RABAT: A rare deluge of rainfall left blue lagoons of water amid the palm trees and sand dunes of the Sahara desert, nourishing some of its most drought-stricken regions with more water than many had seen in decades.
Southeastern Morocco’s desert is among the most arid places in the world and rarely experiences rain in late summer.
The Moroccan government said two days of rainfall in September had exceeded yearly averages in several areas that get an average of less than 250 millimeters (10 inches) annually, including Tata, one of the areas hit hardest. In Tagounite, a village about 450 km (280 miles) south of the capital Rabat, more than 100 mm (3.9 inches) was recorded in a 24-hour period.
The storms provided more rainfall than had been seen in decades, leaving striking images of bountiful water gushing through the Saharan sands amid castles and desert flora.
In desert communities frequented by the many tourists who visit the Sahara, 4x4s motored through the puddles and residents surveyed the scene in awe.
“It’s been 30 to 50 years since we’ve had this much rain in such a short space of time,” said Houssine Youabeb of Morocco’s General Directorate of Meteorology.
Such rains, which meteorologists are calling an extratropical storm, may indeed change the course of the region’s weather in months and years to come as the air retains more moisture, causing more evaporation and drawing more storms, Youabeb said.
Six consecutive years of drought have posed challenges for much of Morocco, forcing farmers to leave fields fallow and cities and villages to ration water consumption.
The bounty of rainfall will likely help refill the large groundwater aquifers that lie beneath the desert and are relied upon to supply water in desert communities. The region’s dammed reservoirs reported refilling at record rates throughout September. However, it’s unclear how far September’s rains will go toward alleviating drought.
Yet water gushing through the sands and oases left more than 20 dead in Morocco and Algeria and damaged the farmers’ harvests, forcing the government to allocate emergency relief funds, including in some areas affected by last year’s earthquake.
NASA satellites showed water rushing in to fill Lake Iriqui, a famous lakebed between Zagora and Tata that had been dry for 50 years.
Water gushes through palm trees and sand dunes after rare rain in the Sahara Desert
Water gushes through palm trees and sand dunes after rare rain in the Sahara Desert
- Southeastern Morocco’s desert is among the most arid places in the world and rarely experiences rain in late summer
Reference to Trump’s impeachments is removed from the display of his Smithsonian photo portrait
- For now, references to Presidents Andrew Johnson and Bill Clinton being impeached in 1868 and 1998, respectively, remain as part of their portrait labels, as does President Richard Nixon’s 1974 resignation as a result of the Watergate scandal
WASHINGTON: President Donald Trump’s photo portrait display at the Smithsonian’s National Portrait Gallery has had references to his two impeachments removed, the latest apparent change at the collection of museums he has accused of bias as he asserts his influence over how official presentations document US history.
The wall text, which summarized Trump’s first presidency and noted his 2024 comeback victory, was part of the museum’s “American Presidents” exhibition. The description had been placed alongside a photograph of Trump taken during his first term. Now, a different photo appears without any accompanying text block, though the text was available online. Trump was the only president whose display in the gallery, as seen Sunday, did not include any extended text.
The White House did not say whether it sought any changes. Nor did a Smithsonian statement in response to Associated Press questions. But Trump ordered in August that Smithsonian officials review all exhibits before the nation celebrates the 250th anniversary of the Declaration of Independence on July 4. The Republican administration said the effort would “ensure alignment with the president’s directive to celebrate American exceptionalism, remove divisive or partisan narratives, and restore confidence in our shared cultural institutions.”
Trump’s original “portrait label,” as the Smithsonian calls it, notes Trump’s Supreme Court nominations and his administration’s development of COVID-19 vaccines. That section concludes: “Impeached twice, on charges of abuse of power and incitement of insurrection after supporters attacked the US Capitol on January 6, 2021, he was acquitted by the Senate in both trials.”
Then the text continues: “After losing to Joe Biden in 2020, Trump mounted a historic comeback in the 2024 election. He is the only president aside from Grover Cleveland (1837– 1908) to have won a nonconsecutive second term.”
Asked about the display, White House spokesman Davis Ingle celebrated the new photograph, which shows Trump, brow furrowed, leaning over his Oval Office desk. Ingle said it ensures Trump’s “unmatched aura ... will be felt throughout the halls of the National Portrait Gallery.”
The portrait was taken by White House photographer Daniel Torok, who is credited in the display that includes medallions noting Trump is the 45th and 47th president. Similar numerical medallions appear alongside other presidents’ painted portraits that also include the more extended biographical summaries such as what had been part of Trump’s display.
Sitting presidents are represented by photographs until their official paintings are commissioned and completed.
Ingle did not answer questions about whether Trump or a White House aide, on his behalf, asked for anything related to the portrait label.
The gallery said in a statement that it had previously rotated two photographs of Trump from its collection before putting up Torok’s work.
“The museum is beginning its planned update of the America’s Presidents gallery which will undergo a larger refresh this Spring,” the gallery statement said. “For some new exhibitions and displays, the museum has been exploring quotes or tombstone labels, which provide only general information, such as the artist’s name.”
For now, references to Presidents Andrew Johnson and Bill Clinton being impeached in 1868 and 1998, respectively, remain as part of their portrait labels, as does President Richard Nixon’s 1974 resignation as a result of the Watergate scandal.
And, the gallery statement noted, “The history of Presidential impeachments continues to be represented in our museums, including the National Museum of American History.”
Trump has made clear his intentions to shape how the federal government documents US history and culture. He has offered an especially harsh assessment of how the Smithsonian and other museums have featured chattel slavery as a seminal variable in the nation’s development but also taken steps to reshape how he and his contemporary rivals are depicted.
In the months before his order for a Smithsonian review, he fired the head archivist of the National Archives and said he was firing the National Portrait Gallery’s director, Kim Sajet, as part of his overhaul. Sajet maintained the backing of the Smithsonian’s governing board, but she ultimately resigned.
At the White House, Trump has designed a notably partisan and subjective “Presidential Walk of Fame” featuring gilded photographs of himself and his predecessors — with the exception of Biden, who is represented by an autopen — along with plaques describing their presidencies.
The White House said at the time that Trump himself was a primary author of the plaques. Notably, Trump’s two plaques praise the 45th and 47th president as a historically successful figure while those under Biden’s autopen stand-in describe the 46th executive as “by far, the worst President in American History” who “brought our Nation to the brink of destruction.”
