From Japan to Saudi Arabia, teamLab Borderless promises immersive experience in Jeddah

Entrapped Nucleus of Life at the museum in Jeddah. (Supplied)
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Updated 15 April 2025
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From Japan to Saudi Arabia, teamLab Borderless promises immersive experience in Jeddah

DUBAI: From the heart of Tokyo to Jeddah’s Historic District, teamLab Borderless museum is set to open its doors in Saudi Arabia on June 10.

Arab News spoke to teamLab Borderless founder Toshiyuki Inoko ahead of the opening to learn more about his hopes for the new space.




Flutter of Butterflies Beyond Borders in Layered Ultrasubjective Space-1 will be on show. (Supplied)

Inoko said the newest location in Jeddah, the first outpost in the Middle East, will feature more than 80 artworks.

“Each one of (the) artworks are not independently displayed but they are interrelated and they influence each other … our artwork is fluid and has no borders, hence the name borderless,” Inoko said.

The Jeddah museum features four main sections: Athletics Forest, Future Park, Forest of Lamps and EN TEA HOUSE.




The space boasts immersive artworks. (Supplied)

“Once you enter our doors, you walk through a world that is changing endlessly. As you explore further, you enjoy the process of transformation through the artwork,” he explained.

As for its location, Inoko commented that Jeddah’s past is a key factor in why the city is the ideal location for teamLabs Borderless.

“Jeddah is strongly historical and it is rare to see and touch traces of history and Jeddah is one of those rare places where this happens. We think it's going to be very meaningful for people to create a modern experience in such a strong historical context. We hope to capture the journey between the past and the future,” he said.




Golden Sand 02. (Supplied)

Inoko hopes that visitors will enjoy the immersive aspect of the museum.

“At our museum, you as a visitor have the power to influence the art with your physical body … we are hoping to challenge the notion of beauty by showing how it can be everchanging and we hope it can also influence the way people look at the world,” he said. 

 


Animated Saudi film screens at Red Sea International Film Festival 

Updated 10 December 2025
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Animated Saudi film screens at Red Sea International Film Festival 

RIYADH: It is life imitating art — and art imitating life: a story about work burnout created work burnout, but for Saudi filmmaker Rwad Khalid, every sleepless night paid off. 

Arab News spoke with Khalid, who joked about the literal and metaphorical Mary Poppins-like bag she always carries. In real life, she hauls cameras and “other things” everywhere.

Her dedication to her craft has paid off — Khalid's seven-minute fantasy-drama-comedy animation, “Business Bag,” will be screened at the Red Sea International Film Festival in her home country.

A 2025 graduate of Princess Nourah bint Abdulrahman University in Riyadh with a degree in film and animation, she is passionate about crafting Saudi-centric stories that explore universal social themes through animation.

The film is produced by fellow classmates Linah Alqudari, Manar Alzahrani, and Dana Al-Omran, as part of their graduation project. Each brought their own distinct animation style, and the four of them worked together to weave a cohesive final look. Khalid and Alqudari wrote the script.

Her team unexpectedly became experts in the legal world when they tried to secure the copyright to vintage Japanese music from a deceased singer to use in their film. Determined not to take money from their families, they pooled their own savings and university allowances to fund the project.

“Business Bag” follows a young man overworked and over-caffeinated, drowning in office work pressure and routine — until, on a short walk outside the office, his bag suddenly flies away in the dead of night. As he chases it across Riyadh, he rediscovers the city’s beauty and learns to rebalance his life.

Work-related burnout is universal, the team determined, which is why the film barely uses dialogue. Instead, it leans on music and street sounds of bustling Riyadh.

The entire animation process was swift. 

“Other animators would tell me, like, ‘No way — it’s crazy. You did this in only two months? That’s impossible,’” Khalid said. “But it was possible, after all.”

Khalid said many people have asked why the main character is a man, given that the film was created by a team of women. 

“I knew I wanted Riyadh to be a main character. I also knew I wanted it to take place at night. Logically, I wouldn’t place a woman in that space in Riyadh at night,” she said. 

 “Let the boy suffer,” she added with a laugh.