Balad Al-Fann program emphasizes sonic forms of memory recall and resistance

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Updated 28 January 2024
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Balad Al-Fann program emphasizes sonic forms of memory recall and resistance

  • The program aims to revive ancestral forms of wisdom and knowledge transference through sound, music, and silence
  • The program is divided into several thematic periods, each offering unique experiences and opportunities for visitors

Jeddah: Jeddah’s historic district is currently hosting the Samaa program as a part of the Balad Al-Fann initiative, which focuses on early developmental learning through communal listening, music and storytelling.

The program aims to revive ancestral forms of wisdom and knowledge transference through sound, music, and silence. With a series of events and workshops, the Samaa program highlights the significance of sonic forms of memory recall, personal growth and resistance. Its ultimate aim is to create a vibrant and inclusive cultural space within the community.

Tara Al-Dughaither, curator of the Samaa program and founder of the artistic research, documentation and production platform Sawtasura, spoke about the program’s significance and its focus on diverse voices and perspectives.

She said: “We provide a space where the public mostly decides what to do in it. We simply offer some tools such as instruments and books, or devices to play music, while the messaging encourages ‘Learn and Play.’ We believe playfulness and organic expression contribute to the development of people’s creativity, which is the essence of a healthy and diverse culture.”

Al-Dughaither further emphasized the importance of deep listening and the program’s departure from market-driven expectations: “The main goal of this program is enhancing deep listening as a way to tap into the creative process and focus on that rather than final and complete works, which is almost opposite of what the market demands. But I think that’s significant.”

The program is divided into several thematic periods, each offering unique experiences and opportunities for visitors. The program first started with “Electronic Sounds,” exploring the inclusive nature of synthesized and electronic music as a mode of sonic transference. This segment ran until Jan. 2, with artists sharing their music and conducting workshops on sound production techniques for creating synthesized, recorded, and looped forms of memory and storytelling.

From Feb. 1- 14, the focus will shift to “Alternative Arab Narratives,” providing a platform for artists to share their musical expressions and exchange ideas with local artists, representing the ethnic and cultural diversity of Jeddah and the region. This exchange aims to foster a sense of allyship and remembrance.

The period from Feb. 15- 21 will be dedicated to “Folk Remembrance,” emphasizing traditional local culture and prioritizing women and children’s circles. Activities during this period will revolve around rhythm and Arabic poetry as forms of timekeeping and memory transference.

Finally, from Feb. 22 to March 9, the program explores “Listening and Presence” as a means of inner reflection and self-empowerment. Artists and musicians will engage with sound and music academically, delving into deep listening as a gateway to transformation and collective empowerment.

Regarding challenges, Al-Dughaither added: “When approaching an open-ended project like this, it’s always a matter of working with hopes rather than clear expectations. We can only manage and control a select number of pre-planned events while the rest is up to the people and how they respond to the space.”

Sawtasura, the curator-led platform behind the program, aims to organize, collect, and archive musical histories in the Arab and Gulf region, offering alternative and sonic ways of knowing. As with all Sawtasura’s initiatives, the emphasis of sound or voice is integral and central. This particular program marks their first interactive engagement with the public.

Al-Dughaither concluded: “We’re especially excited to host some musicians from our neighboring countries performing in an alternative style. This program is a unique opportunity to engage with sound and music as a form of intellectual and emotional rigor, self-determination, and collective empowerment. Sound here plays the deeper role that it can play, becoming a psycho-emotional gateway to transformation.”

Ahmed Nawaf, a music enthusiast said: “I was blown away by the range of experiences offered in this program. The exploration of electronic sounds allowed me to uncover profound layers of meaning within the music. This program has undeniably transformed my perspective on music and creativity, leaving a lasting impact. I eagerly anticipate the upcoming engagements in the coming months.”


‘Cake not hate’ campaign becomes ‘Dates not hate’ in Madinah

“The Joshie-Man” and his father Dan Harris in the courtyard of the Prophet’s Mosque in Madinah. (Supplied)
Updated 11 sec ago
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‘Cake not hate’ campaign becomes ‘Dates not hate’ in Madinah

LONDON: A British autistic and non-verbal boy who has been visiting UK mosques and distributing cakes to promote solidarity amid an increase in far-right support in the country has taken his message of love to Madinah.

Joshua Harris, or “The Joshie-Man” as the 12-year-old is known to his social media fans, has handed out hundreds of his baked goods to worshipers at mosques in major British cities over the last few months.

The “Cake not hate” campaign came about after an Islamophobic attack on a mosque in his home city of Peterborough in October 2025.

Harris and his father visited Masjid Darassalaam, the mosque that was targeted, with cakes that the boy had baked and distributed them to the congregation soon after the attack. Since then, Harris has visited dozens of mosques in the UK.

On a recent trip to the Middle East, he and his father visited Madinah. In a local twist that pays tribute to the holy city’s famous date varieties including ajwa and ambar, Harris handed out dates to people in the courtyard of the Prophet’s Mosque. The “Cake not hate” campaign became “Dates not hate” for Saudi Arabia.

“He was greeted really, really warmly. There were some really touching moments where people were kissing his hands and his head. It was really lovely,” his father, Dan Harris, said.

Dan, the founder of global charity Neurodiversity in Business, said being in Madinah exposed him to the true diversity of Islam.

“We met people from all around the world. It was amazing. It’s like the United Nations there, you get people from different countries and it just goes to show you that the Muslim community, or the Ummah more generally, is not a homogeneous group,” he said.

“We saw people from Tajikistan and Uzbekistan and it was really interesting for us.”

Dan said his visit to Madinah, considered the second holiest city in Islam after Makkah for Muslims, was “profound and life-changing.”

He added: “I would say it’s my favourite city in the world due to the peace and tranquillity I felt there.”

Dan added that he was very impressed by Saudi hospitality: “Everywhere we went, people were taking down my number and insisting that we come for dinner, insisting they pick us up from the location. They were extremely attentive to Joshie as well, making sure his needs were met. We felt a great sense of welcome, something Saudi Arabia is known for.”