Showman Zia Mohyeddin, icon of Pakistan’s art and culture landscape, dies at 91

In this file photo taken on March 14, 2015, Pakistani writer and director Zia Mohyeddin speaks during a recitation session at the Jashn-e-Rekhta literature festival at India International Center, New Delhi. (Photo courtesy: Facebook/Jashn-e-Rekhta)
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Updated 13 February 2023
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Showman Zia Mohyeddin, icon of Pakistan’s art and culture landscape, dies at 91

  • Mohyeddin played the ill-fated Arab guide Tafas in 1962 blockbuster “Lawrence of Arabia”
  • In Pakistan, Mohyeddin gained nationwide popularity through The Zia Mohyeddin Show in 1960s

KARACHI: Zia Mohyeddin, a veteran British-Pakistani actor who made his Hollywood debut in the 1962 epic, “Lawrence of Arabia,” died on Monday at a hospital in Karachi.

Mohyeddin, 91, had been ill and was admitted to the intensive care unit of a private hospital in Pakistan’s commercial capital before he passed away on Monday morning.

Pakistanis across the country mourned his passing, with Prime Minister Shehbaz Sharif describing his art as “one of a kind.”

“Zia Sahib’s personality was full of wonderful qualities. He mesmerized people for more than half a century with his unparalleled skills in theatre, broadcasting and oratory and the magic of his voice. Hundreds of students under his tutelage will keep his legacy alive,” Sharif said on Twitter.

The Ministry of Information and Broadcasting said he was “a true icon of Pakistan’s art and culture,” adding that his contributions to the country and the arts would never be forgotten.

Born in the eastern Pakistani city of Faisalabad, Mohyeddin spent his early years in Lahore and was trained at London’s Royal Academy of Dramatic Art from 1953 to 1956. He began his career in theater, making his debut at London’s West End in 1960 through the role of Dr. Aziz in “A Passage to India.”

In the 1962 blockbuster “Lawrence of Arabia,” he played the ill-fated Arab guide named Tafas. Directed by David Lean, the British epic historical drama is widely regarded as one of the greatest films ever made and won seven Oscars at the 1963 Academy Awards.

He was also seen in Behold the Pale Horse in 1964 by director Fred Zinnemann, and in Immaculate Conception in 1992, directed by amil Dehlavi. He also authored three books, A Carrot is a Carrot, Theatrics and The God of My Idolatry Memories, and Reflections.

Mohyeddin returned to Pakistan in the late 1960s and gained national popularity through a television talk show, “The Zia Mohyeddin Show,” which ran from 1969 until 1973.

“Mr. Zia’s life will be celebrated by many. He lived a long, happy, and healthy life. He kept working ‘till his last days and has left so much meaning behind to be cherished and take inspiration from. Mr. Zia will keep living as an immortal voice,” Pakistani screenwriter Bee Gul told Arab News.

Mohyeddin was also widely known for his poetry and prose recitations as well as acting and theatre direction, and one of his last works was directing the first Urdu adaptation of Shakespeare’s “Romeo and Juliet,” which was performed last year at the National Academy of Performing Arts, an organization Mohyeddin helped set up in 2005.

Uzma Sabeen, who assisted Mohyeddin during the recent production and knew him for over 15 years, said she was proud to have worked with him.

“I was fortunate to have worked with him. We learnt a new thing from him every day,” she told Arab News. “He was a gentleman who respected everyone, particularly women. He was a very genuine artist and a genuine human being. We never saw him speaking ill. He was a very honest person.”

Mohyeddin was awarded the Hilal-e-Imtiaz, the second-highest civilian honor in Pakistan, for his contributions to the arts, in 2012.

“The world of arts bids farewell to a maestro - Zia Mohyeddin - broadcasting legend, poetic virtuoso, actor, and theatre director,” Pakistani actor Adnan Siddiqui said on Twitter. 

“As we celebrate his life and legacy, and mourn his loss, we are reminded of the immense impact he has had on our cultural landscape.”

The Rekhta Foundation, an archive of Urdu poetry and literature, said the news of Mohyeddin’s death came as a “huge shock leaving a void that cannot be filled.”

 


Riyadh to install 25 new public artworks after conclusion of Tuwaiq Sculpture symposium

Updated 09 March 2026
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Riyadh to install 25 new public artworks after conclusion of Tuwaiq Sculpture symposium

  • Move will extend the impact of the annual art event beyond its conclusion, bringing large-scale contemporary artworks into the city’s streets and parks
  • Artworks produced during the symposium will now become part of Riyadh Art’s permanent collection

RIYADH: Some 25 sculptures created during the seventh edition of the Tuwaiq Sculpture symposium and exhibition will soon be installed across public spaces in Riyadh.

The move will extend the impact of the annual art event beyond its conclusion, organizers said, bringing large-scale contemporary artworks into the city’s streets and parks.

Organized by the Royal Commission for Riyadh City through the Riyadh Art Program, the 2026 edition has ended after nearly two months of live sculpting, exhibitions and public programming.

The artworks produced during the symposium will now become part of Riyadh Art’s permanent collection and will appear across the capital as part of a broader effort to integrate art into everyday urban life.

This year’s symposium began in January and took place along Prince Mohammed bin Abdulaziz Road, widely known as Tahlia Street.

The site was transformed into an open-air studio in which visitors could observe artists carving, welding and assembling sculptures.

The live sculpting phase, which was held between Jan. 10 and Feb. 5, brought together leading Saudi and international artists to produce 25 large-scale works.

The sculptures were created using locally sourced granite and reclaimed metal, highlighting both the region’s natural materials and the creative reuse of industrial elements.

Visitors were able to follow the process of each artwork’s development, from raw materials to finished sculptures, while also interacting with the artists and learning about their techniques and concepts.

The event also featured a wide-ranging community engagement program designed to deepen public understanding of contemporary art.

The program included 10 panel discussions, 105 training workshops and 15 masterclasses exploring sculptural techniques, materials and the role of public art in cities.

Educational outreach formed another key component of the symposium. Organizers hosted 25 educational visits for more than 600 students, while daily guided tours enabled visitors to explore the artworks and gain insight into the creative processes behind them.

After the live sculpting phase, the completed sculptures remained on-site until March 8, giving visitors the opportunity to experience the works in their original setting before their distribution across Riyadh.

The symposium was curated by Lulwah Al-Homoud, Sarah Staton, and Rut Blees Luxemburg, who guided the artistic direction around the theme “Traces of What Will Be,” exploring how sculpture can reflect future possibilities while responding to the city’s evolving identity.