MBC Group launches MBC Anime initiative with TOKYOPOP

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CEO and founder of TOKYOPOP Stu Levy and CEO of MBC Group Sam Barnett. (Supplied)
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MBCGroup, in conjunction with TOKYOPOP, has announced the formation of MBC Anime — a brand-new hub dedicated to the licensing, promotion, and production of anime content. (Supplied)
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Updated 29 March 2023
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MBC Group launches MBC Anime initiative with TOKYOPOP

  • MBC Anime is led by renowned anime and manga expert, and founder and CEO of TOKYOPOP, Stu Levy
  • MBC Anime will commission, produce, and invest in a series of world-class quality anime titles

RIYADH: At Anime Japan in Tokyo, MBC Group, the largest and leading media company in the Middle East and North Africa (MENA), announced the formation of MBC Anime — a brand-new hub dedicated to the licensing, promotion, and production of anime content in the region.

MBC Anime is a venture led by renowned anime and manga expert, Stu Levy, founder and CEO of TOKYOPOP, a leading international distributor, licensor, and publisher of anime and manga.

Through the new initiative, MBC Anime will commission, produce, and invest in a series of world-class quality anime titles. Often aimed at adults, anime refers to the wide range of Japanese animation that reflects multiple genres and features a distinctly recognizable visual aesthetic and storytelling approach.

MBC Group has revealed plans to heavily invest over the next several years in the venture, with an ambition to expand further after this time frame. During the first investment period, MBC Anime aims to forge substantive relationships with key anime studios in Japan, supporting and investing in a multitude of compelling projects.

Sam Barnett, CEO of MBC Group, commented: “Anime and manga are incredibly popular in the Middle East and North Africa, with Saudi Arabia being the leader in terms of viewership in the region. In recent years, there has been a huge increase in events and activities related to this art form.

We are thrilled to announce that Stu Levy has joined us to head up MBC Anime. Stu is a renowned figure in the anime industry, known for his expertise in distribution, licensing, and publishing. We’re very excited about the prospects for this cooperation.”

TOKYOPOP’s Levy added: “Having worked with the talented team at MBC Group over the past couple of years, I’ve been impressed by their licensing approach and dedication to the space. Their commitment to not only anime, but building long-term relationships in Japan made me confident of the real potential for exciting growth opportunities working together.”


Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

Updated 17 January 2026
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Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

  • The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive

PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.