Bird man in Turkiye vows to tend to flock after quake

Murat Guzel scatters bird food on the roof of a restaurant where he worked before the earthquake in Antakya. (AFP)
Short Url
Updated 21 February 2023
Follow

Bird man in Turkiye vows to tend to flock after quake

  • Two large white and brown birds nestle in a dovecote made of wire mesh and wood, while more than 20 others perch on a ledge in anticipation of food

Murat Guzel scatters bird feed on the roof as the sun sets over the Antakya restaurant at which he used to work before the earthquake that destroyed the southern Turkish city.
Birds, mostly pigeons, some motley and scruffy, others pristine and plump, scrabble for the feed as Guzel, 40, calls to them.
“We take care of our birds the way we take care of our children — and will continue to look after them,” he says.
On the rooftop above Antakya’s old town, he now keeps 40 birds following last week’s 7.8-magnitude quake, having taken 110 back to the village he now calls home.
To reach the birds, Guzel walks through a debris-littered pantry, now covered with jam jars smashed during the tremors, up a narrow staircase to the rooftop of the traditional Turkish townhouse.
Two large white and brown birds nestle in a dovecote made of wire mesh and wood, while more than 20 others perch on a ledge in anticipation of food.
Before the quake that shattered tracts of southeastern Turkiye and northern Syria killing more than 43,000 people, Guzel was the cook at the Antakya Breakfast House where guests would eat olives and cheese in the courtyard of the 300-year-old building.
“There’s five of us at home, and the five of us came out safe and sound,” he said after they were caught up in the quake in Antakya.
Guzel has three children aged nine, 15 and 17 — the youngest of whom, Eren, has inherited his father’s interest in birds.
“Every morning we come to our birds and feed them (and) attend to their food, feathers and illnesses,” he said.
The building, reinforced with steel girders and escaped with only cosmetic damage, is surrounded by destroyed homes and businesses in the heart of the city’s historical quarter.
Guzel gently grips a snow-colored pigeon he called “white rose” and explains how healthy wings are vital to the bird’s survival.
Diggers and excavators picking through ruined buildings could be heard nearby.
His father became a bird fancier before he was born but gave up the hobby following Guzel’s arrival.
Pigeon keeping is a popular hobby in southeastern Turkiye, particularly among the Kurdish community, and pigeon droppings are often used as fertilizer for watermelons.
Guzel and his brother gave each other a bird when he was just 15 — and have built up their collection since. “Our love for animals is something else, we like animals as much as humans ... maybe more,” he said.
Three or four regular avian visitors have disappeared in the wake of the quake, but have been replaced by 50 more as, he assumes, their keepers were killed.
Initially, Guzel was mostly interested in carrier pigeons but now looks after a variety — like humans “some are very handsome and some are very ugly.”
Guzel, who has a salt and pepper beard and wears a body warmer and jumper, said his birds help to reduce stress when he sits with them.

 


The art of war: fears for masterpieces on loan to Louvre Abu Dhabi

Updated 13 March 2026
Follow

The art of war: fears for masterpieces on loan to Louvre Abu Dhabi

  • UAE paid more than €1 billion to borrow priceless works, but experts in France want them back

PARIS: The Middle East war has raised fears for the safety of priceless masterpieces on loan from France to the Louvre Abu Dhabi, the museum’s only foreign branch.
The Abu Dhabi museum, which opened in 2017, has so far escaped damage from nearly 1,800 Iranian drone and missile strikes launched since the conflict erupted on Feb. 28.
However, concerns are mounting in France. “The works must be removed,” said Didier Selles, who helped broker the original agreement between France and the UAE.
French journal La Tribune de l’Art echoed that alarm. “The Louvre’s works in Abu Dhabi must be secured!” it said.
France’s culture ministry said French authorities were “in close and regular contact with the authorities of the UAE to ensure the protection of the works loaned by France.”
Under the agreement with the UAE, France agreed to provide expertise, lend works of art and organize exhibitions, in return for €1 billion, including €400 million for licensing the use of the Louvre name. The deal was extended in 2021 to 2047 for an additional €165 million.
Works on loan include paintings by Rembrandt and Chardin, Classical statues of Isis, Roman sarcophagi and Islamic masterpieces: such as the Pyxis of Al-Mughira.

A Louvre Abu Dhabi source said the museum was designed to protect collections from both security threats and natural disasters.