Kaf by Kaf SS24 collection inspired by oldest farmer’s market in Riyadh 

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The brand lit up the runway with its creative, playful, colorful and happy looks. (AN/ Huda Bashatah)
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(AN/ Huda Bashatah)
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(AN/ Huda Bashatah)
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(AN/ Huda Bashatah)
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Updated 24 October 2023
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Kaf by Kaf SS24 collection inspired by oldest farmer’s market in Riyadh 

RIYADH: One might not expect to find fruits and vegetables incorporated into cutting-edge fashion looks, but that’s exactly what KAF by KAF’s Spring/ Summer 24 collection presented at Riyadh Fashion Week.  

Drawing its inspiration from the oldest farmer’s market in Riyadh, Alrabwah famer’s market, the brand, the work of Saudi designer Kawthar Alhoraish, lit up the runway with its creative, playful, colorful and happy looks.




The collection draws inspiration from the oldest farmer’s market in Riyadh. (AN/ Huda Bashatah)

 Models walking down the runway injected a world of color into Riyadh Fashion Week’s futuristic setup under the modern skyrises of the King Abdullah Financial District. 

“All my life I have grown in a colorless environment, so I created mine,” Alhoraish said in a statement.  




Models walking down the runway injected a world of color into Riyadh Fashion Week’s futuristic setup. (AN/ Huda Bashatah)

The first look, a long fitted sleeveless mesh dress, lined at the bottom with life-size yellow bananas sculpted in fabric, beckoned an uplifting and quirky series of looks to come.  

A mix of avant-garde abayas made in the brand’s sustainable and recycled materials came in powerful hues of yellow, black and white coupled with form-fitting mesh dresses.  




Saudi designer Kawthar Alhoraish. (AN/ Huda Bashatah)

Elsewhere, in an innovative nod, several looks encompassed a material that appeared to be made from woven straw. One look saw a series of curved straw rings stacked on top of each other to make a long sleeveless gown.  


5 artists named on 2026 Ithra Art Prize shortlist

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5 artists named on 2026 Ithra Art Prize shortlist

DUBAI: Five artists from across the Arab world were announced this week as winners of the seventh edition of the Ithra Art Prize, marking a shift in the format for the one of the region’s most established contemporary art awards.

Ala Younis is from Jordan. (Supplied_

For the first time, the shortlisted artists — Aseel Al-Yaqoub from Kuwait, Bady Dalloul from Syria, Heba Y. Amin from Egypt, Ala Younis from Jordan and Jawad Al-Malhi from Palestine — will all receive production grants. Their new works will be unveiled in a dedicated exhibition at the King Abdulaziz Center for World Culture (Ithra) in Dhahran in spring.

Aseel Al-Yaqoub is from Kuwait. (Supplied)

The change reflects a growing emphasis on supporting artistic production rather than selecting a single winner. 

Bady Dalloul is from Syria. (Supplied)

Farah Abushullaih, head of Ithra’s museum, said: “This year’s shortlist reflects the incredible diversity, creativity and critical thought shaping contemporary art in the Arab world. Expanding the shortlist to include five finalists aims to strengthen dialogue across cultures and generations, while reaffirming Ithra’s support for artists and their distinct artistic perspectives.”

Heba Y. Amin is from Egypt. (Supplied)

This year also sees the prize exhibition returning to Dhahran, after previous editions toured cities including Dubai, AlUla and Riyadh.

Jawad Al-Malhi is from Palestine. (Supplied)

Ithra said more than 500 submissions were received through an open call, with works undergoing a multi-stage review process before the final five were selected. 

The shortlisted projects span a wide range of mediums and research-driven practices, engaging with contemporary political, social and historical questions across the Arab world.