Beauty pageant star Rumy Al-Qahtani seeks to share Saudi culture with the world

Saudi model Rumy Al-Qahtani has competed in a number of beauty pageants across the world. (Supplied)
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Updated 09 February 2024
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Beauty pageant star Rumy Al-Qahtani seeks to share Saudi culture with the world

  • • The Riyadh-born pageant star is known for wearing both evening gowns and traditional Saudi costumes on stage at international competitions
  • ‘My contributions are to learn about world cultures and to transfer our Saudi culture and heritage to the world,’ the model said

DUBAI: Saudi model Rumy Al-Qahtani is no stranger to the spotlight, having competed in a number of beauty pageants across the world — her most recent turn on the stage was at the Miss & Mrs Global Asian beauty pageant in Malaysia. Arab News spoke to the model to learn more about the challenges involved and what it means to share Saudi culture with the world.

“The biggest challenge is my personal representation of the (typical) Saudi girl and her appearance, (as well as the appearance) that befits her as a Saudi,” Riyadh-born Al-Qahtani said, before adding that she has also competed in the Miss Planet International  pageant in Cambodia, the Miss Woman International Beauty Contest in Rome, the Miss Europe Continental competition in Naples, the Miss Arab World pageant in Egypt, the Miss Arab Unity competition in Algeria, and Iraq’s Miss Middle East and North Africa pageant.

The 27-year-old model sees her role as something akin to a cultural ambassador for her country and said that her main aim when taking part in global competitions is to raise awareness about the Kingdom and its people.

“My contributions are to learn about world cultures and to transfer our authentic Saudi culture and heritage to the world,” she said.

To that end, Al-Qahtani makes sure to celebrate Saudi culture on stage — wherever she is in the world. She even wore the traditional Najdi dress at the Miss & Mrs Global Asian beauty pageant in Malaysia and kept her 870,000 Instagram fans updated with regular posts on her pageant looks.

“I wore the Najdi costume and was happy because I was representing the Najd region and its popular costume was admired by the public and the press,” she told Arab News.

Twenty-five contestants from 12 countries and territories competed in this year’s pageant that wrapped up on Jan. 27, including Australia, Borneo, India, Indonesia, Japan, Thailand, Philippines, Singapore, Saudi Arabia, Vietnam, Bangladesh, Myanmar and Malaysia.

 


Review: ‘Sorry, Baby’ by Eva Victor

Eva Victor appears in Sorry, Baby by Eva Victor, an official selection of the 2025 Sundance Film Festival. (Supplied)
Updated 27 December 2025
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Review: ‘Sorry, Baby’ by Eva Victor

  • Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character

There is a bravery in “Sorry, Baby” that comes not from what the film shows, but from what it withholds. 

Written, directed by, and starring Eva Victor, it is one of the most talked-about indie films of the year, winning the Waldo Salt Screenwriting Award at Sundance and gathering momentum with nominations, including nods at the Golden Globes and Gotham Awards. 

The film is both incisive and tender in its exploration of trauma, friendship, and the long, winding road toward healing. It follows Agnes, a young professor of literature trying to pick up the pieces after a disturbing incident in grad school. 

Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character. The story centers on Agnes’ perspective in her own words, even as she struggles to name it at various points in the film. 

There is a generosity to Victor’s storytelling and a refusal to reduce the narrative to trauma alone. Instead we witness the breadth of human experience, from heartbreak and loneliness to joy and the sustaining power of friendship. These themes are supported by dialogue and camerawork that incorporates silences and stillness as much as the power of words and movement. 

The film captures the messy, beautiful ways people care for one another. Supporting performances — particularly by “Mickey 17” actor Naomi Ackie who plays the best friend Lydia — and encounters with strangers and a kitten, reinforce the story’s celebration of solidarity and community. 

“Sorry, Baby” reminds us that human resilience is rarely entirely solitary; it is nurtured through acts of care, intimacy and tenderness.

A pivotal scene between Agnes and her friend’s newborn inspires the film’s title. A single, reassuring line gently speaks a pure and simple truth: “I know you’re scared … but you’re OK.” 

It is a reminder that in the end, no matter how dark life gets, it goes on, and so does the human capacity to love.