening in a colorful direction. (Supplied)

Riyadh-based label Mazrood took the evening in a colorful direction with floral knitwear worn under red-piped, blue co-ords and a recurring sky blue flower motif that was spotted on multiple items. The streetwear label kept things casual but also offered evening-appropriate looks, including a blazer featuring a shower of sharp blue embellishments.

Riyadh Fashion Week drew to a close on Monday night and it has been an insightful look at all that the burgeoning — and relatively young — Saudi fashion scene has to offer.


‘Palestine 36’ set for Saudi cinemas this week

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‘Palestine 36’ set for Saudi cinemas this week

DUBAI: Filmmaker Annemarie Jacir’s “Palestine 36,” which screened at Jeddah’s Red Sea International Film Festival, is scheduled for release in Saudi cinemas on Thursday.

The sweeping historical epic — Palestine’s official entry to the Oscars this year, which made it to the official longlist — is a deep exploration of resistance, resilience and the struggle of the Palestinian people. 

“Palestine 36” is set during the 1936 Arab Revolt and follows five interconnected narratives as villages across Palestine confront British colonial rule.

With rising numbers of Jewish immigrants escaping antisemitism in Europe, and the Palestinian population uniting against Britain’s 30-year dominion, all sides spiral toward inevitable collision in a decisive moment for the British Empire and the future of the entire region. 

The film won the Best Film award at the Tokyo International Film Festival.

Jacir — whose three previous feature films “Salt of this Sea,” “When I Saw You,” and “Wajib” were also official Palestinian Oscar entries — hopes “Palestine 36” will provide a mirror for audiences, particularly those from colonized or war-affected countries.  

“I hope people see themselves in the film,” she told Arab News in December. “I don’t want to teach anyone anything. There’s a lot of history in the film and there’s a lot of history that’s been erased. I hope that’s something that comes through.” 

The film features an ensemble cast, including Oscar-winner Jeremy Irons, “Game of Thrones” star Liam Cunningham, and Tunisian actor Dhafer L’Abidine, alongside Palestinian talents Hiam Abbass, Yasmine Al-Massri, Kamel El Basha, and Saleh Bakri.

At the Red Sea International Film Festival premiere of the film in December, Jacir walked the red carpet with Palestinian Jordanian designer Reema Dahbour, who dressed the director for the event.

Dahbour created a custom piece titled “From the River to the Sea,” which she described on social media as “a dress born from our narrative, our symbols, and our enduring connection to the land. A garment that mirrors the spirit showcased so powerfully in the film.”