Egypt opens restored tomb of scribe of Amun Neferhotep as new Luxor tourist attraction

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The tomb of Neferhotep, scribe of Amun, in Al-Khokha on Luxor’s West Bank. (Supplied)
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The tomb of Neferhotep, scribe of Amun, in Al-Khokha on Luxor’s West Bank. (Supplied)
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The tomb of Neferhotep, scribe of Amun, in Al-Khokha on Luxor’s West Bank. (Supplied)
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The tomb of Neferhotep, scribe of Amun, in Al-Khokha on Luxor’s West Bank. (Supplied)
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Updated 12 February 2024
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Egypt opens restored tomb of scribe of Amun Neferhotep as new Luxor tourist attraction

  • Mostafa Waziry inaugurated the tomb in the Al-Khokha area on Luxor’s West Bank following completion of restoration by an Argentine mission affiliated to the University of Buenos Aires
  • Neferhotep was one of the senior statesmen of his time, holding several titles including the scribe of Amun

CAIRO: Egypt has opened the restored tomb of Neferhotep, the scribe of Amun, as a new Luxor tourist attraction.

Dating back to the 18th Dynasty of 1550 to 1292 B.C. during the era of king Ay (1327 to 1323 B.C.), the burial chamber has taken more than two decades of painstaking work to return to its former condition.

Mostafa Waziry, secretary-general of Egypt’s Supreme Council of Antiquities, inaugurated the tomb in the Al-Khokha area on Luxor’s West Bank following completion of restoration by an Argentine mission affiliated to the University of Buenos Aires and headed by Violeta Pereyra under the council’s supervision.

The opening ceremony was also attended by Argentina’s envoy to Cairo and other representatives of the South American country.

Waziry noted that the tomb added an important new tourist destination to the attractions of the western mainland in Luxor with its array of detailed and colorful painted scenes and inscriptions.

Mohammed Abdel-Badie, head of the Central Administration for the Antiquities of Upper Egypt, said Neferhotep was one of the senior statesmen of his time, holding several titles including the scribe of Amun.

He noted that the importance of the tomb lay in its views and inscriptions, which illustrated the changes in funerary practices that occurred after the Amarna period of religious change, that saw the capital move from the north of Egypt to the south.

It also contains a statue of the owner of the cemetery and his wife, Meritamun, who was a vocalist for the god Amun.

Fathi Yassin, director general of antiquities in Upper Egypt, said that the tomb restoration and maintenance project began in 2000.

Experts from the University of Buenos Aires recorded and studied the texts in the tomb before starting their work. Actual restoration work began in 2013, when a German archaeological team cleaned wall paintings in the tomb, and mended damaged stonework and layers of color on inscriptions.

Yassin pointed out that the architectural structure of the lower burial chambers of the tomb was designed on a longitudinal axis and arranged east to west, evoking the regeneration of the deceased and the sun’s daily trajectory.

Fragile surfaces were cleaned using laser technology, restoring clarity to the wall paintings and hieroglyphics.

Pereyra thanked the Egyptian council for its cooperation during the restoration period.

In a statement, Egypt’s Ministry of Tourism and Antiquities said: “This inauguration marks the addition of a new and important tourist destination to Luxor’s West Bank monuments, amidst the significant influx of tourists during the winter tourism season.

“Featuring a multitude of beautifully painted scenes and inscriptions, the tomb offers visitors a captivating and detailed glimpse into ancient Egyptian history.”


The difference between European and Gulf weddings — from a photographer’s point of view

Updated 21 January 2026
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The difference between European and Gulf weddings — from a photographer’s point of view

DUBAI: From her early career in northeast France to working across the Gulf and Europe, wedding photographer Maddy Christina has observed many contrasts between such events in different parts of the world.

Her early years as a photographer were defined by variety; she worked across fashion, family portraits and weddings simultaneously before recognizing how wedding photography brings multiple genres together in a single day. 

Christina said weddings in the region required a shift in both perspective and technique. (Supplied)

“I actually fell into weddings by accident,” Christina told Arab News. “It blends every discipline at once — fashion for the couple session, sports for the reception, documentary work throughout the day, still life with details and jewelry.”

Christina’s connection to the Middle East began through Parisian clients who invited her to Dubai for a post-wedding session: “I instantly connected with the energy of the city,” she said.

Christina’s connection to the Middle East began through Parisian clients who invited her to Dubai for a post-wedding session. (Supplied)

A few years later, a wedding in Kuwait marked the start of her long-term relationship with the region.

Now working extensively across the Gulf Cooperation Council, Christina said weddings in the region required a shift in both perspective and technique.

For Christina, the most meaningful aspect extends beyond the wedding day itself. (Supplied)

“Working across the GCC has opened my mind in ways I didn’t expect,” she said, adding it felt like “resetting everything I thought I knew about weddings” — particularly compared to her experience in Europe.

She said there were clear distinctions between the two regions. “European weddings tend to be more demonstrative and expressive, while brides in the Gulf often place a deeper emphasis on tradition, family bonds and a sense of ceremony,” she said. “The emotional language is different, yet equally beautiful.”

From a technical standpoint, the contrast is just as pronounced: “In the south of France, I was used to shooting outdoors at sunset with couples already comfortable in front of the camera. Here, I often find myself in much smaller spaces, with no windows, artificial light and couples who may be more reserved.”

Christina is drawn to candid moments. (Supplied)

She added that adapting to these conditions pushed her to explore new ways of shaping light and expanded her creative approach.

While Christina is drawn to candid moments, like “guests laughing together, old friends reconnecting, a fleeting emotion passing across someone’s face,” posed pictures remain central to her work.

For Christina, the most meaningful aspect extends beyond the wedding day itself.

“It’s not the decor that makes a wedding unforgettable for me,” she said. “It’s the connection I build with the bride. That long-term bond is what feels truly magical.”