Forward cruising: How Riyadh’s skateboarding scene is developing

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The skateboarding community in Saudi Arabia is growing as more skateparks come on stream. (Shareef Masarani)
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The skateboarding community in Saudi Arabia is growing as more skateparks come on stream. (Shareef Masarani)
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The skateboarding community in Saudi Arabia is growing as more skateparks come on stream. (Shareef Masarani)
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The skateboarding community in Saudi Arabia is growing as more skateparks come on stream. (Shareef Masarani)
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Updated 09 August 2022
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Forward cruising: How Riyadh’s skateboarding scene is developing

  • Popularity of the sport growing amongst teenagers in the Kingdom’s capital
  • LocoSonix founder Safi Marroun: I see great potential in the sport as it’s becoming increasingly integrated into the Saudi culture

RIYADH: Sitting on the upper level of LocoSonix, a skate shop based in Riyadh, Saudi skateboarder Shareef Masarani is approached by a young girl. The mixture of excitement and shyness overwhelm her expressions as she presents a board she picked out from the shop.

“I just wanted to ask you, I am buying this board. Is it cool?” She wanted his input on buying her first ever skateboard after seeing he was at the shop through Instagram Live. 

“The Hydroponic is good, as a startup board, yeah … That’s actually a good choice,” he responded. 

The girl had found his account on Instagram one day, and later on met him at the Riyadh Boulevard skatepark. The coincidence inspired her to hop on her very own skateboard for the first time. 

Masarani has been a skater on and off for almost 20 years, beginning his journey at 15. After leaving his job as a chef to focus on growing the skate community in Saudi Arabia, he has become somewhat of a go-to resource for all things skateboard-related for many up-and-coming skaters, alongside his 11-person skate community Sandlifers.

Masarani went from pursuing skateboarding as a hobby while living in the US to becoming a learning resource and collaborating with big-name brands such as Vans and Mountain Dew.

One of his young client’s mothers called him one day, thanking him for his work. Not only were her daughter’s skills improving, but she became a more outward and confident person as a result. 

“Her personality developed. At the house, she’s a quiet kid, she doesn’t talk to anybody. Now, it gave her confidence and gave her a personality, she’s talking with the family. It changes people, it really does,” Masarani told Arab News. 

“When you learn a trick, you do things that you didn’t think you could do,” he said. “I’ve seen what it did to me, and I would love to kick start it here in the Middle East,” he said.

Masarani’s client, 15-year-old Reef Khalid Hassan, said her training helped her manage the tricks she aimed to master. His support inspired her to keep going. 

“Ever since I met him, he’s been telling me that I could be something … Masarani also helped me with explaining to me how skateboarding works, different tricks and how to think in the right mindset,” she told Arab News. 

“You need to know when to bail and when to commit,” he told her during a lesson. 

Hassan started skating on her own a few months back and has become one of the rising young stars in the Riyadh skate scene, according to Masarani.

“A few months ago, I used to need a little bit of help with a couple of tricks, so I got a month’s training, which helped me a lot,” she said. 

Her first two tricks were a revert and an ollie. “It felt really good, actually, because I tried for so long until I got it … Skating gives me something to look forward to because there are more tricks (to learn) every day,” she said. 

But the skate scene was not always this popular in Saudi Arabia. According to Masarani, only a few groups of people, including Sandlifers and some Filipino residents who had brought the practice from their country, were skating until 2020. 

That is when Al-Nakheel skatepark opened to the public. Slowly, more parks became accessible like the private Diriyah club and the purpose-built Riyadh Boulevard skatepark, which rents out gear on the spot.

As his following increases, Masarani has been using Instagram as a learning tool for others. He utilizes the app’s live feature as a platform to answer common questions that people have around the sport, or to demonstrate which of LocoSonix’s goods are best to purchase for your needs. 

“That’s my goal. I want people to be better than me,” he said.

Masarani is also a partner of LocoSonix, the only specialized skate shop in the Kingdom, and frequently shows off their newest gear. Walking into the active lifestyle store is like entering an art gallery. 

“I see great potential in the sport as it’s becoming increasingly integrated into the Saudi culture,” Safi Marroun, founder of LocoSonix, told Arab News.

“The moment you learn how to balance on a board and start to ride around with your own board, you have entered a new way of living. LocoSonix brings together the artist, the pro players, and those who want to just have fun on wheels.”

LocoSonix is planning to create skateparks to promote the sport in 2023.

Skateboarding has recently been legitimized with its recognition as an Olympic sport by the International Olympic Committee, making its debut appearance at the 2020 Summer Olympics in Tokyo.

In the Kingdom, the Saudi Arabian Extreme Sports Federation recently concluded two rounds of skateboarding camps in Riyadh, with 111 participants. It also held its first two-day skateboarding and aggressive in-line skating competition that hosted 38 female and male participants.

“I see (the scene) becoming bigger, if people continue doing what they’re doing. Like anything, if they stay consistent with it, it’s only going to get bigger,” said Masarani.


Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

Updated 31 January 2026
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Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

DUBAI: Afghan American film producer Zainab Azizi cannot wait for audiences to experience Sam Raimi’s new horror comedy “Send Help.”

In an interview with Arab News, the president at Raimi Productions kept returning throughout her interview to one central theme: the communal thrill of horror.

“I started watching horror from the age of six years old. So, it’s kind of ingrained in my brain to love it so much,” she said, before describing the formative ritual that still shapes her work: “What I loved about that was the experience of it, us cousins watching it with the lights off, holding hands, and just having a great time. And you know, as an adult, we experience that in the theater as well.”

Asked why she loves producing, Azizi was candid about the mix of creativity and competition that drives her. “I’m very competitive. So, my favorite part is getting the film sold,” she said. “I love developing stories and characters, and script, and my creative side gets really excited about that part, but what I get most excited about is when I bring it out to the marketplace, and then it becomes a bidding war, and that, to me, is when I know I’ve hit a home run.”

Azizi traced the origins of “Send Help” to a 2019 meeting with its writers. “In 2019 I met with the writers, Mark and Damien. I was a fan of their works. I’ve read many of their scripts and watched their films, and we hit it off, and we knew we wanted to make a movie together,” she said.

From their collaboration emerged a pitch built around “the story of Linda Little,” which they developed into “a full feature length pitch,” and then brought to Raimi. “We brought it to Sam Raimi to produce, and he loved it so much that he attached to direct it.”

On working with Raimi, Azizi praised his influence and the dynamic they share. “He is such a creative genius. So, it’s been an incredible mentorship. I learned so much from him,” she said, adding that their collaboration felt balanced: “We balance each other really well, because I have a lot of experience in packaging films and finding filmmakers, so I have a lot of freedom in the types of projects that I get to make.”

When asked what she hopes audiences will take from “Send Help,” Azizi returned to the communal aftermath that first drew her to horror: “I love the experience, the theatrical experience. I think when people watch the film, they take away so many different things. ... what I love from my experience on this film is, especially during test screenings, is after the film ... people are still thinking about it. Everybody has different opinions and outlooks on it. And I love that conversation piece of the film.”