AP wins public service, photo Pulitzers for Ukraine coverage

Protesters swim as onlookers wait at a swimming pool in the president's official residence a day after it was stormed in Colombo, Sri Lanka, July 10, 2022. (AP)
Short Url
Updated 09 May 2023
Follow

AP wins public service, photo Pulitzers for Ukraine coverage

  • Mariupol’s deputy mayor said the world’s attention to the work pressured Russians to open an evacuation route, saving thousands of civilian lives.=

NEW YORK: The Associated Press won two Pulitzer Prizes for journalism Monday, in public service and breaking news photography, for coverage of the Ukraine War that included startling images of Russia’s siege of Mariupol.
AL.com, of Birmingham, Alabama, won two Pulitzers, in local reporting and commentary. The Los Angeles Times, The New York Times and the Washington Post also won two awards each.
The New York Times was honored with an international reporting award for its coverage of Russian killings in the Ukrainian town of Bucha. Pulitzers were also given for work surrounding the US Supreme Court’s decision overturning the Roe v. Wade abortion standard, the government’s policy of child separation at the border, and welfare spending in Mississippi.
For its public service award, the Pulitzers cited the work of AP videojournalist Mstyslav Chernov, photographer Evgeniy Maloletka, video producer Vasilisa Stepanenko and reporter Lori Hinnant. For nearly three weeks, AP had the only international journalists in Mariupol, capturing notable images of an injured, pregnant woman being rushed to medical help and Russia firing on civilian targets.
Mariupol’s deputy mayor said the world’s attention to the work pressured Russians to open an evacuation route, saving thousands of civilian lives.
“It is no overstatement to say that their work has been a true public service,” AP Executive Editor Julie Pace said during a staff Zoom celebration. “They told the world of the human toll of this war in its earliest days. They served as a counterweight against Russian disinformation, and they helped open up a humanitarian corridor out of Mariupol with the power of their work.”
Maloletka was also part of AP’s team that won the prize for breaking news photography in Ukraine that included Bernat Armangue, Emilio Morenatti, Felipe Dana, Nariman El-Mofty, Rodrigo Abd and Vadim Ghirda.
“To be there is probably more important and more critical than ever,” said David Ake, AP’s director of photography. “You can’t make the moment that captures the world if you’re not there, and being there is often dirty and difficult and dangerous.”
Pulitzer Prize Board co-chair Neil Brown highlighted the dangers faced by journalists, noting the imprisonment in Russia of Wall Street Journal reporter Evan Gershkovich on spying charges, which his family and the newspaper vehemently deny. Brown said the board demands Gershkovich’s immediate release.
The Pulitzers honor the best in journalism from 2022 in 15 categories, as well as eight arts categories focused on books, music and theater. The public service winner receives a gold medal. All other winners receive $15,000. The prizes were established in the will of newspaper publisher Joseph Pulitzer and first awarded in 1917.
The Washington Post’s Caroline Kitchener won for “unflinching reporting” on the consequences of the abortion decision, including the story of a Texas teenager who gave birth to twins after new restrictions denied her an abortion. The Post’s Eli Saslow won for feature writing.
The Atlantic won the Pulitzer for explanatory journalism for Caitlin Dickerson’s exhaustive probe of the Trump administration policy of separating parents from children at the US border.
The Wall Street Journal won for its investigation into federal officials holding stock that could have been affected by government action, including dozens who reported trading stock in companies shortly before their own agencies announced enforcement actions against them.
The Los Angeles Times won for breaking news for its stories revealing a secretly recorded conversation with city officials making racist comments. The newspaper’s Christina House won for feature photography, for her images of a 22-year-old pregnant woman living on the street.
Kyle Whitmire, of AL.com, won a commentary award for “measured and persuasive columns” about Alabama’s Confederate heritage and a legacy of racism.
His Alabama colleagues John Archibald, Ashley Remkus, Ramsey Archibald and Challen Stephens won a local reporting award for a probe into a local police force. Anna Wolfe, of Mississippi Today, was honored for her reporting on a former Mississippi governor sending federal welfare money to family and friends, including NFL Hall of Famer Brett Favre.
Andrew Long Chu, of New York magazine, won a Pulitzer for criticism.
Nancy Ancrum, Amy Driscoll, Luisa Yanez, Isadora Rangell and Lauren Constantino, of the Miami Herald, won for editorial writing.
Mona Chalabi, a contributor to The New York Times, won for illustrated reporting and commentary. The staff of Gimlet Media won for audio reporting.

 


From injury to influence: Khaled Olyan — the new voice of Arab football

Updated 30 January 2026
Follow

From injury to influence: Khaled Olyan — the new voice of Arab football

  • The Saudi social media star — TikTok’s Arab Creator of the Year — recounts how a setback ended his playing ambitions and pushed him to redirect his passion 
  • Known for memes and commentary that blend football, travel, culture and everyday life, Olyan is FIFA-accredited as a sport informant and covered AFCON 2025 in Morocco

LONDON: A broken dream launched Khaled Olyan’s unexpected rise as a Saudi social media star. Passion and perseverance took him from shattered ambitions to the Africa Cup of Nations 2025 in Morocco, where he surfed the hype while representing Arab culture.

“The journey began with a child who dreamed of becoming a football player to fulfill his own dreams and those of his family and community. After an injury ended that path, I didn’t break, I redirected my passion toward football media,” he said.

In an interview with Arab News, shortly after being crowned TikTok’s Arab Content Creator of the Year, Olyan — who has 13.2 million followers on that platform and 5 million on Instagram — credited his rise to “pure passion and honest content,” and said he had learned over time that “consistency matters more than fast virality.”

He added: “The turning point came when I realized that content can genuinely impact people, not just generate numbers or views. (Then I) stepped outside the traditional sports-content framework and linked football to culture, people, and place. It wasn’t a guaranteed path, but it shaped my identity today as a creator with a clear message and purpose.”

Olyan made history as the first regional creator to be accredited by FIFA as a ‘sport informant,’ a milestone that, he said, has given “local content global credibility and reach.”

Most recently, he was in Morocco to document AFCON, where he highlighted both the host country’s hospitality and the electric atmosphere in the grounds.

“It felt like a responsibility before it was an achievement,” he said. “I felt that my role went beyond coverage to building cultural bridges between people.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by KHALID ALOLAYAN (@olyan15k)

Known for his memes and commentaries blending football, travel, culture and everyday life with feel-good humor, fans hail his “unmatched enthusiasm” and refer to him as “the voice of Saudi football fans.”

“Content today is no longer just entertainment,” he said. “It has become documentation of moments and an influence on collective awareness, especially in sports and culture across the Arab world. That (means there is) a much greater responsibility on everything I create.”

Saudi Arabia’s content-creator ecosystem has evolved dramatically in recent years, driven by a wider national transformation that has reshaped almost all aspects of public life, including sports and entertainment.

“The transformation has been rapid and significant, opening unprecedented opportunities for creators,” Olyan said. As the country moves “quickly toward global leadership in sports,” he added, it has also raised ambitions and created new routes for people to turn dreams into reality.

Across the region, the creator economy is booming, powered by a young audience, government investment and platforms such as TikTok. In 2025, the GCC alone was home to 263,000 social media influencers — a 75-percent increase in just two years according to data from Qoruz, an influencer-marketing intelligence platform.

Globally, fashion and entertainment dominate the influencer industry, but the GCC market has followed a slightly different trajectory. Lifestyle and travel also lead the charts, reflecting both regional affluence and a cultural emphasis on luxury, aesthetics, and experience-led content.

href="https://www.tiktok.com/tag/%D8%AE%D8%A7%D9%84%D8%AF_%D8%A7%D9%84%D8%B9%D9%84%D9%8A%D8%A7%D9%86?refer=embed">#خالد_العليان #المغرب #كاس_امم_افريقيا #هدايا #سحوبات ♬ original sound - KHALID ALOLYAN

While sport is not a major category, the research underscores what makes the GCC ecosystem distinctive: high digital penetration, brand-conscious audiences, and multilingual, multi-ethnic creators, with campaign planning often shaped by strategic decisions about language and identity.

Olyan said he sees many regional influencers following the same path as him — though not necessarily through sport. “I believe we are contributing to clearer roadmaps for anyone aiming for success through creative, values-driven content rooted in strong human principles,” he added. “Opportunities are abundant, but the real challenge lies in consistency and maintaining quality amid pressure and high expectations.”

For Olyan, Arab culture is not an add-on to, but the backbone of, his storytelling. He frames the region’s passion for football alongside questions of Arab identity, delivering it in an entertaining format that can travel beyond the usual language barriers.

“What makes sport special is that it’s a universal language. Many non-Arab audiences already follow my content daily, supported by AI tools. Arabic is my language and a core part of my identity, and I won’t change it. Instead, I’ll rely on smart translation tools and solutions to reach wider audiences.”

Olyan also noted that the region has long been framed through the narratives of people from elsewhere, often in ways that highlight only its darker corners.

“The Arab world is full of inspiring stories and a rich culture that deserves to be told through the eyes of its people, not only from the outside,” he said, adding that he hopes viewers value his videos for “changing their perspective and helped them see the truth more clearly.”

Olyan was crowned TikTok Arab Content Creator of the Year 2026 at a ceremony held in partnership with the 1 Billion Followers Summit in Dubai.

He said the recognition was a result of more than just a run of viral moments, explaining that it came about “through structured, institutional work, team development, and linking content to long-term goals. Sustainability comes from creating moments and building value, not relying on trends or short-lived hype.”

Underscoring the double-edged nature of social media, Olyan argued that attention alone is not the point. “Real impact happens when content is used to educate and inspire people, not just capture their attention.”

He also expressed skepticism about banning under-16s from social media. Regulation matters, he said, but “awareness, smart supervision, and teaching safe usage matter more than complete bans.”

Creators, he added, are not immune to the platforms’ darker side. Psychological pressure, mental exhaustion, and long periods away from family due to frequent travel are part of the job. “I manage it through time organization, temporary breaks, and returning with renewed passion,” he explained.

 

href="https://www.tiktok.com/tag/%D8%AE%D8%A7%D9%84%D8%AF_%D8%A7%D9%84%D8%B9%D9%84%D9%8A%D8%A7%D9%86?refer=embed">#خالد_العليان #كاس_العرب #السعودية #المغرب ♬ original sound - KHALID ALOLYAN

Olyan is also the founder of the O15 Football Academy, a project rooted in his childhood dream and one he sees as part of a broader sporting movement gaining traction in the Kingdom. For him, the academy is not just about competition, but about giving children a supportive environment where sport becomes a formative social practice.

“As a child, I wished such an academy existed for me and my friends,” he said. “Many talents were playing in local neighborhoods without professional guidance or support, causing real potential to be lost due to the absence of proper training environments, follow-up, and opportunities. The environment was often challenging and unmotivating.”

His academy aims to identify talent early, develop it “scientifically,” and prepare players to compete at club and national levels, but Olyan added that even those who do not pursue the sport professionally can also benefit “educationally, culturally, and socially.” 

Football, he said, is “a form of soft power that, by God’s will, can positively impact many aspects of life.”

Whether creating content or helping others pursue their sporting dreams, Olyan said his guiding principle comes from a line by the late Saudi politician and poet Ghazi Al-Qusaibi — a reminder that what you hope for in small measure can arrive, unexpectedly, in abundance: “You wish for a drop of good news, but God wishes to help you with rain.”