‘Babies are suffering’: Afghans fear for kids at crowded border crossing

Afghan children refugees arrive on trucks from Pakistan at the Afghanistan-Pakistan Torkham border in Nangarhar province on November 1, 2023. (AFP)
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Updated 01 November 2023
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‘Babies are suffering’: Afghans fear for kids at crowded border crossing

  • Islamabad issued an ultimatum last month to illegal immigrants: leave before Nov. 1 or face deportation
  • At least 29,000 Afghans crossed into Afghanistan on Tuesday, making it difficult for Taliban authorities to keep up

TORKHAM, Afghanistan: Khalida’s young son fell ill while they were on the road to Afghanistan, racing to leave Pakistan under threat of deportation.

But while they reached their home country before a November 1 deadline set by Islamabad, they could barely get enough food or water to keep up the boy’s strength, let alone the proper medication.

“We don’t have anything to feed him, we got some vegetables yesterday and today so far he has only had a cup of green tea. There is no milk,” said the 25-year-old, holding her son Abdullah, who is under two years old.

“Money talks, but we don’t have any. What can we do?“




Afghan refugee children gesture as they prepare to depart for Afghanistan, at a holding centre, in Landi Kotal on November 1, 2023. (AFP)

She and her other children sat next to a brightly painted truck, one in a sea of vehicles stacked with belongings clustered near the Torkham border crossing, where thousands of Afghans have returned from Pakistan in recent weeks.

Islamabad issued an ultimatum in early October to 1.7 million Afghans it says were living illegally in Pakistan: leave voluntarily or face arrest and expulsion.

In the week before the deadline, a stream of Afghans heading home has turned into a flood, with authorities working from dawn till dusk to register the new arrivals but struggling to keep up.

The number of returnees has mounted daily — at least 29,000 people crossed into Afghanistan on Tuesday alone — sparking an “emergency situation” at the border post, a border official said.

Conditions deteriorated rapidly in just a few days ahead of the deadline, AFP journalists saw, with many parents expressing worry for children who had fallen ill after sleeping out in the cold.




An Afghan child refugee sleeps above a truck as he arrives from Pakistan at the Afghanistan-Pakistan Torkham border in Nangarhar province on November 1, 2023. (AFP)

“He (Abdullah) has diarrhea. We took him to the doctor,” Khalida said. “This woman’s child is sick but she said, ‘Let him be, God will heal him’,” she added, gesturing under her pale pink burqa to a woman nearby.

Taj Mohammad, who traveled from Peshawar just across the border and was waiting to register with the government before going to nearby Jalalabad, said his two-month-old son had developed a chest infection.

“Babies are suffering from flu and chest infections, not only mine but every baby. The weather is cold at night and there are not enough resources.”

Diapers littered the area around the sea of trucks, people and industry that has sprung up around the ad hoc camp, but most people have nothing to clothe their small children in, and human excrement was everywhere.

The government and UN agencies have scrambled to provide services and support, including mobile toilets, water tanks and other supplies, but “we need it to be more,” said Mohammad.

Frustration has mounted with the bottlenecked process. Food and water remain scarce.




Afghan refugees arrive in a truck at a holding centre as they prepare to depart for Afghanistan, in Landi Kotal on November 1, 2023. (AFP)

“There are fights, people are losing patience. I am young, I will somehow bear this situation but how can a child bear all this?” said Mohammad Ayaz, 24, who crossed the border with 10 family members.

Najla Dilnaz, 25, said she was saving all the water they had for drinking, even as her children’s clothes and skin accumulate dirt from the dusty riverbed near the crossing.

“We don’t wash their hands or feet, there is just some (water) for drinking, we are surviving with that,” she said.

“We drink little and we don’t wash at all.”




Afghan refugees climb a truck as they prepare to depart for Afghanistan, at a holding centre in Landi Kotal on November 1, 2023. (AFP)

The Pakistani government said its order in early October was to protect Pakistan’s “welfare and security” after a sharp rise in attacks it blames on militants operating from Afghanistan, which Taliban authorities deny.

The order and a crackdown by authorities spurred thousands of Afghans to hurriedly pack what they could and rush to the frontier, unwilling to risk police action or deportation.

For some, that meant abandoning their whole lives or handling the possibility of giving birth along the way, as at least 30 women have, a border official said Monday.

Rabia, a 32-year-old Pakistani, and her Afghan husband packed up their belongings in a rush and had been at Torkham for three nights already on Wednesday.

She is pregnant with her sixth child and due in a less than a week.

They have no home or land to go to, and there is nothing they can do for now but wait, she said.

“Whether it’s easy or hard, we are here now.”


In Peshawar, 76-year-old artist struggles to keep near-extinct Mughal wax art alive

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In Peshawar, 76-year-old artist struggles to keep near-extinct Mughal wax art alive

  • Craft involves intricate process using heated wax, oil, pigments, limestone to create textured, miniature artworks
  • Riaz Ahmad, who has trained his son in wax art, says he hopes to train more people to preserve traditional craft 

PESHAWAR: Riaz Ahmad, 76, stirs wax in a small plastic can with a long chopstick, takes it out on the palm of his left hand and adds natural color before drawing designs on a piece of cloth.

Surrounded by several such pieces of black cloth with unique art, Ahmad strives every passing day to keep the 500-year-old, Mughal-era wax art alive at his home near the Lahori Gate in the northwestern Pakistani city of Peshawar.

Ahmad comes from a well-known family of wax artists who were based in Shillong and Darjeeling in present-day India and had migrated to Peshawar during the 1947 partition of the sub-continent.

His work remains rooted in tradition, faithfully repeating patterns passed down through generations and winning Ahmad several awards both at home and abroad in recognition of his dedication.

“I have been making the same Mughal era designs that my forefathers used to make,” he told Arab News last week.

 

“I went to India in 2004, where I received the UNESCO Seal of Excellence [for Handicrafts] award... On 23 March, 2012, the Government of Pakistan awarded me the Tamgha-i-Imtiaz.”

The near-extinct traditional craft, which is believed to have originated in Central Asia and refined under the Mughal patronage, particularly in Peshawar, involves an intricate process using heated wax, linseed oil, powdered pigments, and limestone to create detailed, textured and often colorful miniature artworks by hand.

Ahmad learnt wax art from his father, Miran Bakhsh, nearly six decades ago.

“My parents used to do this work in Shillong and Darjeeling [in present-day India]. They had a shop there, and after the Partition, they migrated to Peshawar, Pakistan,” he said. “When they came here, they started doing the same work.”

A basic piece of his work costs around Rs3,000 ($10.7). A larger piece made on order can fetch between Rs5,000 and Rs15,000 ($17-$53), but such orders are rare.

“Wax and colors have become expensive. When I sell a piece for Rs3,000, around Rs1,000 goes into expenses, and Rs2,000 is my daily wage,” Ahmad said.

But the 76-year-old worries more about the future of the art form, which he insists cannot be learned quickly and requires “love and dedication.”

“Some people say they want to come, some from Karachi and some from Lahore, but it becomes difficult for me to go there or for them to come here,” he said.

Most wax artists in Peshawar have abandoned the art due to a lack of institutional support, according to Ahmad, who relies primarily on exhibitions to earn a living.

“The reason [for the decline of this art form] is that the government does not pay attention. They are caught in their own conflicts, and the culture is suffering,” Ahmad said.

“Other artists have left this art. Some are selling rice and some are driving rickshaws,” he added. “I have been doing this work inside my house. If there is any event, we go there and sell our art.”

Saad Bin Awais, a spokesperson for the Khyber Pakhtunkhwa Culture and Tourism Authority (KPCTA), said the government has engaged artisans in several projects. He said some of these projects have come to an end while others are ongoing.

“Riaz Ahmad is the only wax artist in Khyber Pakhtunkhwa and the authority is serious about facilitating him,” he said, adding that the KPCTA facilitates Ahmad’s participation in exhibitions across the country to showcase his art.

“We have also been collecting data of artists in Khyber Pakhtunkhwa for an upcoming project to facilitate them in any way possible.”

Ahmad has trained his son, Fayyaz, in wax art who now practices it in Islamabad. The septuagenarian says he wishes to train more people to preserve the dying art form.

“I cannot leave this work,” he said. “I will continue this art even though my hands shake.”