Karachi Biennale: Pakistan’s largest international, contemporary art forum kicks off

Fakir Zulfiqar from Badin plays Borindo music at the inaugural ceremony of the Karachi Biennale 2022 at the NJV School in Karachi, Pakistan, on October 29, 2022 (Photo Courtesy: KB22)
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Updated 02 November 2022
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Karachi Biennale: Pakistan’s largest international, contemporary art forum kicks off

  • 2022 edition will run from Oct. 31 to Nov. 13 with exhibitions, talks and performances at nine venues
  • Artists will follow theme ‘Collective Imagination: Now and the Next,’ capturing integration of tech and art

KARACHI: The Karachi Biennale, Pakistan’s largest international, contemporary art forum, has kicked off in the port city, aiming to explore the intersection of art and technology and showcase works by artistes from Pakistan and 13 other countries, organizers of the show said.

This year’s edition of the event will run from October 31 to November 13, with international exhibitions, talks and performances at nine venues across Karachi.

The Karachi Biennale Trust (KBT) was founded in 2016 by a group of art professionals and educators as a platform to promote creativity, innovation and criticality in the visual arts. The Karachi Biennale connects “art, the city and its people, and acts like a temporary museum showcasing leading artists in Karachi,” the website for KBY says.

The first edition of the forum, in 2017, was themed ‘Witness’ and invited artists to introspect on their personal, political and social experiences through art and performances. The second biennale in 2019 focused on climate change and the devastating ‘development footprint’ on the ecology of Karachi and other cities. At this year’s festival, or KB22, artists will exhibit works under the rubric, ‘Collective Imagination: Now and the Next,’ capturing the expanding integration of technology with art.

“We felt technology would really push us in a different direction,” Niilofur Farrukh, KBY Managing Trustee, told Arab News at the festival’s inaugural ceremony on October 29, 2022.




Managing Trustee of Karachi Biennale Trust and Karachi-based art interventionist, Niilofur Farrukh, addresses the inaugural ceremony of the Karachi Biennale 2022 at the NJV School in Karachi, Pakistan, on October 29, 2022 (Photo Courtesy: KB22)

“We are celebrating 75 years of Pakistan and it is the youth who really need to be a part of art. Technology resonates with them and they are at the moment consumers of technology who go beyond that and become innovators or disruptors. That is what we would like out of this [KB22].”

The event also aims to connect the past and the present “so, a lot of our work is installed in heritage sites,” Farrukh said.

Faisal Anwar, a new-media artist who is the curator of KB22, said this year’s theme was a “reflection of contemporary movements across the globe” where technology and social media were shaping the human and artistic experience.




Curator of KB22, Faisal Anwar, speaks at the inaugural ceremony of the Karachi Biennale 2022 at the NJV School in Karachi, Pakistan, on October 29, 2022 (Photo Courtesy: KB22)

“From the Islamic golden age and European Renaissance art to contemporary and the New Media art, artists as alchemists, scientists, engineers and creative innovators have embraced technology to find original and creative ways of expression,” Anwar told Arab News. “My inspiration was to bring together artists from all over the world to share those stories with people of Karachi and globally as well to celebrate that movement.”

Pakistani artists participating in KB22 include Amin Gulgee, Yasir Darya and the KCR (Karachi Community Radio) Studio, to name a few, while the international artist lineup includes Canadian art collective Audio Placebo Plaza (Julia E Dyck, Erin Gee, Vivian Li), Paris-based visual artist Justine Emard and Spanish artist Solimán López.

 




Artist Amin Gulgee's installation, the Memory Room, at the Karachi Biennale, Karachi, Pakistan, on October 29, 2022 (Photo courtesy: Haya Faruqi)

“For this biennale, I have done an installation called the ‘Memory Room’ and then there will be a performative work on ‘The Forgotten March’,” Gulgee, who was the curator of KB17, said. “I want it to be an experiential installation and evoke all the senses — sight, sound, touch, smell.”

The nine venues for this year’s biennale include Hamid Market, NJV School, Jamshed Memorial Hall, Sambara Gallery, and the IVS Gallery at the Indus Valley School of Art and Architecture in the southern part of Karachi. All exhibits and 26 immersive art projects are free for members of the public who will get to experience virtual reality, artificial intelligence and sensory, kinetic and creative computing in the works on display.




Chitrali born rubab player Irfan Taj plays rubab alongside a mechanized Chitrali Sitar at KCR's installation, Saaz | ساز during the inaugural ceremony of Karachi Biennale 2022 at the NJV School in Karachi on October 29, 2022. (Photo Courtesy: KB22)

 


Alia Bhatt, Sigourney Weaver talk love for authenticity, strong women

Updated 55 min 19 sec ago
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Alia Bhatt, Sigourney Weaver talk love for authenticity, strong women

JEDDAH: On the seventh day of the ongoing Red Sea International Film Festival, two actresses — set apart by geography and time — spoke of their love for telling authentic stories and depicting strong women.

Bollywood superstar Alia Bhatt and Hollywood great Sigourney Weaver, on their respective In Conversation panels, reflected on their varied careers and the choices that led them to enduring success.

From a teenager stepping onto her first film set to a respected actress in her early thirties, Bhatt’s journey is a testament to the power of curiosity and instinct.

Bollywood superstar Alia Bhatt. (Getty Images)

“When I started out, I was ... maybe 17, 18,” she said. “I was way more enthusiastic and full of beans, trying really hard because I was just starting out.”

Her approach has evolved, but the core remains unchanged. “I’m still enthusiastic, still full of beans, but the approach is more silent. It comes with a little more sense of intent,” she said.

“I approach my work truly through pure instinct. The way I choose a part is like, ‘Oh, I've done this. Now I want to do this.’”

This approach, she said, led her to take creative risks — from “Highway” to “Udta Punjab” to Gangubai Kathiawadi” — always seeking variety.

Turning producer with Eternal Sunshine Productions was a natural progression of that curiosity. “I have a real strong passion for stories, so I like to get into it.

“And I like to think, ‘Okay, this has this potential, or this has that potential,’ and either I’m in it or I’m not, but I like to assess the initial stages of a story which is just a synopsis or first draft on paper.”

 Hollywood heavyweight Sigourney Weaver. (Getty Images) 

Weaver said she never set out to become an action hero. Initially shy and unsure, she was drawn not to specific roles but compelling stories.

When “Alien” came along, she approached the script with an open mind, unaware she was about to redefine female characters in science fiction.

“We were just trying to make a good, small movie,” she recalled. “The writers had cleverly crafted a script with a mixed-gender crew of “dirty space truckers,” deliberately subverting expectations by making the young woman the survivor and hero.

Weaver did not see it as a feminist statement at the time, but as a natural storytelling choice. Her character, Ellen Ripley, represented the idea that women could be self-reliant.

“She reminds us all that we can rely on ourselves and we don’t need a man to fly in and save us,” said Weaver.